The Ungardener shares some well-timed wisdom

Tom Zetterstrom picking the last of the garlic mustard and narrowleaf bittercress on his North Canaan property.
Photo by Shane Stample

Even if you have been assiduously pulling your garlic mustard and narrowleaf bittercress you will see that the ones you missed — and there are always some you have missed — have already released their seed. The narrow seed pods — called siliques — propel seeds like little bombs exploding at the lightest touch. I read that single narrowleaf bittercress plant can produce over 5,000 seeds. I think that data point is quite motivating. “Today I pulled what would have been a million weeds next year” you might say after a morning of light weeding.
Some of the larger narrowleaf bittercress plants keep growing and producing seed even after the first seeds have exploded. And some of the garlic mustard has not yet released its seed so they are still worth pulling. You will want to pull the plant from the bottom of the stem, keeping the seed head far from you and surrounding obstacles. Using a contractor’s bag, gently place the pulled plant in headfirst to catch the explosion of seeds. Also keep in mind that some of these plants are top-heavy and will have fallen over, especially with the rain we have had over the past week; try not to step on them. You can keep the bag in the sun for the summer to rot down the contents and dispose as compost the following year.
It all comes down to staying ahead of a plant’s seed production which happens after the plant flowers. After several seasons of this kind of work the sequencing of weed pulling takes on a distinct rhythm. April and May are dedicated primarily to garlic mustard and narrow leaf bittercress eradication then, at least on my property, nipplewort (which is in flower now) the dreaded Japanese stilt grass and then poison hemlock.
The weed currently on Tom Zetterstrom’s mind is mugwort. You might already know Tom; he is a guru for many when it comes to restoring native environments; he has been doing this work on his own 60 acres and for others for decades. A fine art photographer by trade and dedicated to preserving our area’s native elm trees, Tom has seen the woodlands and grasslands in the Northwest Corner change significantly as invasive plants and fungi have wrought havoc to native habitats.
Tom thinks that mugwort, Artemisia vulgaris, may now be more of an environmental threat than Japanese knotweed due to its massive seed proliferation. A single mugwort plant can produce 200,000 seeds (making narrow leaf bittercress an invasive lightweight by comparison.) By seed and by rhizome, mugwort creates dense monocultures and chokes out anything in its way.
It has taken over on roadsides; you will easily identify them by their leaves’ silver undersides. Tom posits that their quick and wide spread is due to the unintended consequence of roadside brush cutting which is done in early spring when the seed heads have not yet grown, then again in late fall, after the seeds are ripe and ready to fall off. The very thing the brush cutting is trying to minimize is making the problem worse.
Even then, brush cutting alone will not eradicate mugwort because it has a rhizomatous root system. You can cut it and it will grow back — again and again. Tom sprays herbicide on swaths of mugwort with glyphosate at a 2% ratio to water with the addition of a surfactant to help it spray well and penetrate the leaves. If you want more info on herbicide best practices, email me at dee@theungardener.com
Over in Sharon, Barbara Zucker Pinchoff has the remnant of a 3700 square foot patch of mugwort. Two years ago, after watching it expand over several years, she sprayed a small area with Roundup as an experiment. It did not work. Researching non-chemical solutions, she had it mowed down and covered the area with black tarps — from BillboardTarps.com, which sells vinyl that has previously been used as billboard creative. She waited (impatiently, as you can imagine with that much of her land covered by several billboards!) for two years. Then an area which had blown off exposed the area. The offending plant looked dead and gone and so the tarps came off. In one area Barbara planted native plugs and also pasture grass; not native, which she regrets, but sufficiently quick to green up and prevent a mugwort comeback. In another part of the plot she seeded with a combination of native plant seed and a cover crop of oat seed.
This area has been slower to take and Barbara’s keen eye IDs the mugwort as it pops up and she pulls it up right away.
I won’t get into the chemical debate; both sides make honorable arguments and the variables for good decision-making are many.
When it comes to chemical eradication of weeds, I will stress that common sense and adherence to best practices is key to minimize animal harm and habitat contamination and keep humans safe. Also, as I finish up this column, an opinion piece from Dana Milbank in The Washington Post has hit my inbox.
Anyone trying to make an informed decision should read it — www.washingtonpost.com/opinions/2023/06/30/herbicide- invasive-plants-national-parks-shenandoah/
Dee Salomon “ungardens” in Litchfield County.
Kent Town Hall, where the Inland Wetlands and Watercourses Commission approved the draft settlement.
KENT– A year-and-a-half-long legal dispute over an unpermitted roadway and dock built through wetlands on North Spectacle Pond is approaching a resolution. The KenMont and KenWood summer camp and the town’s Inland Wetlands and Watercourses Commission are close to reaching a mutually acceptable agreement.
The conflict began after the IWWC denied the camp’s retroactive application in March 2024 for the road and dock, which were constructed without town approval sometime last decade. The Commission found both structures violated town regulations, leading the camp to file a legal appeal.
Although most deliberations occurred in executive session, IWWC Chair Lynn Werner announced at the Commission’s Nov. 24 meeting that both sides had found a path forward. “We’ve come to a place where both sides are in agreement,” she said.
The Commission then voted unanimously to approve the settlement, which must now be submitted to the court for final approval. During the meeting, the Commission’s legal counsel, attorney Michael Ziska, explained that the current camp leadership—who were not involved in constructing the roadway or dock—had agreed to terms that would prohibit vehicle traffic on the road, require invasive-species management around it, and allow the IWWC to conduct regular inspections.
Ziska said the former camp leader responsible for building the road has since died, and the new directors are cooperating. He noted the roadway was built largely of logs that are now degrading into the wetland. Expert consultants for both the camp and the IWWC have advised allowing the roadway to be naturally reclaimed by the landscape, with light management to ensure several culverts beneath the structure remain functional.
“I believe that this settlement agreement protects the Commission’s interests,” Ziska said. “[It] recognizes the unique aspects of this particular violation – the number of years it’s been in place, the fact that the person who is responsible is no longer around, and the fact that the consultants have said things should probably be left as is for the time being. All of that commends itself to this draft settlement that we have proposed.”
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.