Ungardening in January: Seeds

Straw mulch over seeds protects a meadow planting. New growth will be augmented with plugs in Spring.
Jacque Schiller

Straw mulch over seeds protects a meadow planting. New growth will be augmented with plugs in Spring.
It is time to think about seeds for spring planting and time to plant seeds that require overwintering to break their dormancy and germinate in the spring. That is my January project, planting the native seeds collected mostly from my garden, the meadow and the woods. I will use the tried-and-true method, re-using plastic gallon jugs which I have saved for this purpose. I cut around the jug, four inches from the bottom, leaving about an inch of the plastic attached so that it hinges open. The bottom is filled with soil and dotted with seed, then I tape the top to the bottom to create a kind of greenhouse. These can be left outside until it starts to warm up, and the tops can then be removed. Be sure to label the jugs in a way that will not succumb to the elements – even Sharpie ink can fade over the winter. I use a wood plant label stake inside the container before I seal it up as well as a tag sealed with clear tape attached to the outside.
I’m also planting seeds directly into the ground in the meadow. The meadow was not mowed last year so there is an excess of grass and thatch covering the soil. I decided to use the propane weed torch to selectively burn the grass where I want to plant the seed. I waited for a morning after a big rain to start this experiment. Holding the torch steady in one spot for a few seconds created an approximately 5-inch patch of char and bare soil. I then used my boot to push back a bit of the newly uncovered topsoil. Onto this moist exposed soil I pressed a few seeds and then covered it lightly with the soil I had pushed back. My foot tamped it down gently and then I loosely covered the patch with some dry grass. With help, I was able to create about forty of these bare patches into which I planted seeds from six different native plants suited to the sandy riparian soil.
We ‘started’ the meadow three years ago on about an acre of land across the stream from our house simply by not mowing it anymore. We had no idea what would grow. And when it did, it was not impressive; mostly non-native weedy plants took over: sheep sorrel, hawkweed and several non-native grasses. But also some promising signs – a few yarrow, horsetail, evening primrose and wild strawberry. The following year, after a June mow, we planted little bluestem seeds, mostly as they did not need the overwintering that perennials typically require to germinate; they grew in well. Last spring I spent way too long pulling out the sheep sorrel and planting partridge pea seeds. Over the season I added a few more flowering perennials: Rattlesnake master, Eryngium yuccifolium, Culver’s root Veronicastrum, Bienial Gaura, Gaura Oenothera. From these and a few more species I had enough seed to spare for this planting experiment.
On New Years Day I was chatting with Jacque Schiller -about seeds- at a mellow afternoon party in North Cornwall. Jacque had planted a small meadow in the area where the septic system of their house which had been replaced. She relayed how she spread seeds- a wildflower seed mix specifically for Connecticut from Urban Farmer - last August after the septic work was complete and planned to augment with native plugs this spring. When I got home, I went on the Urban Farmer website to look at the details of the seed mix she used. I was sad and not surprised to see that about 70% of seeds in this particular mix is from non-native species. The company does offer a native mix for the Northeast which is found alongside the other seeds on offer but does not make a distinction between native and non-native seed for the state-specific mixes.
I asked Jacque if she thought her meadow was comprised of native plants; yes, she had. Her error is a common one; I too have bought plants thinking that they were native when they were not. Not all wildflowers are native, of course, but the nomenclature and the way they are sometimes marketed can be confusing to people whose intentions are to plant native. So why is it done? I suspect the wildflower species included in the CT mix are showier than the native alternatives. And perhaps even hardier, as there are fewer animals that eat them or their pollen or reproduce on them. Consumers want aesthetic success, and non-natives can do that but they do not deliver on preserving the native habitat and food chain for native insects, birds and even mammals. Moral here: Buy seeds from reliable sources such as native plant specialists. Exchange seeds with people you trust. Read labels well.
If you are looking for native seeds, there will be a native seed exchange Jan. 25 from noon to 3 p.m in the Munger Barn at The Dudley Farm North Guilford, Conn. Organized by national organization The Wild Ones, the event is a bit far away; but will be a worthwhile trip. For more information, go to mountainlaurel.wildones.org/news/
Dee Salomon ‘ungardens’ in Litchfield County.
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.