Roadsides as runways: trend spotting invasive plants

Purple loosestrife as a roadside attraction.
Dee Salomon

Purple loosestrife as a roadside attraction.
I can’t help but notice the roadside plants while I am driving. This spring, after an otherwise violent brush cutting along Route 7, I spotted a large and glorious patch of trillium; the other day I noticed that the super-spreader Japanese stiltgrass has taken over the sides of a local thoroughfare that shall not be name-shamed. Roadside plants are both a seasonal timestamp and a leading indicator of what invasives we will soon be grappling with inside the boundaries of our own properties. A kind of drive-by trend spotting.
A new-ish umbellifer dotting the roadsides this summer, Wild parsnip, Pastinaca sativa, is a tall, fennel-shaped invasive that has, thankfully, now withered to a brown skeleton. For cyclists this summer it was a surprise, then a worry. Skin contact with the plant can cause burns and blistering welts. If it gets into the eye it can even cause blindness.
The plant that is currently engaging my peripheral vision from the road is purple loosestrife, Lythrum salicaria. By the time you read this it will be winding down its blossom and going to seed. One is forgiven for not taking this one seriously; with its skinny stems and distractingly vibrant flowers it is arm candy to the native goldenrod it often accompanies. I saw it in a bouquet at a dinner last week and thought that we should all be making purple loose strife bouquets in an effort to stop its spread. True to its name, this loosestrife is a troublesome invasive that bullies out native neighbors with a combination of its dense perennial rootstock and prolific seeder. According to the Connecticut Invasive Plant Working Group, a mature plant can produce more than 2.5 million seeds annually.
Purple loosestrife is most often seen in wetland areas; its seeds can germinate even after a couple of years spent under water. Cut it down to prevent the seeds from spreading; it is hard to pull out by the root. If you only have a few, consider using a shovel to dig out the roots, which you will need to do consistently over a few years. It does get better. Chemical control, especially in wetlands, is best left to a professional.
There have been attempts at biological control against purple loosestrife; four types of insects were approved for release in Connecticut years ago to slow down the plant’s spread including a leaf eating beetle and a root eating weevil. My sense was, over the last few years, populations of the invasive plant were declining. This year, perhaps due to the mild winter or the heavy rainfall, it seemed to be everywhere.
There are both native and invasive loosestrifes co-existing in our area so a quick lesson to help you distinguish between them. There is a smaller, paler purple-flowered native called Winged loosestrife, Lythrum alatum, that I have never seen here and would like to know if any readers have encountered the species nearby. If you have, please send me an email at dee@theungardener.com
The other three are all yellow-flowered. Yellow loosestrife, Lysimachia vulgaris, is the invasive type. Like its purple relative, it grows in full sun and prefers wetlands. The yellow flower has more of a golden hue than that of its native relatives, Fringed loosestrife, Lysimachia ciliata, and Whorled loosestrife Lysimachia quadrifolia. Both of these native plants have distinctly paler yellow flowers that are less abundant on the stem than they are with the invasive type. Fringed loosestrife is abundant on the banks of the Housatonic where we live but so is the invasive version which I admit to not identifying it in time to keep it from establishing a robust stand in an area where I cannot shovel out the roots without causing erosion to the area. I will keep cutting it and see how it responds.
Back to the earlier-mentioned Japanese stiltgrass. If you intend to eradicate this prolific plant now is your last opportunity before it spreads its seeds, which are emerging from its slender stems. Consider first the area where it resides. In meadows and lawns you will do well to pull it out rather than weed whack so that there is no chance of seeding. Be sure to get your fingers down near the ground before you tug as the stem is as thin as a thread and will easily break with the root still in the ground. Not a disaster but it does risk re-growth this fall. For large and dense swaths, a weed torch will work wonders so long as you use with caution and safety measures. Remember to use this method only after a rain or early in the morning when the dew is thick and fallen leaves are not easily flammable. Always have a fire blanket or other fire eradication system by you. Perhaps most importantly, to avoid stiltgrass infestation, ask your lawn care company to hose down their mowers before starting to mow your lawn. This time of year stiltgrass seed will travel on mowers from other people’s lawns to new spots.
The shrub and small tree called Burning bush, Euonymous alatus, is the next invasive plant to put on a show for us on the roadside runway with its brilliant bluish-red and then pink leaves trying to distract driving eyes. Don’t succumb – eyes on the road!
Dee Salomon ‘ungardens’ in Litchfield County.
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.