Thank you!
Your support is sustaining the future of local news in our communities.

What happens to the trash?

In July 2022, a major trash-to-energy plant in Hartford’s South Meadows closed after four decades of operation.

Now, in its absence, Connecticut has been shipping 860,000 tons of trash out of state annually. In January, Gov. Ned Lamont and his environmental chief, Katie Dykes, began outlining a long-term policy for disposing of that waste.

Here’s what to know.

The Hartford plant closed after the state turned down a request to fund refurbishments.

The Materials Innovation and Recycling Authority’s trash-to-energy plant was a coal-burning power plant converted to a trash-to-energy facility in the 1980s. The permit to make the conversion was issued in the 1980s, but the permit to operate was issued in 1994.

This was a time when almost every municipality had a town dump that was likely releasing greenhouse gases into the atmosphere, polluting groundwater and playing host to an army of vermin.

Turning trash into electricity was seen as a vast improvement, and six trash-to-energy plants were built (four remain; they range in age from 26 to 34 years old).

The South Meadows plant originally served 70 towns, a number that dwindled to about 50 by 2012. By that point, it was becoming clear that the plant was in dire need of renovation and upgrade. It broke down several times, and efforts to rebuild it fell through.

MIRA went to the state in 2020 with a request for $330 million to refurbish the plant. When the state turned down the request, MIRA’s board voted in late 2020 to close the plant in 2022.

The state has been shipping trash to Pennsylvania and Ohio ever since.

Connecticut is left with one similarly sized waste-to-energy plant in Bridgeport and smaller ones in Bristol, Lisbon and Preston. Together, they can handle a maximum of 1.5 million tons.

The Hartford MIRA plant had a permitted annual capacity of 739,855 tons, and haulers now ship 860,000 tons of waste out of state annually.

Connecticut trash gets shipped to Keystone Sanitary Landfill in Pennsylvania, a three-plus hour trip by truck from central Connecticut on I-84, and Tunnel Hill Reclamation Landfill in Ohio, served by rail cars that can unload 100 tons of waste every 15 minutes.

Only New Jersey sends more refuse out of state, said environmental chief Dykes.

In January, Lamont and Dykes outlined a new approach to disposing CT’s trash.

A proposed new approach would require new disposal facilities and dramatic reductions in how much waste is generated by residents and businesses.

It would have two elements: Reducing the waste stream and siting one or more facilities using technology to be determined.

The proposal would involve an ‘extended producer responsibility program’ for packaging. Simply put, that means pressuring Amazon and other drivers in the American economy to rethink and reduce packaging or take financial responsibility for disposal, a cost likely to be passed on to consumers.

The state also would work to remove food waste from the refuse stream, a demand on consumers and businesses.

The state currently has relatively small-scale demonstration programs on removing food scraps, but it will have to replicate them at a much larger scale to achieve the administration’s goal of waste reduction.

What the administration outlined could take a decade to achieve, but the governor said the challenge is to set a responsible and sustainable course for the decades to follow.

That means assessing the best available technology for disposing of waste, which will include seeking proposals from the private sector.

The former MIRA facility will likely not become a new trash plant.

In announcing the proposed approach, the Lamont administration established it is opposed to placing a new trash plant at the site of the former waste-to-energy plant, which is owned by MIRA.

The governor’s plan is geared to Hartford Mayor Luke Bronin’s hope of the state eventually taking control of the MIRA site to remediate more than a century of environmental abuse and offer it for redevelopment or recreational access to the Connecticut River.

Mark Daley, the president of MIRA, said the quasi-public entity already has spent $28 million on environmental remediation of the site, but much more will be needed.

Original reporting by Mark Pazniokas and Tom Condon. Compiled by Gabby DeBenedictis.

The Journal occasionally will offer articles from CTMirror.org, a source of nonprofit journalism and a partner with The Lakeville Journal.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.