Into The Woods, Together

A restored area of woodland, formerly a tangle of bittersweet, barberry and burning bush.
Photo by Dee Salomon

As many readers of this column know, I have been working in the woods, fields and marshes on my property for about a dozen years, eliminating invasive plants and encouraging native species to grow. Along the way I have made many mistakes; some merely embarrassing, such as thinking the invasive narrowleaf bittercress was young fern, for example. I nurtured these superspreader weeds for several weeks until it was obvious that they were imposters (we have memorialized this gaffe by naming this plant ‘fake fern’). The regrettable mistakes almost always emanate from not tackling an invasive earlier. If I had removed the stiltgrass in the swamp when I first spotted it about four years ago, for example, I would be in a much better place figuratively and literally. I wish someone had warned me!
One of the things that has changed since I started this endeavor is the considerable improvement of information and the technology to easily retrieve it. Cases of mistaken identity can be minimized now that we have apps like PictureThis. Instagram and YouTube consolidate fascinating video instruction from people all over the country engaged in this kind of work. Still, people invite me to stroll (or, more often, bushwhack) with them through their woods and property and prescribe a way to begin. I love doing this more than almost any other aspect of the work. Every woodland has its own character, even when infiltrated by invasives. Pointing out the good within; the types of trees, shrubs, grasses and flowers, their arrangement, the beauty and habitat they create almost always inspires people to start a process of discovery that includes eliminating invasive species.
Maybe some of you are already doing this work. For those of you who want to experience your own woodland rebirth you are in luck. Now is the perfect time to begin, for two reasons: first, as most plants are still dormant you have a clear view into the current state of your woodland .
And here is the second reason — in partnership of the Lakeville Journal we invite you to join fellow Ungardener readers in making your woodland a more enjoyable place for you, your family and native animal species by joining my Spring ‘Into the Woods’ Workshop. The goal is to help you restore and reclaim access to your woodland in a way that is safe, effective and as easy as possible. Tools should cost no more than $100.
There is no charge for this series which will include step-by-step monthly guides timed to get the best outcomes, answers to your submitted questions and invitations to site visits as we bring this series to life through IRL (that’s ‘in real life’) events. We will bring in subject matter experts when we can and include links to useful videos for hands-on instruction.
Sound interesting? Here’s what to do:
Send an email to dee@theungardener.com and let me know that you are interested in joining.
Please fill me in on three things:
1. Are you a beginner or if you have done this kind of work before?
2. Do you own woodland property that is overrun with invasive species? If not, would you want to help on another property such as on a land trust?
3. If you can identify them, what are the most problematic species you encounter in your woods?
I hope that we can gather even a small group of us, and effect change in our local woodland.
Sign up, ask questions, and let’s begin!
Kent Town Hall, where the Inland Wetlands and Watercourses Commission approved the draft settlement.
KENT– A year-and-a-half-long legal dispute over an unpermitted roadway and dock built through wetlands on North Spectacle Pond is approaching a resolution. The KenMont and KenWood summer camp and the town’s Inland Wetlands and Watercourses Commission are close to reaching a mutually acceptable agreement.
The conflict began after the IWWC denied the camp’s retroactive application in March 2024 for the road and dock, which were constructed without town approval sometime last decade. The Commission found both structures violated town regulations, leading the camp to file a legal appeal.
Although most deliberations occurred in executive session, IWWC Chair Lynn Werner announced at the Commission’s Nov. 24 meeting that both sides had found a path forward. “We’ve come to a place where both sides are in agreement,” she said.
The Commission then voted unanimously to approve the settlement, which must now be submitted to the court for final approval. During the meeting, the Commission’s legal counsel, attorney Michael Ziska, explained that the current camp leadership—who were not involved in constructing the roadway or dock—had agreed to terms that would prohibit vehicle traffic on the road, require invasive-species management around it, and allow the IWWC to conduct regular inspections.
Ziska said the former camp leader responsible for building the road has since died, and the new directors are cooperating. He noted the roadway was built largely of logs that are now degrading into the wetland. Expert consultants for both the camp and the IWWC have advised allowing the roadway to be naturally reclaimed by the landscape, with light management to ensure several culverts beneath the structure remain functional.
“I believe that this settlement agreement protects the Commission’s interests,” Ziska said. “[It] recognizes the unique aspects of this particular violation – the number of years it’s been in place, the fact that the person who is responsible is no longer around, and the fact that the consultants have said things should probably be left as is for the time being. All of that commends itself to this draft settlement that we have proposed.”
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.