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Learning To Audition For Musical Theater

First, be prepared, says TriArts’ artistic director John Simpkins. Know the song you will sing inside out. Recite the words without the music. Figure out what it means. “The words come first,” Simpkins said. “Music is just the delivery system.” Also, know what key you should sing it in, and know how to tell the accompanist about the tempo and the mood of the piece. The 15 actors, ranging from 11 to 70-something, hung on every word, took notes and steeled themselves to perform for Simpkins and the group. Some, like Peter Kiewra, felt their song deeply. That can interfere with performing, Simpkins told him. “Feelings belong to the audience, not to the actors.” Convey the emotions, he was saying. Don’t experience them. Then there is the matter of nerves. “I am too old to be nervous,” Emily Soell declared. But for most other people who get very keyed up before an audition, Simpkins tells them to “Think about something else. Don’t let anyone else in. Get into the world of the song.” He is a master at seeing the strength in a performance and building on that, suggesting repertoire and moves. He is also funny. “Can I nail your feet to the floor?” he asked one auditioner. And know, he said, that successful performers audition for a lot more jobs than they ever get.

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