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Kingston Guards bring baseball back to the basics
D.H. Callahan
Jul 15, 2026
The Kingston Guards and the Bovina Dairymen
Schuyler Meyer
These aren’t your standard gym rats trying to relive their high school or college glory.
The Kingston Guards are playing ball the way it used to be played. To be specific, they’re playing baseball by the rules of 1864, the last full season before the Civil War. To them, it’s a purer form of the game, devoid of constant rule changes and all that pesky equipment like gloves, helmets and catchers’ masks. Sure, there are umpires, but they’re really there more to settle arguments than make actual calls.
The whole game feels less aggressive and more friendly. In fact, many of the players on the Guards and other teams in the vintage baseball scene came from softball leagues that had simply become too competitive. These aren’t your standard gym rats trying to relive their high school or college glory. More often, they’re history buffs looking for something a little more athletic than the synchronized marching of Civil War reenactments — though, to be fair, some of them are still Civil War reenactors.
While decidedly less competitive, this brand of vintage baseball isn’t necessarily less involved. The Guards practice every week. They travel the eastern seaboard playing teams like the Boniva Dairymen, the Ulster Nine and the Hunky Dory Base Ball Club of Lansdale. They even attend a two-day vintage base ball festival in Gettysburg, Pennsylvania, where teams from across the country gather to take in a side of military history with their friendly competition.
The vintage baseball movement appears to have gotten its start in the mid-1990s, perhaps as a response to the 1994 Major League Baseball strike, which resulted in a canceled postseason and World Series. As the Major League Baseball Players Association prepares to renegotiate its collective bargaining agreement after the 2026 season, rumors swirl of another such eventuality. With many baseball fans disillusioned by an increasingly capitalistic league, another strike could fuel interest in vintage baseball.
The rules are the same for all these clubs, but the uniforms certainly are not. The Guards wear thick woolen uniforms that team member Brock “The Badger” Mehan describes as not just hot, but “humid.”The Dairymen, in the Catskills, don slacks, button-down blouses, suspenders and newsboy caps. But no matter the uniform on their backs, everybody seems to be on the same team.
You can catch the Guards in all their old-time action when take the field at the Rhinebeck Aerodrome on Aug. 14 and Sept. 11.
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Hotchkiss Library of Sharon’s Book Signing Weekend returns
D.H. Callahan
Jul 15, 2026
Hotchkiss Library’s Book Signing Weekend draws readers of all ages
Stephanie Stanton
For more than a quarter century, the Hotchkiss Library of Sharon has been connecting readers with some of their favorite authors at its signature Summer Book Signing Weekend, returning for its 28th year July 31 through Aug. 2.
The weekend is one of the library’s biggest fundraisers, attracting a wide range of book fans from across the region, as well as out-of-towners who make it a point to be there. Authors represent every corner of the literary world, from children’s books to nonfiction, poetry to historical fiction and even cookbooks. They also come from all over the country, though there is an emphasis on authors local to the area.
One notable local author was former Secretary of State and Secretary of Defense under Presidents Richard Nixon and Gerald Ford, Henry Kissinger. Authors from farther away have included Pulitzer Prize winner and former executive editor of The Washington Post and The Boston Globe, Marty Baron, Bard College writer-in-residence Francine Prose and National Book Award winner Susan Choi.

This year’s featured headliner was scheduled to be E. Jean Carroll, whose book “Not My Type: One Woman vs. a President” chronicles her legal battles with President Donald Trump. Unfortunately, another legal decision was issued in her favor in June, sparking outrage and violent rhetoric from some Trump supporters. Consequently, Carroll’s appearances have been canceled.
But there is still plenty to be excited about at this year’s Book Signing Weekend, and a lot of it has to do with food. For years, the weekend has featured Author Dinners, intimate gatherings hosted by library patrons in their homes in Sharon and neighboring towns. Among the authors attending these dinners are travel writer and influencer Jennifer Broome, geneticist and internationally recognized anti-racism educator Shaumita Dasgupta, and Russian-born New York Times bestselling novelist Gary Shteyngart.
The dinners, however, are just the beginning. On Saturday, the library will host its second annual Page to Plate, a literary celebration of food.
Throughout the day, attendees can enjoy talks, demonstrations and perhaps even a cocktail or two from chefs, bakers and, of course, writers.Featured guests include novelist Adam Roberts, author of “Food Person: a Novel”; Bread Alone founder Daniel Leader; and Chris Morocco, food director of Bon Appetit and Epicurious. Programming is divided into morning and afternoon sessions, with tickets available for either session or the full day.
Of course, the main event is the book signing itself, when dozens of authors will sign books available for purchase at the library.
For tickets, visit hotchkisslibraryofsharon.org
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More than coffee at Best Damn Espresso
Elena Spellman
Jul 15, 2026
Owners Asio and Angela Highsmith
Provided
Coffee means community, It’s a big part of the hospitality vision that my wife and I want to bring to the world.
— Asio Highsmith, Co-owner
Asio Highsmith, co-owner of the bright red espresso truck in Great Barrington, greets patrons with the kind of warmth and energy that can change the trajectory of a day. There is laughter, conversation and a genuine sense of connection. And the coffee is amazing. It’s clear that Best Damn Espresso’s popularity has as much to do with people as it does with espresso.
Despite becoming one of the Berkshires’ most recognizable small brands, its owners maintain a surprisingly low profile, focusing more on their craft than on self-promotion. “We didn’t move up here to be on Front Street,” said Highsmith. “We came because we love nature and wanted to start a new chapter of our lives.” That chapter began after years spent in New York City.
Asio’s wife Angela, a California native drawn to nature, had spent years bringing their children to the Berkshires. The family already owned property there, and the pandemic simply accelerated the move they were already considering. Their son summed up the family’s feelings best when he was 5 years old. “He said, ‘I want to be in a place where there’s more trees than people,’” Angela recalled.
The move wasn’t motivated by business ambitions. In fact, neither Asio nor Angela intended to become entrepreneurs again. “We came up here for the outdoors and for the beauty,” Angela said. The espresso truck emerged almost by accident. When old café equipment began taking over their basement, Angela suggested putting it on a truck.
“That’s exactly what happened,” Asio laughed. What began as a practical idea soon evolved into something much larger.

Asio brings decades of hospitality experience to the business. A lifelong bartender and mixologist, he approaches espresso the same way a master cocktail maker approaches a drink — with precision, intention and respect for the craft.
“Coffee means community,” he said. “It’s a big part of the hospitality vision that my wife and I want to bring to the world.” For Asio, every drink matters. “My motto is one drink at a time,” he said. “I focus on what’s in front of me.”
That philosophy extends beyond the espresso machine. Customers aren’t simply buying a beverage; they’re entering an experience shaped by two people who view hospitality as an act of service. “Food is magic. Coffee is magic,” Asio said. “It’s an exchange of great energy.”
Angela, who often works the front of the truck, describes the customer relationship in similar terms. “When someone comes to the truck, you’re hosting them,” she said. “You’re entertaining them. You’re giving them exactly what they want.”
Despite doing almost no traditional marketing, Best Damn Espresso has developed a devoted following throughout the region. Asio attributes that growth to consistency rather than promotion. “Advertising is overrated if your product is mid,” he said.
The name itself — Best Damn Espresso — is intentionally bold. Many businesses would hesitate to make such a claim. Asio sees it differently. “It’s actually me challenging myself,” he explained. “Every time I look at that truck, I see ‘Best Damn Espresso.’ The aspiration for being great at what we do happens every day.” That relentless pursuit of quality appears to resonate with customers.
Four years after launching, the company has expanded from a single truck to multiple units. Yet despite the growth, Asio and Angela remain focused on maintaining the same personal connection that defined the business from the beginning. They have also become unexpected pioneers in the local food-truck scene. “There wasn’t really a food truck presence in Great Barrington before we started,” Asio said. Today, several food trucks operate in the area, some inspired by their success. “The benefit is inspiring someone,” he said.
To receive daily updates on the truck’s location, customers can text “BDE” to 844-659-1203.
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Boondocks Film Society’s big secret
D.H. Callahan
Jul 15, 2026
Boondocks Film Society’s big secret
Provided
On Saturday, July 18, Boondocks Film Society heads west to Catskill for its exclusive screening of the indie comedy darling “Maddie’s Secret.”
The group, which has been putting on one-night-only screening events throughout Litchfield, Dutchess and Berkshire counties for the past nine years, is crossing the Hudson yet again to take over its new home away from home, the Community Theatre. Last month, the society returned to the theater for its second screening there, bringing in Ira Glass, host and producer of NPR’s “This American Life,” to discuss comedian Mike Birbiglia’s “Sleepwalk With Me.” Glass, who produced the film, was joined on stage by his wife, writer and director Susanna Fogel. Connecticut-based indie-pop duo Mates of State also got in on the action, performing original songs, including “Now,” which was featured in the film.
Boondocks has earned a reputation for exactly this kind of enhanced screening. The society offers much more than just a movie. For each event, it works with local eateries to create custom food and cocktail menus inspired by the night’s film. There is usually film-themed music from local acts, though booking a band with a song featured in the film was a particularly fitting touch. But what Boondocks has become best known for is its conversations with actors, directors and other key figures behind the films. For “Maddie’s Secret,” the society is bringing in a quadruple threat: actor, director, writer and producer John Early.
Early has gained recognition for his roles in “Search Party,” “Eternity,” “Wet Hot American Summer: Ten Years Later” and “At Home With Amy Sedaris.” But beyond those larger titles are the projects he has developed himself, including the HBO stand-up special “Now More Than Ever,” an episode of the Netflix series “Characters,” and the web series “555,” which he created and starred in with his longtime comedic collaborator Kate Berlant.
All of those projects demonstrate an extraordinary commitment to a particular style of cringe comedy. Early often embodies deeply unlikeable characters, mining humor from their boundless self-interest. His character in “Search Party” falsely claimed to have had cancer as a child. In “555,” he stole from a wheelchair-bound fan. His characters in “Characters” revel in awkwardness and unabashed narcissism.
While Early is accustomed to writing his own characters, “Maddie’s Secret” marks his first time directing and producing a feature film. Supporting him is a standout ensemble that includes Vanessa Bayer, “3rd Rock From the Sun” star Kristen Johnston, Conner O’Malley and, of course, Kate Berlant. Festival audiences have embraced the film, which, after a modest initial release, is now receiving wider distribution as word of mouth continues to spread.
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After 20 years at WAMC, Sarah LaDuke is following the music
Natalia Zukerman
Jul 15, 2026
Photo providedSarah LaDuke
Photo providedSarah LaDuke
You might recognize Sarah LaDuke’s voice without ever knowing what she looks like. For years, it’s a voice that has arrived through kitchen and car speakers, introducing authors, moderating conversations and helping listeners make sense of the day’s events. Her voice has become a familiar companion throughout the region. Now, after nearly two decades at WAMC, LaDuke has stepped away from public radio news and into a role that brings her closer to what she says has always animated her most: music.
“I’ve been at WAMC for almost 20 years, and I love it,” LaDuke said. “But I felt like I was ready for something. I didn’t know what.”
The longtime radio host, producer and arts advocate has been named executive director of Folk Alley, the member-supported folk music streaming station and website operated by the FreshGrass Foundation. LaDuke now leads the nationally respected platform from her home office in Albany while helping shape its next chapter.
The opportunity arrived unexpectedly.
“I was just talking to a friend,” LaDuke recalled. “And she said, ‘The executive director of Folk Alley wants to retire.’ I was like, ‘What? No way.’”
What followed felt remarkably organic.
“The first interview wasn’t billed as a job interview,” she said. “The pressure and stress weren’t there. I was just having a great conversation about loving music and radio and broadcasting.”
The move marks a significant shift for LaDuke, whose voice became a fixture on WAMC’s airwaves through programs including “The Roundtable” and “The Book Show.”
While she loved the work at WAMC, producing shows like “The Roundtable” and “The Book Show,” the demands of daily news coverage felt heavy.
“I’m not a news guy,” she said with a laugh. “The music and arts part of it has always gotten me the most enthused.”
Hosting discussions about politics and current events often brought anxiety, she admitted.
“To fill in as host of ‘The Roundtable’ and get ready to talk about news live on the air for two hours — it generated a tremendous amount of anxiety,” she said. “I would read all the news I possibly could at 9 p.m. and then go in and talk about it at 9 a.m. It was getting hard to bear on the old soul and skeleton.”
At Folk Alley, LaDuke sees an opportunity to focus on the cultural conversations that have always energized her.
Founded in 2003, Folk Alley offers a curated stream of folk, Americana, roots and singer-songwriter music alongside artist interviews, articles and specialty programming. Now part of the FreshGrass Foundation, the nonprofit behind the FreshGrass festivals, No Depression and Folk Alley, the platform reaches listeners around the world through its website and mobile app.
LaDuke believes its greatest strength is its human touch.
“People who care about and know about folk music are choosing the songs,” she said. “No song is selected because of an algorithm or AI. It’s human-curated music.”
One of her primary goals is simple: help more people discover it.
“I think the people who know Folk Alley love it and value it,” she said. “I think more people need to know about Folk Alley.”
She hopes to expand the organization’s presence at festivals and concerts while connecting artists and listeners more directly.
“We have this 24/7 marvelous coming together of folk music,” she said. “We’ve got to make sure people know about it.”
The role itself is broad. In addition to overseeing programming, LaDuke will manage memberships, donor relations, budgets, contractors and technical operations.
“It’s very adult,” she joked.
Though she’s only beginning to learn the intricacies of the job, she already has ideas for the future. Among them is the possibility of creating a podcast network focused on music, culture and conversation.
“I would like to start a podcast network of good talkers talking about music and art and humanity,” she said. “To be able to find and present conversation — that’s been my steez for the last 20 years.”
For now, she’s focused on learning from outgoing executive director Linda Fahey, who will remain through the summer to help with the transition.
LaDuke also sees Folk Alley as part of a larger mission.
“Music is one of our great unifying forces,” she wrote in announcing the position. “Folk music has always shared and preserved the stories of its communities’ historical struggles, current concerns and desire for a better future.”
In a world that is feeling increasingly fractured, she believes that mission matters more than ever.
“Alongside the important cultural impacts of folk music,” she added, “is the undeniable truth that music is fun — and having some good times in a world gone mad might just get us through.”
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Tangled Lines vs. big bugs, hot weather and the Hound of the Baskervilles
Patrick L. Sullivan
Jul 15, 2026
A cold mountain brook that enters one of the New York City reservoirs.
Patrick L. Sullivan
PHOENICIA, New York My annual week off in the Catskills in early June got off to a satisfactory start. The first week or so of June usually means a lot of different bugs hatching, which in turn means the angler can sling three or four patterns with a fair bit of confidence.
This time around the isonychia were dominant. This is a big reddish-brown mayfly, sometimes known as a Slate Drake and most frequently imitated on the Esopus Creek with a traditional winged wet fly, the Leadwing Coachman.
I remember as a callow youth of 12 being instructed by an impossibly ancient codger -- hell, he was probably 65 -- that a Leadwing Coachman wet fly, size 10-14, would produce on the Esopus when nothing else would. In the intervening half century I have put this proposition to the test and found it accurate.
What was different this year was the isos were flying around. Usually we see their casings on the rocks, but not the adult mayflies in the air.

The first night it was all browns in the 14-18 range. The second night it was all rainbows in the 10-14 range.
That was early in the trip. Three days in, things warmed up considerably, and without any mitigating rain.
So the range of options was limited, and the preferred time of day was just before dawn. Note I said “preferred.” The actual start time varied depending on how late my attorney, Thos., and I stayed up watching Fu Manchu movies.
I low-crawled up a mountain brook at dawn with a Tenkara rod and did okay with wild browns. On the scramble out I had a brief and alarming encounter with a descendant of the Hound of the Baskervilles, whose owner helpfully said “Don’t make any sudden moves.”
“Any chance of a leash here?” I said in what I hoped was a cheerful, non-threatening tone of voice.
So there’s that.
Gary Dodson alerted us that the Spot That Must Not Be Named was in play. This is a cold mountain brook that enters one of the New York City reservoirs and depending on how full the latter is, forms a channel of cold water that mixes in with the warmer reservoir water. If the timing is right, the angler can latch into some decent trout and whatever else has fins and an inquisitive nature.
So one morning, while the boys worked the big deep cold pool by the bridge, I made my way downstream, deploying the stream thermometer frequently to try and figure out the magic spot where trout would be comfortable enough to hang out and nosh.
I used a favorite tactic: a dry/dropper rig, with a Chubby Chernobyl as the top fly and de facto bobber, and a series of nymphs and wet flies on an 18-24 inch fluorocarbon tipper dropper, 4X or 5X, tied directly to the bend of the Chubby’s hook.
This worked immediately, with good browns in the 16-18 inch range hitting the nymphs and a Jerry Shillcock isonychia wet fly pattern.

In a nod to tradition, I used one of my late father’s Orvis Battenkill bamboo rods for the purpose. It is eight feet long in three sections and weighs about 100 pounds. At least that’s how it feels after using graphite rods.
On the last morning the cold to warm water ratio was getting less favorable at the Spot. It was now or never.
Thos. was chucking dries up the big pool.
I waved him down, rerigged him with the dry-dropper combo and gave highly technical instructions.
“Walk around the left of that clump of vegetation, slowly so you don’t make a huge wake, and when the waves die down heave this in there and let it sit, and count to 30. Then twitch it a bit.”
Lo and behold, it worked.
On the medical front, my new right hip didn’t give me any trouble. I didn’t push it either.
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