Thank you!
Your support is sustaining the future of local news in our communities.

Life on Earth: coral reefs

One-third of all marine life is found in, on and is dependent on coral reefs. However, coral reefs only occupy 1 percent of the seabed, or less than 0.7 percent of the surface of the earth. Think about it, one-third of all life in a vast ocean area covering two-thirds of the planet is crammed in right there on those tiny coral reefs. Put another way, just over 20 percent of all the life on planet Earth resides in, on and around coral reefs, stuffed into an area less than 1 percent of the earth’s surface.Think about it this way as well: If we lose the coral reefs it is the equivalent of you taking a 20 percent pay cut. Can you survive on that? Certainly not as well, and with coral reefs the story gets even more complicated.Coral reefs are one of the only living organism structures on earth that can directly convert the sun’s rays into energy. The little coral animals share their habitat and calcium carbonate skeletons with little plant-like organisms called dinoflagellates that trap sunlight and share it with the coral animals. And are all corals the same? Nope. Currently, with discoveries being made every day, they estimate there are at least a million species on the coral reefs, a million different animals as diverse as an elephant to your pet cat, only a lot smaller.u u uFor thousands of years, perhaps as many as a million years, coral reefs have had a steady, fairly constant environment. There have been upheavals in the past, volcanoes and such, but overall seawater is a blanket existence, keeping conditions even and predictable. Now, however, three big changes brought about by man are threatening large areas of underwater reef life: fishing (including aquarium collection), acidification and warming. You see, humans live near coasts, as do corals. What we wash out to sea and what we pump into the atmosphere directly affects the reefs. And what is worse, none of what we are doing to their environment has been experienced by them in the past. In other words, they have no genetic evolutionary characteristics to employ to overcome our sudden change to their world.In the Caribbean, there is something called mass coral bleaching, which is triggered by a 1 degree rise in water temperature. That is all, 1 degree in the summer temperature and whole reefs die off and bleach in the sun. Added to that there are tourism and fishing impacts. After all, it is easier to fish and sightsee near shore. And how much change has there been? Comparing studies done in the 1960s to today, the coral reefs in the Caribbean, Australia and the South Pacific have lost about 40 percent of the primary reef building corals.u u uIt is a disaster, not only to sea life and earth’s biodiversity but there is one other critical factor here: The coral reefs feed one in 10 people, every day. Imagine if, in your lifetime, another 660,000,000 million people — twice the population of America — face starvation. And the runoffs from the land, from farming and increasing storm activity brought about by global climate change, increase sedimentation, water temperature and acidity, further killing the coral animals.In 1998 about 16 percent of the world’s coral reefs died, according to the University of Essex coral study group. However, that was a significant anomaly event that has fortunately lead to some optimism: The coral reefs that “died” bleached out and slowly, over time, the organisms have started to recover and, latterly, have shown increased vitality, giving hope they can recover fully in a few decades.Of course, as one scientist pointed out, once the bleached reefs were abandoned by fishermen, aquarium collectors and tourists, they stood a chance. And there are signs that some species of coral are adapting to warmer climates, especially in the Arabian Sea. Of course, as soon as they recover, they will be under human attack once again. Our job, if we want to protect this huge biodiversity environment, is to limit local pollution and declare huge underwater parks off limits to human intervention. How huge will these parks be? Less than the percentage of national parks in the United States will save half the world’s reefs from extinction. Peter Riva, formerly of Amenia Union, lives in New Mexico.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.