Thank you!
Your support is sustaining the future of local news in our communities.

Mental health services endangered

This week’s announcement of the state’s closure of the Hudson River Psychiatric Center (HRPC) and accompanying community residences is a step in the wrong direction. At a time when Dutchess County is already facing a record number of housing-out of mental health patients to other counties (87 in March), we will now be doubling this number due to HRPC’s October closure. This is a tremendous disservice to our neighbors and family members who struggle with mental illness. The distance will hamper treatment by disconnecting families from treatment and stress discharge planning, thereby jeopardizing recovery. Our governor — and particularly the state Legislature, which alone has constitutional authority to determine legislative policy for care and treatment of the mentally ill — have taken a gigantic step backward.The localized preventative and treatment services offered at HRPC have kept an at-risk population out of jail. When the 75 or so severely and persistently mentally ill who are forced into the community without the requisite daily skills or those similar in number currently housed in community residences are pushed into apartments unready and without the supports they need, the county will pay. As we know from the past when HRPC was downsized (and with the closure of Harlem Valley Psychiatric Hospital), although the state expenditures decreased, the county cost rose due to increased law enforcement and jail expenses for untreated patients. Today somewhere between 20 to 40 percent of the current jail population are those with mental health symptoms. While legitimate lawbreakers should be punished, we must also not create the perfect storm that uses the incarceration of the mentally ill as a socially acceptable means of otherwise frowned-upon institutionalization.Let’s be clear, the mentally ill are not criminals. But when the system fails them and they cannot get the treatment they need, they will find that help in our prisons and jails. In addition to the HRPC closure, the state budget also idiotically reduces the scope of county mental hygiene departments to mere consultant roles. It does so at a time when the diaspora of patients into the community will most need county leadership to preserve an integrity of care while also keeping the county cost down. The state Legislature’s recent decision to shift public health management decision-making for community well-being away from counties and give it instead to profit-driven, privatized behavioral health organizations (BHOs) was a mistake, particularly at this time. I lobbied against this in Albany in February. Our state local delegation should seek to repeal this change without delay.In Dutchess County we need to be proactive. First, we need to find ways to help our neighbors and family members who struggle with mental illness to stay well and receive services close to home. And second we need to keep our taxes from rising following this insane and inhuman policy shift coming from Albany that pretends to be cutting state spending when in fact it merely shifts the expenses to the county via public safety costs while our citizenry suffers with loss of services and increased crime. Michael Kelsey represents Amenia, Washington, Pleasant Valley, Stanford and Millbrook in the County Legislature. Write him at KelseyESQ@yahoo.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.