Thank you!
Your support is sustaining the future of local news in our communities.

Misjudging the American people

People who don’t study history – or think they can rewrite history to suit their ideals – are fundamentally unsound, morally and practically. Their undoing may happen all at once, over short periods of time, over periods of passionate revolt or, indeed, years. But it will happen, historical facts simply cannot be swept aside.

America was founded by disaffected people. America was populated – in waves of immigration – by disaffected people from across the globe. Not one person who immigrated to America who came here hundreds of years ago, two hundred years ago, one hundred years ago, fifty years ago, or in the past few decades came here to become part of a rigid and fixed establishment, to become a sheep as a followers, nor just someone to fit in with a crowd. Americans, each and every one of us, are ambitious, fiercely independently minded, setting personal freedom as our core existence, never permitting the concept of loss of liberty to become commonplace.

Do you feel I am wrong? Think simply of the first settlers here. These men and women were allowed to actually own – freehold – the land they farmed. Nowhere else on the entire planet was that possible at the time. That’s a fundamental USA right. Or you might ask yourself, when you get stopped speeding by a police car, what is you first reaction? Compliance or questioning authority? What do you say to the officer? Probably a defiant, “Why have you stopped me?” Because in America you have the right to defend your personal freedom, question authority, rebel – so you speak up from only that perspective, not that you want to break the law, but you are not sure your independence is subject to the law at that time. You are a rebel. You are American.

We are a nation of rebels. Think I am wrong? Remember back to 1970 when students and “peaceniks” across the country demonstrated, often facing down police with batons, guns, watercannon, and tear gas against the Vietnam War. Students at Kent State were shot dead in that protest. Think of the Black Lives Matter demonstrations, clearly out-gunned, out-manned on the streets across the nation. Lawbreakers? Hell yes but unarmed, vulnerable, defiant. Rebels, in a true, real, American way. Pink hatted ladies marching? Think they are not rebels? They are and they will be back in force, soon.

Now, stop for a moment and ask yourself – if you have any grasp of world history – could any of the typical American demonstrations, riots even, have happened in Italy or Germany in the 30s? People there did not have the same spirit of independence as Americans do, they could not, in their innermost being, understand being that defiant. They were raised to be subservient, not free-thinking, not liberated.

Even today, think of that American crossing the street in the middle of a block. Jaywalking is a technical offence. But how many Americans jaywalk? How many Germans do even today? None. The simple truth is, we’re not a very law-abiding nation of individuals. Sure we’ll comply, we’re not deliberately law-defiant speeding over the limit, “Yes officer, you’re right I was speeding… sorry…” But somewhere in our mind, at that moment, we had reason, and that reason is always based on our feeling of our right to proceed with liberty; to do as we damn well please, not simply to follow orders. Orders are, often in America, first questioned and then seen as only a slight barrier to common-sense self-motivation.

And that’s why authoritarian regimes here can never prosper. They will fail, sometimes quickly, sometimes over weeks, months, maybe even years or after a calamity like a war. But the spirit of the very people who chose to be here, generationally chose to be here, is fiercely independent and those few who seek to change that moral code have misjudged the real America. Authoritarians will fail. Historic fact cannot be rewritten to suit their false hopes. And wannabe authoritarians are, in truth, foolish to think otherwise. In their ignorance of what makes America great, they cannot help but lose.

Peter Riva, a former resident of Amenia Union, New York, now lives in Gila, New Mexico.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.