Thank you!
Your support is sustaining the future of local news in our communities.

No dead ends: education in Finland

KENT — ​No dead ends. That is the takeaway from Elizabeth Radday’s talk, “What We Can Learn From Finland,” given at the Marvelwood School on Saturday, Sept. 24. 

Radday, a Marvelwood teacher and a Fulbright scholar, ​recently returned from six months in Jyvaskla, Finland, researching the Finnish education system. During that time, she visited more than 23 schools, talking to students and teachers alike, gaining a​n appreciation and understanding of the Finnish approach to education from kindergarten to university.​ ​

 Most attendees in the cross-generational crowd on Saturday were surprised to learn that education in Finland is free for all children and adults​ — even adults who are changing careers or wish to further their knowledge in a particular area.  Since all ​the ​schools have the same high standards​ and curriculum, there is no feeding frenzy for admittance to a better school. This allows children to go to school in the​ir​ own neighborhoods​, which is good, since they are largely responsible for getting themselves there, by walking, skiing, skating or riding bikes in all weather. 

There are virtually ​no private schools to further muddy the waters. 

​Finland has two native languages, Finnish and Swedish.​ When they begin second grade, the children start learning English, which is why most Finnish adults, although they are modest about it, are fluent English speakers. 

 The students (and no doubt some teachers) in the audience seemed envious when they heard about the distribution of time in the school day. From primary school through secondary, each class session is 45 minutes, followed by a 15-minute break for play or personal time before the next class begins. And, astonishing in this age of “helicopter parenting,” ​​there is little supervision during playtime​; children ​as young as 6 ​are encouraged to solve problems on their own.

 By the time ​Finnish ​students reach the seventh grade, they are already thinking about a career path. By ninth grade they choose whether to enter vocational school or attend an upper secondary school, equivalent to our high schools. ​There is no hierarchy; both paths are respectable. Vocational schools range from circus arts to plumbing, horticultural to watch-making. ​There are 120 different vocational schools and they are highly competitive. Academics are geared to each field of endeavor, and students learn by doing. In addition, vocational students are allowed to start their own businesses while in school.​ 

Students in the vocational schools and students in the secondary schools are equally eligible for college, their admission judged solely on grades​ and tests. 

Unlike American universities, “undecided” is not an option as a major. No Finnish student can begin at a university without a goal in place​. ​​The range of subjects to which they are exposed, including art and music all the way through school, has prepared the majority of students to make this big decision, and they are expected to make it for themselves. ​Parents, Radday learned to her surprise, rarely participate in the decision.​

The three keys

​According to Radday, the three keys to Finnish educational success are trust, choice and responsibility. Finnish parents trust the teachers to do their job, and students are trusted to do their work. Choices are plentiful, and children are encouraged to explore different options, giving them the motivation to choose a course of study when they reach 15. And as noted, children and young adults are taught to be responsible from a very young age. 

 Is the Finnish education system perfect? No. ​For instance, ​​Radday saw many areas where they could improve on special needs education. But​ overall, her research left her with a very positive view, and ideas about some changes that would improve the American system. For example, on a student level, that 15 minutes between classes can be an important tool for refreshing and preparing for the next class. On a cultural level, the respect Finns show to technical and vocational education, if encouraged in the U.S., could be vital to the U.S. economy.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.