Good Company

The title “Staying Afloat� has a couple of meanings for Mixed Company’s latest production in Great Barrington.

   The four one-acters: “The Big Picture,â€� “A Great Looking Boat,â€� “Sheltering Snowâ€� and “Coming Aboutâ€� embrace people in trouble — sometimes a wry kind of trouble, like the woman whose neighbor’s cow has lumbered into her swimming pool. Sometimes, though, the trouble is the kind that breaks your heart as in “The Big Picture,â€� the first play on the bill.

   Daniel Osman is Web, a solitary figure running an antiques store in Hudson, NY.

   “Feel free to look around,â€� Web tells a customer who wanders into the shop. Just don’t feel free to talk to the proprietor. He’s reading.

   Now and then, a customer buys small leavings, like silver napkin rings with initials on them, not their’s, “hoping to acquire a piece of someone’s soul to enhance their own,â€� Web tells us. “You can feel the need in people.â€�

   Into this room of “stored timeâ€� one customer tries repeatedly to buy the gigantic crowbar, the item that opens up this small story. He offers $100 for it. “The Wizardâ€� it’s called and it leans against one wall, keeping things steady.

   “It’s not for sale,â€� Web says. “You can buy one in any hardware store.â€�

   This crowbar belonged to Web’s uncle who could, with the mighty tool, lift  anything — a Chevy, six grand pianos — or take down a four-story apartment building.

   Web’s uncle  drowned, we learn; Web’s sister disappeared. Web’s mother lied. And we are told about the artist who painted a three-mile long image of the Missisippi River which was unrolled on spools in Windsor Castle for Queen Victoria, although this wasn’t true. In reality it was just half a mile in length.

   Web has been living with this handful of merging recollections, some painful, some fantastical; and he has learned, over time, that truth must be a flexible thing, otherwise we cannot bear it.

   Although you could miss it in the  program, Joan Ackermann, Mixed Company’s artistic director and co-founder, wrote these plays.

   Nor is there any background given on Mixed Company’s actors.

   “We don’t really go in for bios at Mixed Company,â€� Ackermann writes in her welcome notes, “not our style.â€� But, no matter. The plays and the actors shine, particularly Ackermann herself as Elaine Fink, whose raucous and inept performance horrifies Mr. Carigianis (George Bergen) the blind man she is reading “The Odysseyâ€� to. In “Sheltering Snow,â€� another piece  about people on the edge, a woman stumbles into an old farmhouse during a snow storm, thinking she has found her new book club. Instead, she meets a woman sitting on the floor drinking wine from the bottle. And in “Coming About,â€� Ackermann works up a family facing heavy water. Literally, too.    

   Ackermann’s stories are witty and unsettling, her characters, odd. And the four all hang together as notions about surviving, which is one of the matters troubling Mixed Company, these days. Ackermann is raising money with an online auction to keep the 25-year-old institution alive. Meanwhile, “Staying Afloatâ€� at 37 Rosseter St. in Great Barrington, has three more performances this weekend. Call 413-528-2320 for reservations.

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