Proclaimed eggs, leaky waders and lost boots

Gary Dodson worked the East Branch of The Delaware River in late October.
Patrick L. Sullivan

Gary Dodson worked the East Branch of The Delaware River in late October.
I spent the third week of October at the Tangled Lines Western HQ, in Phoenicia, New York. Everything was low, even the Esopus tailwater, so there was a lot of making do.
One morning I spent dredging the famous Chimney Hole on the Esopus, hoping to provoke hits on streamers, junk flies and big nymphs in the depths. This produced precisely bupkis.
I noticed some splashy rises in the shallower water and switched gears, abandoning the sink tip/short leader for a nine foot 4X leader with an extra two feet or so of 5X tippet. Naturally I forgot to bring a box of specks. Thank you, Dr. Boing-Boing.
The closest thing I had to a speck was a size 18 standard Adams dry fly.
It was maddening. The closer I got to the strike zone, the more the zone shifted.
Finally I hit it. Lo and behold, instead of the shiners I was half expecting, a wild rainbow came to hand. Nothing spectacular in terms of size, maybe 11 inches if I squinted, but feisty and seriously reluctant to be caught and admired.
These are the “silver bullets” of yore, and in the three or four years since New York stopped planting thousands of brown trout in the river, they have increased in size. So where I used to catch a mess of six to eight inches, now they are 10-12 inches.
And they have an almost entirely silver body, with just a faint red line. Hence the name.
Gary Dodson picked me up one morning early and we went on the long drive to the two Delaware tailwaters. The West Branch was too high and murky for our delicate sensibilities, meaning we were afraid of falling in and drowning.
The East Branch was crystal clear, and low. We worked a stretch where we tried everything, and failed. Some graffiti on a sign in the parking area warned us about this but we chalked it up to sour grapes.
Dr. Boing-Boing struck again — three times. First Gary was disassembling his breakfast sandwich as he drove (he doesn’t eat a lot of bread, and definitely not the kind from McDonald’s). The egg fell out and disappeared under the driver’s seat.
Since it was quite warm and sunny, and when we were fishing the truck was locked up, I reminded him several times to retrieve the egg before it proclaimed itself.
Then I discovered my waders were leaking. A post-mortem revealed the good news — an easily patched puncture, instead of an insidious and ultimately unfixable seam leak.
Finally, as we rolled into the gas station in Margaretville to refuel and plan the next move, we noticed we’d just driven 75 miles with the truck tailgate open. I panicked for a moment, thinking my boots were gone.
Then I remembered I was wearing them.
Back at HQ, my all-purpose guy came and took down a dozen dead ash trees that were menacing the new roof.
We have a new roof because a dead ash tree fell on it two years ago. There is nothing like waking up at 3 a.m. to a waterfall coming out of the ceiling.
This fellow plays the excavator like a musical instrument. Observing, I had several anxious moments but Dr. Boing-Boing did not make an appearance.
And they left me with a lot of firewood to split in the spring.
Over the years I have assembled quite an angling library. My late father bought and read widely, and I have added to the collection. It could fairly be described as “swollen.”
I was bemused when browsing George M.L. LaBranche’s “The Dry Fly and Fast Water” (1914).The author was complaining about specks (the tiny flies that cause so much consternation to the angler), drought, and having to fish with long leaders downstream so the fly is the first thing the trout sees.
If you pared down the prose and added a couple of bad jokes, it could have been a Tangled Lines column.
Back in Northwest Connecticut, I noticed that the state went ahead and stocked the Blackberry, despite the lack of water.
It’s worth a quick prowl, if for no other reason that the bones of the stream are exposed. Assuming I remember what I saw, this knowledge will come in handy once normal service is restored. (Same goes for the Housatonic.)
I spent a thoroughly frustrating 90 minutes chasing trout up and down the Silty Pool. Similar to the Chimney Hole experience, the trout were making a visible fuss, although it was directed downwards. I could see their fins and tails as they nosed around gobbling whatever was on the menu.
I drifted an assortment of speckly things down to them on a long, fine leader. The more I drifted, the more they shifted downstream a few yards.
Finally I said to hell with it and Wooly Buggered them. This can go one of two ways.
Either they say “Hallelujah! A square meal at last!” and hit the fly so hard the knot breaks.
Or they say “Eek!” and go into Witness Protection.
Guess which option they chose?
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.