Research and Development continues

Mike Barker provided a couple of well-crafted crawfish imitations.
Patrick L. Sullivan
Mike Barker provided a couple of well-crafted crawfish imitations.
Saturday, June 15 was clear and blessedly cool, ahead of what the weather ninnies assured me is a massive unprecedented disastrous heat wave.
I had one main item on the agenda, the angler’s flea market in Riverton.
So I figured I would prowl Sandy Brook beforehand.
Sandy Brook in Colebrook is a secondary tributary of the West Branch of the Farmington. I know this because I am a highly trained observer, and because I found a United States Geological Survey map that says so.
I am happy to report that getting the map from the USGS website was simple. Go to usgs.gov and look for The National Map, which is exactly what it says it is.
The state stocks Sandy Brook, twice this spring. With what exactly I do not know.
I’ve fooled around in this stream a couple times before, with minimal results. But I always came at it moving upstream, off Route 8.
This time, coming downstream on Sandy Brook Road (another triumph of clarity in labeling) I saw the stream and a couple of pull-offs with DEEP signs regarding creel limits and so on.
So I pulled off and suited up.
Water temperature at 8 a.m. was 63 in a shallow spot next to the bank. Not ideal, perhaps, but not terrible either.
I noticed the stream running roughly north-south, was almost completely shaded over at that hour, with the sun just starting to get through the canopy from the east.
This is good. Streams that have an east-west flow get the full brunt of the sun during the course of the day. In the summer, this means warmer water.
The first thing I noticed was this bucolic, babbling brook is misnamed. It should be called “Super Slippery Brook.” It’s a lot of rock shelf and getting around is like the proverbial tap-dancing on ball bearings dipped in motor oil. Some actual sand would have been nice.
Next time I will wear felt soled boots with studs.
Mike Barker provided a couple of well-crafted crawfish imitations.Patrick L. Sullivan
I deployed an eight-foot nine-inch four weight rod. There was plenty of room for casting and the four weight allowed for turning over a dry-dropper rig while not making a huge splash.
The rig was a Chubby Chernobyl on top and a size 16 Zug Bug, tied on a jig hook and with a heavy tungsten beadhead, on what started as two feet of 4X fluoro tippet tied to the hook of the Chubby with an improved clinch knot. (And don’t ask what an unimproved clinch knot is because I have no idea.)
This produced an immediate hangup and I lost the Zug. So I shortened the dropper to about 14 inches and put on another Zug.
This produced two immediate hookups of brook trout in the eight-to-10-inch range.
So far, so good.
I clambered downstream, because it looked slightly less slippery than upstream.
It wasn’t.
I found one cleft running into a deep, wide slot that just had to have fish in it. I worked it hard for 30 minutes, abandoning the dry-dropper and chucking the heavy artillery into the depths: Big Bread and Butter nymph, a Walt’s Worm, which has more lead than a .22 short, and Joe’s Weenie.
Bupkis. Infuriating.
Then I went back to the Chubby-Zug Bug rig and proceeded to catch a dozen more fish, including some browns and one lone rainbow.
I have no idea of the proportion of wild to stocked here. I can’t believe the state stocks eight-inch brookies, but maybe there’s some deep fish reason I don’t comprehend.
Around 11 a.m. I packed it in and went down to the flea market, which was in the little public space across the street from the post office.
A modest number of vendors were there, including Harold MacMillan who still runs Housatonic River Outfitters in Cornwall, albeit without the brick-and-mortar shop.
We exchanged fishing gossip, and he sold me a grab bag of bass poppers for an eminently reasonable 10 bucks.
Most of the vendors were selling conventional gear, which doesn’t interest me, but I did spot Mike Barker of Ansonia.
Barker is a garage door installer in real life, and ties flies as a side gig. He said it “calms the nerves” after a busy week driving all over the state installing garage doors.
He’s been tying and selling for about three years.
He had a couple of poppers the approximate size of Oklahoma, which he said were for getting the attention of big fish. Like the star of “Jaws.”
I picked up a couple of beautifully crafted crawfish imitations. I generally make do with a Wooly Bugger for this, but I like to encourage the up-and-comers.
So the Research & Development ratio was nice and balanced. I established that Sandy Brook is not very sandy but has a lot of hungry fish in it, and it probably stays cool enough to be plausible most of the time.
I found a cost-effective way to replenish the bass bug box.
And I contributed in a small way to a young fly tier’s craft.
Author and cartoonist Peter Steiner signed books at Sharon Summer Book Signing last summer.
The 27th annual Sharon Summer Book Signing at the Hotchkiss Library of Sharon will be held Friday, Aug. 1, from 4:45 to 7:30 p.m.; Saturday, Aug. 2, from 10 a.m. to 4:30 p.m.; and Sunday, Aug. 3, at noon.
Friday’s festivities will honor libraries and the power of the written word. In attendance will be 29 locally and nationally recognized authors whose books will be for sale. With a wide array of genres including historical fiction, satire, thrillers, young adult and non-fiction, there will be something for every reader.
The event will include a selection of hors d’oeuvres and drinks, followed by eight festive author dinners where writers will read and discuss their work one-on-one with attendees.
Saturday will feature a new Page to Plate program that merges the literary and culinary worlds. Just as writing is a practice of patience and love, so too is the art of cooking. Cookbooks and food writing make cooking teachable to those excited to learn and celebrate the art of a perfect meal.
Through a combination of demonstrations and conversations, acclaimed cookbook authors and chefs will cover a variety of delicious topics. Highlights include a discussion with Chris Morocco, food director of “Bon Appetit” magazine and “Epicurious.” Sharon resident and chef Jessie Sheehan will demonstrate recipes from her cookbook “Salty, Cheesy, Herby, Crispy Snackable Bakes: 100 Easy-Peasy, Savory Recipes for 24/7 Deliciousness.”
With the combination of vetted recipes and thorough discussion from food experts, attendees are sure to leave knowing how to cultivate the ultimate act of service: the gift of a full stomach.
Sunday will be brunch at a private Sharon residence hosted by Graham Klemm and Cody O’Kelly to celebrate author Carolyn Klemm and her cookbook “Culinary Collection: Favorite Country Recipes.”
For more information and to purchase tickets, visit hotchkisslibraryofsharon.org
All proceeds support the programs at The Hotchkiss Library of Sharon.
Ukraine Emergency Fundraiser at The Stissing Center in 2022 raised over $120,000 for Sunflower of Peace.
The spirit of Ukraine will be on display at the Stissing Center in Pine Plains on Sunday, July 27. Beginning at 5 p.m., the “Words to America from Ukraine” fundraiser is set to showcase the simultaneous beauty of Ukrainian culture and the war-time turmoil it faces, all the while fundraising in support of Ukrainian freedom.
“Words to America from Ukraine” aims to remind and spread awareness for the suffering that often gets forgotten by those who live in comfortable worlds, explained Leevi Ernits, an organizer for the event. “We are trying to make an attempt to remind people that we are human, and we are connected with human values,” she said. “With very few words, poetry can express very deep values.”
Sponsored by the Town of Stanford, Friends of Ukraine, L.E. Design LLC, Bartelby & Sage, Oblong Books and Borshch of Art, the fundraiser will host the recitation of war-time Ukrainian poetry. Readings will include the works of Vasyl Sagaydak, Oksana Lutsyshyna, Serhiy Zhadan, Victoria Amelina, Marjana Savka, Ostap Slyvynsky, and Mariana Harahonych.
“Poems are fishhooks into our souls,” added Mark Lagus, another event organizer, explaining why poetry was chosen for the main event.
Guests will also enjoy a performance by Ukrainian Village Voices, a New York City- based band dedicated to preserving and promoting traditional Ukraining Folk music. The evening will also feature speakers Jed Sunden and Maria Genkin, along with a live auction. Food and drink will be provided by Bartelby & Sage, a sustainable, local and female-owned company.
All ticket proceeds, bids, and donations will go directly to Razom for Ukraine, a U.S.-based nonprofit. Razom, meaning “together” in Ukrainian, has the mission of “contributing to the establishment of a secure, prosperous and democratic Ukraine,” through “creating, inspiring, and collaborating on initiatives that motivate people to think, partner and do.”
Tickets, donation opportunities, and more information are all available by visiting www.wordsfromukraine.org
Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
The Grumbling Gryphons Traveling Children’s Theater is preparing to celebrate its 45th year — not with fanfare, but with feathers, fabric, myth, chant, and a gala finale bursting with young performers and seasoned artists alike.
The Gryphons’ 2025 Summer Theater Arts Camp begins July 28 and culminates in a one-night-only performance gala at Housatonic Valley Regional High School on Friday, Aug. 1 at 7 p.m. Founder, playwright, and artistic director, Leslie Elias has been weaving together the worlds of myth, movement and theater for decades.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”
Photo provided
Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
Attendees practive brushstrokes led by calligraphy teacher Debby Reelitz.
Calligrapher Debby Reelitz came to the David M. Hunt Library to give a group of adults and children an introduction to modern calligraphy Thursday, July 17.
Reelitz said she was introduced to calligraphy as a youngster and has been a professional calligrapher and teacher for more than 25 years.
She said there is no age barrier to learning the basics. “Once children can hold a pen or pencil, they can do it.”
Reelitz said her 5th-grade teacher introduced her to the art.
Then her mother pressed her into service doing the lettering for “4-H certificates and gift cards.”
Reelitz handed out a sampler and blank sheets of paper and then turned to the easel for demonstration purposes.
She noted that the letters (I,T,H,L,E and F) on the top row of the sampler were not alphabetically arranged.
Rather, they comprised a “latter family” of similar shapes.
Soon enough the entire group of six adults and three children were concentrating and turning out decent versions of the letters
Reelitz alternately demonstrated and encouraged the novices.
“Remember, this is not an instant gratification skill.”