Thank you!
Your support is sustaining the future of local news in our communities.

Salerno proposes $22.5 million budget

WINSTED — Community members and town officials met Tuesday night at Pearson Middle School to hear a summary of a proposed budget of $22.5 million for the 2010-11 school year.

Superintendent of Schools Blaise Salerno invited parents and community member to participate in the discussion, which was billed as the first of three rounds of the 2010-11 Citizen Budget Advisory Workshop.

“This is an opportunity for you to comment and let us know what you would like to see enhanced or reduced,� Salerno told the group. “They are all taken into consideration.�

The proposed budget of $22,585,590.12 is more than $1.2 million greater than the current year’s amended budget of $21,362,983, reflecting a 5.7-percent increase. But that is before the Board of Education, Board of Selectmen and voters of the town each get a crack at making reductions.

The school system’s business manager, Ed Evanouskas, gave a summary of the current fiscal year, which ends June 30, and said he believes the Board of Education is on target to finish the year in the black. “The bills are paid,� he said.

Evanouskas presented a list of significant increases and decreases to the operating budget that have occurred this fiscal year, primarily due to the hiring of new staff with grant money obtained by the school system. These increases were reflected in the amended budget of $21,362,983 for the current year.

Marsha Sterling, a former member of the town’s School Building Committee, questioned some of the numbers in Evanouskas’ report, including figures that suggest the school system’s budget is off by nearly $90,000. Evanouskas said a discrepancy exists because he has not yet accounted for additional expected revenue, but did not have an exact answer for Sterling’s query.

Both Evanouskas and Salerno noted that the current budget is still evolving as revenues come in and that the 2010-11 proposal is only in draft form at this point. “I think we’re trying to be as transparent as we can possibly be,� Evanouskas said.

But Sterling also questioned the fact that the school system’s budgeted maintenance projects list has remained essentially the same for the past three years, with the Board of Education ultimately putting aside the projects each year to cover shortfalls. “The maintenance budget has been the piggy bank,� Sterling said. “Now we’re asking people to once again fill up the piggy bank.�

Sterling said she sees a credibility problem with the school’s business office and suggested that clearer and more accurate numbers should be presented. “It’s difficult when you have one piece of paper that says one thing and another that says something else,� she said.

Several attendees also wondered aloud what the town and school system are going to do in future years, when state and federal funding are expected to decrease. For the current year, the federal government has stepped in to help local school districts pay for a reduction in Education Cost Sharing (ECS) funding from the state. But town leaders have noted that the federal bailout is considered a one-time deal.

“You have to be careful about building a system that requires additional support when the feds walk away,� Sterling said. “If you keep building the system with a bigger platform and temporary supports, when the supports go away, it could be catastrophic.�

Board of Education Chairman Kathleen O’Brien said all towns in Connecticut are facing the same problem. “The state of Connecticut is going to have to figure something out because if they cut everyone [by 14 percent], there will be a real problem. I don’t think we’re going to lose that amount of money. I really doubt it.�

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.