The Barkhamsted-New Hartford Landfill, Regional Refuse Disposal District No. 1 (RRDD1), a 98-acre Superfund site straddling the towns of Barkhamsted and New Hartford has left a toxic trail that continues to require active management
Between 1974 and 1993, the unlined landfill accepted a noxious cocktail of municipal and industrial wastes, including oily metal grindings, sludge, and bulky items. Groundwater contamination was first detected in 1981, setting off alarms about the potential health risks posed by the site.
As of June 2023, Connecticut had 13 Superfund sites on the National Priorities List (NPL) which identifies “the most serious uncontrolled or abandoned hazardous waste sites needing long-term remedial action.” According to the Environmental Protection Agency (EPA), when hazardous commercial and industrial wastes are mismanaged, they pose unacceptable risks to human health and the environment.
In 1980, Congress established the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA) which is informally called Superfund. The Superfund program is administered by the EPA in cooperation with state and tribal governments. It allows EPA to clean up hazardous waste sites and forces those responsible to perform cleanups or reimburse the government for EPA cleanups. Nationally, in 2023 there were 1,336 Superfund sites on the NPL.
Jim Hart, former First Selectman of Barkhamsted, was the whistleblower that finally brought attention and action to the developing toxic crisis at the Barkhamsted-New Hartford landfill. Hart said, “When this facility opened in April of 1974, society did not understand the issues associated with getting rid of certain chemical waste. The primary pollutants here were metal grinding waste. At that time in the district there was a significant number of machine shops. When we first opened in the mid 1970s there was a metal grinding waste pool up here. You just dumped into the pool. You know, back then, Harry Homeowner who changed the oil in their car just threw that out in the garbage.”
As a young first selectman, Hart received a complaint of toxic runoff by a neighboring resident in 1981. After 18 months of stonewalling by the RRDD1, Hart decided to go up the food chain.
“I walked the area with the director of Farmington Valley Health. When we crossed the brook, the smell was potent to your nose, and we developed headaches. It was kind of scary.”
In the spring of 1983 Hart wrote a letter to the Department of Environmental Protection (DEP) commissioner asking for significant investigation. He laughed, “Superfund designation is like having an old musket and you pull the trigger, and it takes so long before the bullet comes out the other end. The EPA moved at a snail’s pace, and it wasn’t until the late 1980s that they did investigation work that required us to install a series of groundwater monitoring wells. When the first results from these monitoring wells became known the crap really hit the fan.”
Jennifer Almquist
The Barkhamsted landfill’s poisonous legacy includes a litany of hazardous substances that have seeped into the surrounding area. Cadmium, chromium, copper, lead, manganese, nickel, zinc, trichloroethylene (TCE), and cis-1,2-dichloroethylene have all been found in the soil, groundwater, and surface water near the site.
The potential threat to local residents continues. TCE and cis-1,2-dichloroethylene contaminated the Barkhamsted town garage’s drinking water well, while antimony, arsenic, and selenium were detected at low levels in three private wells nearby. Site-related metals were found in the soil on two residential properties near the landfill, raising concerns about potential exposure. In this rural and residential area, where all properties rely on on-site drinking water wells, the threat of contamination looms large.
The EPA determined the potentially responsible parties (PRPs). In Barkhamsted-New Hartford there were a dozen machine shops and businesses in the district designated as PRPs. The Environmental Protection Agency (EPA) identified 78 other PRPs, including corporate giants like Coca-Cola, Cooper Industries, and Eaton Corporation, as well as the towns of Barkhamsted, Colebrook, New Hartford, and Winchester.
The costs of remediation have been high. At least $4.5 million in state Superfund money was spent to cap the landfill in 1999. Responsible parties began groundwater monitoring programs and continue to monitor the drinking water wells close to the site.
According to Winchester Mayor and current administrator of RRDD1, Todd Arcelaschi, “The containment has been successful, except for one time in the middle 2000’s where the cap failed and there was a washout that required several hundred thousand in repairs. The landfill is visually inspected semi-annually now, groundwater and well testing is conducted quarterly.”
After the closure of the Materials Innovation and Recycling Authority (MIRA) waste to energy (WTE) incinerator in Hartford, Arcelaschi feels the future of waste management in the Northwest corner of Connecticut will depend on what happens with the Northwest Hills Council of Governments’ efforts to form a Regional Waste Authority.
“If they successfully create one, we will still use the former MIRA Torrington Transfer Station, and our trash will likely continue to be shipped out of state, unless the Waste Authority can find available capacity for the region’s municipal solid waste (MSW) at another WTE plant in CT.”
The Superfund landfill is now in use again as the regional transfer station for RRDD1 for the towns of Winchester, New Hartford, and Barkhamsted. Of its 98 acres, approximately 13 acres contains the capped landfill, the second part of the site is currently used as the transfer station and recycling center, and the remaining space is an active solar farm generating 1.5 megawatts of electricity which helps offset recycling transfer operating costs.
"EPA completed a comprehensive review of the site last September, as documented in the Five-Year Review report, and concluded that the completed remedy is still protective of human health and the environment," said Daniel Keefe, U.S. EPA Region 1 Superfund Section Chief. "Several potential issues were identified in the report that require additional monitoring, notably the detection of emerging contaminants such as per- and polyfluoroalkyl substances (PFAS). EPA is working with those responsible for maintaining the site to ensure that continued monitoring is performed."
While there is no evidence that anyone has gotten sick because of the contamination, and the EPA has approved the clean-up efforts, the specter of toxic exposure remains. The legacy of the Barkhamsted-New Hartford landfill Superfund site serves as a reminder of the price communities pay for improper waste disposal.
Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.
Partnerships with organizations like Volunteers in Medicine Berkshires (VIM), the W.E.B. Du Bois Legacy Committee, and Community Access to the Arts (CATA) have helped bridge that gap. But for the Latinx community, there’s an even more targeted effort: the Spanish-language Community Advisory Network (SCAN).
“Six years ago, we started an advisory group of Spanish speakers in the community,” Bernal said. “They tell us what the community wants to see, how they’d like their culture represented. Today, SCAN has 12 members. We meet four times a year and are in constant communication. It’s because of them that we’ve hosted free Spanish-language film screenings and live performances.”
For Bernal, this work is personal. “When I first moved to the U.S. in 2003, it was because I got a Latin American scholarship to study at Berklee College of Music. That first year, I went home to Uruguay for Christmas and saw Paquito D’Rivera perform at a jazz festival. I was determined to meet him, and I did. Later that year, Paquito came to Berklee and invited me on stage.”
Now, two decades and 16 Grammys later, Paquito D’Rivera is coming to the Mahaiwe on April 5, and there’s a chance history might repeat itself. “He saw a post we made about his concert and commented, ‘Ay, chica, que maravilla, are you gonna sing a song with us?’ I almost died,” Bernal laughed. “I don’t know if it will happen, but it would be a dream.”
About the possibility of a guest appearance by Bernal, D’Rivera said, “Natalia is a very dear, valuable colleague, and jazz is about improvisation, so the surprise factor is always part of the fun here.”
D’Rivera’s concert is just one example of how the Mahaiwe is making world-class performances accessible. “My whole day has been about offering ‘pay what you can’ tickets for this show,” Bernal says. “We also issued a 50% discount to our partners. We work with ESL teachers, public libraries, literacy agencies, anyone who can help us get the word out.”
That kind of grassroots effort has been transformative. “Last year, we screened ‘Florencia en el Amazonas,’ the first opera written in Spanish ever performed at the Met,” Bernal said. “I sat in the Mahaiwe in tears. As someone who loves opera, it was the first time I heard one written in my own language. It was so powerful.”
Natalia Bernal, Mahaiwe’s education and community engagement managerPhoto by Martin Cohen
For Bernal, it all comes back to representation, on stage and in the audience. “My son is eight. I bring him to everything I can. Spanish shouldn’t just be something that happens at the dinner table. It should be in the world, in all these shapes and forms.”
And that’s what SCAN is helping build: a future where Latinx voices aren’t just included, they are central. “Our SCAN advisors are volunteers, cultural ambassadors,” Bernal said. “They help us distribute surveys, talk to the audience, and strengthen the community. Nobody should feel alone. Everybody should feel like they belong here.”
Education and outreach are central to D’Rivera’s work as well. He said, “It is an important part of our mission to plant and nurture the seed of quality music in our communities.” He continued to say, “Using our visibility and influence in favor of justice is always a very effective vehicle in denouncing violations of human rights around the world.”
This shared mission of education and social justice extends beyond the Mahaiwe. “We are one of the few arts organizations in a monthly meeting with BASIC (Berkshire Alliance for Immigrant Services). We have direct ties to the Berkshire Immigrant Center, VIM, and others so that we are well-informed and ready to serve,” said Bernal.
That commitment to community, culture, and access is why Bernal’s dream panel—Women in the Music Business—would feature Paquito’s wife and longtime manager, Brenda Feliciano. “She’s a tower of power. She’s been managing his career for at least 45 years. If I could organize an event one day, she would be the cherry on the cake.”
Until then, Bernal will keep doing what she does best: making sure the Mahaiwe is a place where everyone, regardless of language, income, or background, feels at home. And maybe, just maybe, she’ll find herself back on stage with Paquito D’Rivera, just like that first time, all those years ago.
For more info and tickets to Paquito D’Rivera, visit mahaiwe.org
The creative director at Ralph Lauren for almost four decades, Carter began writing this book during the pandemic, a time of rediscovering comfort. “I found more time to appreciate those special things that give our homes warmth and connection.” Working with Ralph Lauren, she learned that the best spaces tell a personal story. “His desk was filled with toy cars, miniature shoes, superheroes, English dandies, cowboys on horseback. The walls? A gallery of his children’s paintings, iconic photos of Frank Sinatra and Gary Cooper. Everything told a story.”
Carter acknowledges how homes can become overwhelmed with stuff but sees a difference between clutter and collection. “To live happily, create environments that inspire and comfort rather than encumber you! Look around and ask, ‘What is truly meaningful? What makes you smile? What recalls the people and places you cherish?’” Then, she added, “weed out the rest with discipline and courage!”
Provided
Each home in Carter’s book reflects its inhabitant’s spirit. “The first time I walked into Bethann Hardison’s apartment, I knew right away how authentic it was to who she is.” Hardison’s walls are lined with artwork from friends Keith Haring, Jean-Michel Basquiat, and Haitian paintings, testaments to a life well lived. “Though her mantra is, ‘the lighter the load, the freer the journey,’ she also admits some things ‘delight your environment’ and can’t be parted with. Amen to that!”
Having survived two childhood fires, Carter deeply understands what truly matters. “It’s not the things, but the people and memories they evoke.” She loves her collections, but they don’t possess her. “They make me happy, but they do not define me.”
She delights in how people showcase treasures. Paula Grief, for instance, lives in a ten-foot-wide house and had to part with many books. “She tucks the ones she can’t live without through the rungs of her staircase. I love that ingenuity!”
When asked about her most cherished possession, Carter tells a story of loss and serendipity. A childhood portrait of her in a blue velvet dress was lost in a fire. “Years later, the artist’s daughter found another version. Now, it hangs in our apartment, surrounded by flea market art and one of my favorite saints, Our Lady of Guadalupe.”
Adding to the cozy feeling of this book, Carter’s son, Carter Berg, took the photographs, and her sister, Cary, contributed the illustrations. “Cary once stayed in our apartment and painted a dozen objects from our cluttered kitchen. I hung them immediately. When I started this book, I knew she had to capture my favorite objects.”
Four of the featured homes are local to the Northwest Corner, including Carter’s in Millerton, Joan Osofsky’s in Lakeville, Robin Bell’s in Salisbury, and Paula Grief’s in Hudson. They all gathered at the White Hart/Oblong Speaker Series on March 27.
After perusing the richly colored pages of this book, you may feel tempted to shop. “You don’t need money to create a meaningful home,” Carter insisted. “Some of my favorite paintings cost no more than $10 or $25. Value is personal. It’s not about provenance but the story an object tells you or the one you make up.”
Carter’s advice? “Fall in love with the wackiest thing. Surround yourself with what matters, and you’ll live happily ever after.”
