NORTH EAST — Talks regarding the proposed supermarket slated for the Boulevard District moved from the Planning Board’s domain to the Town Board’s, as the subject of water service was broached last week. The Town Board held a special meeting at Town Hall on Thursday, April 7, to conduct that discussion among supermarket applicant Southern Realty & Development, LLC (represented by John Joseph), project engineer Rich Rennia, project architect Ray Nelson, Town Engineer Ray Jurkowski, Attorney to the Town Warren Replansky and the members of the Town Board. The goal of the meeting, according to town Supervisor Dave Sherman, was to hash out a framework of how to approach the concept of water service for the as-of-yet-unnamed supermarket planned for Route 44 East, near the Connecticut border.First choice, exploring other options While the conversation focused on the 10-acre site owned by Quinmill Properties Inc., which Southern Realty & Development, LLC (SRD) is looking to develop, SRD acknowledged its first choice is still to come to an agreement with C&S Wholesalers, which runs the Grand Union supermarket in Millerton and leases that space from property owner Robert Trotta. That pursuit has thus far been unsuccessful.At last week’s meeting, Rennia gave an overview of the applicant’s second option.“The Quinmill property site, we’ll develop that site and put in an almost 36,000-sqare-foot supermarket and redo the entrance into Ken Thompson’s building, and move that [entrance] farther to the west, and have one joint entrance in,” Rennia said, adding there would be a large loop around the building for truck traffic. The engineer also said there is “plenty of room” to install a septic system.“There is room to install a private well and put together a private water system,” Rennia said, before reviewing the applicant’s water service options. “Seeing that the water district is very close, about 1,200 feet down Route 44, west to the site, [there] is the possibility of connecting to that system. There are two ways: One is an expansion of the district and one is to create, out of the district, a user contract agreement between the developer and the town.”Rennia said either way the same 8-inch water line extension would be used.Who wants in, who wants outJoseph interjected that the adjoining property owners, Ken Thompson (owner of Thompson’s Plaza) and Basil Gabriel (owner of Basil’s Auto Shop) “have no need or desire to connect” to the town’s water district. He added the supermarket would like to be an out-of-district user. It expects to use approximately 2,000 gallons of water a day, which led the developer to describe the market as “not a tremendous water user,” but added it would be willing to cooperate with the municipality as needed.“We would construct [it], and also, if the town felt at a later date it needed to form a district and bring those people in, we would be happy to contribute our share or even pay the district at that time,” he said. “But at this point we would try to keep it as simple as possible.”Rennia sent a letter dated March 3, 2011, to the town supervisor. The matter was put succinctly.“It is anticipated that Southern Realty & Development, LLC would bear the costs to expand the water district including construction, design and permitting,” he stated. “The proposed project will require an estimated 2,000 gallons per day for normal consumption purposes and fire flow needs are 1,000 gallon per minute.”It’s the details that countCouncilman Dave McGhee raised an important point, reminding those present the town’s water district receives its supply from the village.“First of all I think it isn’t going to be up too much to the Town Board — it’s up to the Village Board if they’re going to be able to make another district. They’re the ones that control the water. Secondly, I’m very interested if there’s enough pressure to sustain all that way out there. I hope you do.“I will throw in this comment,” he added. “I know you have different ideas, I’ve lived here all my life, and you should be able to hook onto a line at the state line by Thompson Plaza and Basil’s, because they’re not going to stay there. Once we’re going this far, whether we do [the supermarket] or not, we should be able to hook up. Things are going to change; once somebody offers [those businesses out by the state line money to buy them out] they’re not going to stay there.”Councilman Carl Stahovec then brought up the wetlands issue and the buffer that usually accompanies them.“The last project had a 300-foot buffer,” he said. “You obviously don’t have that here. I’d be interested to see where that’s going. We’ve been getting letters [concerning wetlands]; another issue is the bog turtles. That’s another hurdle that’s there.”The applicant has engaged a biologist to do a bog turtle survey, which will be conducted sometime this month. The developer said in more than two decades doing his work he’s never seen the turtles yet.“As long as there’s a habitat there don’t have to be turtles,” Councilman Steven Merwin rebutted.Who is SRD? At that point Sherman asked Joseph what his exact relationship to Southern Realty & Development was.“I’m it,” responded Joseph, later adding he works with another investor. “We are owners, operators, of shopping centers. We acquire land and develop on behalf of tenants and then they become our tenants and they rent from us.”Getting off track and regaining focusTalk quickly reverted to focus on water. Merwin raised concerns about whether the village could handle the load, or if another water tank might be needed. He made reference to the town’s decision in the 1990s to not build another storage tank, which caused a brief skirmish with the town supervisor. The two quickly settled back to the business at hand.“We need to look out for the village on this,” Merwin said.“You’re right,” Replansky said. “The village has to make sure it has the capacity for this. The village can look at the plans for the proposed development on the site and see what the water requirements are, but if they’re talking about a district expansion, they have to look at the other properties then to see if they have the capacity.”“I don’t want the public to pay for anything,” McGhee said, adding an escrow account must be established.Two escrow accounts will actually be created; one escrow account will be for the planning process reviewed by the Planning Board and the other will be for the professional review undertaken by the Town Board. Neither account has been created yet, nor has a dollar amount been set for either of the two accounts, according to the town supervisor.
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Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.
“I was always drawing as a child,” Justine recalled. Victor dreamed of illustrating magazine covers like those of the “Saturday Evening Post.”
Victor studied design and illustration at Rochester Institute of Technology, then received a fellowship to study painting and printmaking at the University of Illinois at Urbana-Champaigne. He graduated in 1967. The following year, he received a grant from the Tiffany Foundation to study printmaking in Paris at Atelier 17, an experimental graphic arts workshop founded in 1927.
“What a great experience that was!” he recalled.
Returning home after the Paris uprisings of 1968, he discovered that the magazine covers he’d hoped to paint had largely given way to photography. His agent suggested trying record covers, which he pursued along with illustration and graphic design.
He also began teaching at Kean University in New Jersey.
“Kean had a wonderful graphic design and illustration department. I loved teaching Graphic Design, even though I never thought I would.”
He later taught at Syracuse University and Pennsylvania College of Art and Design.
In the late 1980s, he decided to stop teaching and concentrate on his own art. He moved to Falls Village, to a house on the corner of Minor and Prospect Streets.
“I used to call the studio ‘Minor Prospects Atelier,’” he said.
He continued working in illustration and graphic design, creating book covers for stories by H.P. Lovecraft and other authors, along with magazine covers, logos, advertising and murals.
Justine and Victor Valla in their studio with a painting of Victor’s,”Jonah and the Whale.” Robin Roraback
His local commissions include the green and gold Noble Horizons signage and wall murals for the Stockbridge Inn, the Spa at Norwich Inn, Orchards Hotel in Williamstown and the David M. Hunt Library’s children’s section.
Justine grew up in the Bronx and studied at the Fashion Institute of Technology. After graduating, she took on whatever work she could find, including designing toys and novelty items for Russ Berrie. But her true calling was textile design.
She moved to Los Angeles to pursue that calling, where she learned silkscreen printing from 1960s design icon Corita Kent.
“I was in her program at Immaculate Heart College. All fabric design at that time was silk screen. My first job in textile design was in L.A., creating wallpaper for Bob Mitchell Design.”
Justine returned to New York City, where the advent of computers required her to learn new design techniques. She enrolled at Parsons School of Design, studying Photoshop, Illustrator, Lectra U4ia and Kaledo.
Around this time, she met Victor online and moved to Falls Village.
A recruiter found her a job in Arkansas at Dillard’s, a department store chain operating in 30 states and known for its exclusive designer collections.
“They had the best equipment I’d ever seen,” she said.
She became a senior computer-aided design designer there, designing fabric and preparing purchased designs for production.
The Vallas left Falls Village for Little Rock.
“It was a big move,” she said. “It was a different culture, but Little Rock was very progressive.”
The originally planned to stay in Arkansas for five years but ended up remaining for nearly 10.
Then Justine was hit by a car. She suffered injuries to her leg and head and required four years of rehabilitation.
“I lost the ability to paint after the accident. I struggled to paint again.”
The Vallas returned to Connecticut, this time settling in Salisbury, where they’ve lived since 2013.
After leaving Dillard’s, Justine had planned to sell her work through Printsource in New York City, an international showcase for surface and textile design. But after the accident, she no longer had the mobility or energy to travel back and forth to the city.
Instead, she began selling her work locally at craft shows, including clothing, hand-printed tea towels and floorcloths.
She is currently working on selling her collection of textile designs.
In December, Justine will have a show of her tea-themed watercolors at the NorthEast-Millerton Library.
Victor recently exhibited “The American West: A Pictural History” at the NorthEast-Millerton Library. The series, created in the early 1990s, was part of a commission from the Postal Commemorative Society for which he completed 100 paintings in two years.
He hopes to place the series in a museum and has created books from its images, complete with text. Over the years, he has designed many other books that are ready for publication, including “Looking In, Looking Out,” a cosmic view of the universe.
Reflecting on his career, Victor said, “It’s about doing what you love”.
Justine agreed.
To see, purchase or commission work, contact Justine at justinevalla@gmail.com or Victor at victorvalla@comcast.net, or call 860-596-4282.
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Jane Herold’s beautifully simple dinnerware.
Cornwall ceramicist Jane Herold explained that there’s quite a lot of enthusiasm for Clay Way among the region’s ceramic artists.
“We all need work space, which is hard to find or afford in urban areas. The wood-fire crowd needs lots of wood and outdoor space. This area is great because it’s rural enough for us, but has a wonderfully enthusiastic and supportive population of pottery [patrons].”
While many of the artists are returning from previous years, the loose collection of unofficial organizers likes to keep the event manageable for the public, limiting the number of artists and studios each year. A direct drive from the southernmost point at Ann Heywood’s studio in Wingdale to Herold’s big barn in Cornwall is under 40 minutes. But if you want to catch it all, plan for a full day’s worth of art exploration along some of the most beautiful roads in New England.
Starting at its northernmost point, Herold’s studio will host Matin Malikzada of Afghanistan, whose polished, modern interpretations of traditional forms are instantly recognizable. They’ll be joined by wood-fired ceramicists Steve Johnson, with his raw, organic forms, and Harry Levenstein, whose works relate closely to Johnson’s while making even more direct references to nature.
Herold herself creates work that is both beautiful and utilitarian. Her prolific output of objects is intended to be used by everyday people as part of their daily lives.
Moving south is Todd Piker of Cornwall Bridge Pottery. Piker has been making pots in his giant wood-fired kiln since 1971. The kiln looks more like an ancient blast furnace than something designed to transform clay into ceramics, but over the years, he’s mastered its intricacies and produces an impressive amount of fine work.
A ceramic vase by Kathleen Heidemann.Provided
Piker will host Sanah Peterson, who works at Cornwall Bridge Pottery and draws inspiration from both her time with Piker and her time traveling the globe as a child. They’ll be joined by Stephanie Haines, whose vibrant, eye-catching work features underglaze illustrations of birds, fruit and the bounty of nature.
Further along in Warren, Jessica Dubin’s pieces will be on display at the studio of Christine Owen. Both artists seem to appreciate the chaos and unpredictable nature of clay but find ways to refine it all using their own unique methods.
Heading east to Washington, Conn., Will Talbot’s creates intricate work while allowing for the unpredictable nature of clay to play a role. His studio will house Tom Knox and his wide variety of textures and forms, as well as New York City-based Alex Lebedev, who lets music and the nature of improvisation guide his work.
There will be two studios participating in South Kent. Alison Palmner, whose page on the Clay Way website states she “strives to achieve a lighthearted meld of human forms, animals and the vessel.” Her studio will host Ben Eberle, who trained under the guidance of legendary potter Toshiko Takaezu; James Guggina, whose intricate work can appear both deliberate and whimsical; and Paula Shalan, who blends rough, unrefined surfaces with polished precision in individual pieces.
Joy Brown’s delightful ceramic sculptures.Provided
Nearby is Joy Brown, whose work have become a staple of the area, with her figurative sculptures dotting the Northwest Corner. Brown’s studio will also feature Bonnie Levine, who taps into the beauty of chaos and destruction in her work, and Brendan Moore, whose more utilitarian forms are perfect for everyday use.
Finally, the tour crosses the border into Wingdale, New York, where the studios of Drew Montgomery, Ann Heywood and Amy Brenner will host Jackie Sedlock, Lynn Behrendt,and Kathleen Heidemann.
Brenner creates some of the most colorful and vibrant pieces on the tour, while Behrendt’s work is among the most studied and precise. Heywood creates carefully considered, intuitive forms, while Heidemann moves from simple minimalism to intricate textures. Montgomery and Sedlock both find new ways of playing with traditional forms, producing delightfully distinctive pieces.
To learn more about the artists and download a map of participating studios, visit clayway.net
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