The impact of AI on live performance

Performers now fit in the palm of your hand.
Provided
Performers now fit in the palm of your hand.
Oscar and Emmy nominee and Screen Actors Guild and Golden Globe Award winner Steve Carell recently made his Broadway debut in the well-received production of Uncle Vanya. In an interview in advance of the opening, Carell commented: “I am a huge proponent of live concerts, [and] theatre. I kind of think it’s the wave of the future, frankly. With AI and with everything you’re seeing on a screen, who knows what’s real and what’s not. And when you go to see someone perform live, there’s no hiding. It’s exactly what you think it’s going to be.”
The use of video projections aside, that reflection does indeed resonate with those of us in the theater community.
Others have written or spoken about the value of live theater – as well other forms of live entertainment, such as concerts, poetry readings, and sports – as an antidote for artificial intelligence, or as writer Victor D. Infante put in a piece for Worcester (Massachusetts) Magazine, “live entertainment [is] an antidote to computer-generated cultural overload.” Infante was reflecting in comments with GBH (Boston Public Radio) executive arts editor and host Jared Bowen on how live theater is “an opportunity – and antidote to overproduced, overly computer-generated entertainment.”
Sharon’s very own PBS radio station, Robin Hood Radio, concurs: “Live is everything! It’s all about live. It’s all about communication. Marshall Miles always said what people didn’t realize about radio is the immediacy. That is key,” commented Jill Goodman, co-founder with Marshall Miles of Robin Hood Radio, Sharon, in a live interview.
Perhaps this is not a new thought, or even an obvious observation. However, who cannot deny that people today are looking for something “real” or to use an overused word, “authentic”? Both of these commentators shared that they yearn for “real acting, real singing and real comedy. It’s hard not to see live entertainment as a sort of remedy to that virtual ailment.”
As we know, in live entertainment anything can happen. Sometimes flubs or breaking character are part of the enjoyment of live entertainment, as it shows us that the performers are “real” people, as vulnerable to making mistakes as we are. Recently, on a live broadcast of Saturday Night Live, actor Heidi Gardner found a skit so funny that she broke into uncontrollable laughter. She was worried how her producers would react. But the audience and viewers LOVED it! Also, in live theater, there are no do-overs…except for sometimes. Some years ago, when theater legend Nathan Lane was giving a Tony Award winning performance of the classic A Funny Thing Happened on the Way to Forum, he accidently slipped and plopped while making an entrance to a song. He picked himself up and said directly to the audience, “Let’s try that again.” The audience’s applause lasted for several minutes.
Brisa Carleton, three-time Tony Award winning producer, also reflected: “While…AI [has the potential] to enhance the live theater experience, it is worth noting that human creativity and performance remains a key aspect of live entertainment. AI is likely to augment rather than replace human contributions in the industry. Theater is an opportunity to remember what it means to be connected to other people in an experience that will never happen quite the same way, ever again.”
As you might expect, The Sharon Playhouse’s own Education & Associate Artistic Director Michael Kevin Baldwin, feels the same: “Live theater and other forms of live entertainment offer a unique, irreplaceable experience that stands as a powerful antidote to the rise of artificial intelligence and computer-generated media. They foster genuine human connection, evoke real emotions, and remind us of our shared humanity in ways that technology simply cannot replicate.”
Whatever the eventual role of AI is in the arts, one thing is certain. AI and computer-generated media can never replace the impact of live theater. Come and experience the impact and pleasures of live theater for yourself at The Sharon Playhouse. Visit www.sharonplayhouse.org to order tickets and for more information about our 2024 Season.
Lee A. Davies is a member of the Board of Directors of The Sharon Playhouse. You can reach him at leeadavies4@gmail.com.
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Guests of the carnival at Bunny McGuire Park had a wide variety of rides to choose from, including a classic merry-go-round.
NORTH CANAAN — Four days of festivities concluded Saturday, July 19, with the grand finale of Canaan Summer Nights.
The carnival first arrived at Bunny McGuire Park on Wednesday, kicking off North Canaan Event Committee’s new vision for summer activities in town.
What was previously known as Railroad Days was separated this year into two parts: Canaan Summer Nights in July; and Old Railroad Days Aug. 7 to 10.
Katelin Lopes and Tessa Dekker beneath the fireworks on Saturday, July 19.Photo by Simon Markow
In addition to the carnival last week, the Douglas Library hosted a Roaring 20s cocktail party (see story on Page A9) and the St. Martin of Tours Parish Church of St. Joseph hosted a barbecue chicken dinner on the lawn.
A mix of antique and modern fire engines from Canaan, Lakeville, Norfolk, Sharon, Winsted, Falls Village, Cornwall, Salisbury, and other regional departments paraded down Main Street in the Saturday evening sun. The town welcomed them with waves and applause. Shortly behind the rescue engines were local sports champions, tractors, racecars, trucks and “Ted’s Comedy Wagon” with an endless supply of jokes.
After the sun went down, the crowd only got bigger. At around 9:30 p.m. the fireworks show began and everyone that was lined up for a ride or cotton candy turned to watch. The lucky few at the top of the Ferris wheel got the best view. The fireworks were a token of gratitude for the support of local businesses, vendors, the fire department and to parents carrying prize stuffed animals larger than the children that won them.
Supported by a $250,000 LEAP grant in late June, the 5,200-acre acquisition of a permanent conservation easement by the Kent-based Northwest Connecticut Land Conservancy protects the land surrounding the Colebrook Reservoir, the state’s largest remaining untapped drinking water reservoir.
Connecticut Governor Ned Lamont (D) announced July 15 that the state is awarding $14.3 million in Open Space and Watershed Land Acquisition (OSWA) grants to protect 2,270 acres across 22 towns.
The grants, administered to land conservation groups by the state Department of Energy and Environmental Protection (DEEP), include five properties in the Northwest Connecticut towns of Cornwall, Kent, Salisbury and Sharon, encompassing more than 400 acres with awards totaling more than $3 million.
Trio of grants for NCLC
The Northwest Connecticut Land Conservancy (NCLC) has received three significant grant awards to support the acquisition and permanent protection of three properties essential for public recreation and ecological resilience, totaling 5,425 acres. A $1.3 million grant through OSWA leads a trio of recent awards supporting land conservation in Connecticut. The other two grants, totaling $348,500, were awarded by the Connecticut Land Conservation Council’s Land Easement and Acquisition Program (LEAP).
According to NCLC, together, these grants underscore the strong and widespread commitment of public agencies, private organizations, and local communities to conserving natural and working agricultural lands.
Properties being protected include Surdan Mountain Preserve in Sharon, the Colebrook Reservoir Conservation Easement and the Strauss Morrisey Preserve Expansion in Sherman.
The properties provide critical habitat for rare, threatened and endangered species by safeguarding clean water sources, supporting natural wildlife corridors and offering new public access to nature.
With the $1.3M award from OSWA, the protection of the 108-acre Surdan Mountain parcel, which adjoins the 2,200-mile Appalachian Trail corridor, will be accessible to all when the preserve opens to the public.
The property includes a dramatic scenic view stretching 20 miles to the summit of Bear Hill, the highest peak in Connecticut; to the peak of Mount Frissell in Massachusetts, and Mount Race in New York State.
The Colebrook Reservoir Conservation Easement was supported by a $250,000 LEAP grant award. The 5,200-acre acquisition of a permanent conservation easement on this parcel protects Connecticut’s largest remaining untapped drinking water reservoir, which directly feeds the designated National Wild and Scenic Farmington River.
“We are incredibly grateful to all our partners for helping to make these acquisitions possible, especially during a time of funding uncertainty,” said NCLC Executive Director Catherine Rawson. “These acquisitions are a big win for our environment and communities.”
A pair of grants
in Cornwall
The Cornwall Conservation Trust earned two OSWA grants, one in the amount of $122,200 for its 41.78-acre Cobble Forest project, and a second, $195,000 grant for its 90-acre Furnace Brook Forest project.
The Cobble Forest property boasts a scenic ridgeline containing Heffers Brook, a high-quality cold-water stream that flows into Mill Brook, a tributary of the Housatonic River. The property rises 330 feet from Heffers Brook along its frontage, up to the rocky slopes of The Cobble. The purchase will create a 332-acre forest lock including Cornwall Conservation Trust’s Day Preserve, Walker Preserve and the Housatonic State Forest.
Furnace Brook is a forested ridgeline parcel on the slopes of Dean Hill, across the road from Wyantenock State Forest. It links to the conservation trust’s Furnace Brook Preserve, a 2018 OSWA grant. The Housatonic Heritage Area’s Hou-Bike trail and Housatonic Covered Bridge trail pass along the property frontage.
Shelley Harms, executive director of Cornwall Conservation Trust, noted that the state’s open space grant program makes it possible for local land trusts to purchase important conservation lands and for landowners to achieve their conservation goals.
“We are so lucky. We live in this beautiful area, and we have a state that invests in protecting our precious forests and streams and wildlife,” said Harms. “With the help of these two state grants, Cornwall Conservation Trust is buying two properties upstream from the Housatonic River within a loop formed by the Mohawk Trail and the Appalachian Trail, part of a gorgeous scenic area and connected to other preserved land.
“People can admire those forested ridges from many points in Cornwall,” she noted, “and when the hiking trails are created, people can immerse themselves in nature and hike up to overlooks where they can enjoy the whole panorama.”
Protecting Kent’s
agricultural history
The Kent Land Trust received a $422,500 OSWA grant for its 62.2-acre Halsted Lovig Property project on Camp Flat Road.
The property in southern Kent bordering New Milford is iconic to Kent’s agricultural past. For several decades it was a humus farm but has been vacant for the past quarter-century. The Kent Land Trust plans to create a recreational resource and protect its critical ecological functions.
The property is exceptional for recreation, nestled between two popular trail systems enabling trail connectivity along a roadway convenient to Kent’s Center on the main route of the Western New England Greenway ad Hou-Bike Walk Trails.
The property also contains diverse wetlands and spring-fed open pools, with data suggesting these habitats support at least seven avian species in great need of protection.
Grant targets Salisbury’s Miles Mountain
The Salisbury Association, Inc., received a $886,600 OSWA grant for its 163.59-acre Miles Mountain project. “Ours was one of the larger ones,” said John Landon, committee chair for the Salisbury Association Land Trust. “We felt pretty secure,” he said of the grant submission,” but it’s official now.”
The property on Weatogue Road is easterly of Tom’s Hill, a previous Salisbury Association OSWA-acquired property. It is subject to a 57-acre conservation easement held by Trustees of Reservations, so the DEEP OSWA conservation easement will encumber 163.59 acres, which surrounds the already preserved parcel on three sides.
An LLC comprising community members had formed to protect Miles Mountain from development until the land trust could raise enough funds to purchase the land from the LLC.
Landon said OSWA will fund up to 65% of the purchase price, and he is optimistic that a Federal Highlands Grant will cover most of the balance, “very similar to the Tom’s Hill scenario,” which was also protected from development by a conservation-minded group of community members which formed an LLC to protect that land.
“From large tracts of land to small pocket parks, this group of projects benefits a variety of communities across the state,” said DEEP Commissioner Katie Dykes, who noted that since the state’s open space program began in 1998, more than $190 million in state funding has been awarded to municipalities, nonprofit land conservation groups and water companies to assist in the protection of more than 48,000 acres of publicly accessible land.