Oscar and Emmy nominee and Screen Actors Guild and Golden Globe Award winner Steve Carell recently made his Broadway debut in the well-received production of Uncle Vanya. In an interview in advance of the opening, Carell commented: “I am a huge proponent of live concerts, [and] theatre. I kind of think it’s the wave of the future, frankly. With AI and with everything you’re seeing on a screen, who knows what’s real and what’s not. And when you go to see someone perform live, there’s no hiding. It’s exactly what you think it’s going to be.”
The use of video projections aside, that reflection does indeed resonate with those of us in the theater community.
Others have written or spoken about the value of live theater – as well other forms of live entertainment, such as concerts, poetry readings, and sports – as an antidote for artificial intelligence, or as writer Victor D. Infante put in a piece for Worcester (Massachusetts) Magazine, “live entertainment [is] an antidote to computer-generated cultural overload.” Infante was reflecting in comments with GBH (Boston Public Radio) executive arts editor and host Jared Bowen on how live theater is “an opportunity – and antidote to overproduced, overly computer-generated entertainment.”
Sharon’s very own PBS radio station, Robin Hood Radio, concurs: “Live is everything! It’s all about live. It’s all about communication. Marshall Miles always said what people didn’t realize about radio is the immediacy. That is key,” commented Jill Goodman, co-founder with Marshall Miles of Robin Hood Radio, Sharon, in a live interview.
Perhaps this is not a new thought, or even an obvious observation. However, who cannot deny that people today are looking for something “real” or to use an overused word, “authentic”? Both of these commentators shared that they yearn for “real acting, real singing and real comedy. It’s hard not to see live entertainment as a sort of remedy to that virtual ailment.”
As we know, in live entertainment anything can happen. Sometimes flubs or breaking character are part of the enjoyment of live entertainment, as it shows us that the performers are “real” people, as vulnerable to making mistakes as we are. Recently, on a live broadcast of Saturday Night Live, actor Heidi Gardner found a skit so funny that she broke into uncontrollable laughter. She was worried how her producers would react. But the audience and viewers LOVED it! Also, in live theater, there are no do-overs…except for sometimes. Some years ago, when theater legend Nathan Lane was giving a Tony Award winning performance of the classic A Funny Thing Happened on the Way to Forum, he accidently slipped and plopped while making an entrance to a song. He picked himself up and said directly to the audience, “Let’s try that again.” The audience’s applause lasted for several minutes.
Brisa Carleton, three-time Tony Award winning producer, also reflected: “While…AI [has the potential] to enhance the live theater experience, it is worth noting that human creativity and performance remains a key aspect of live entertainment. AI is likely to augment rather than replace human contributions in the industry. Theater is an opportunity to remember what it means to be connected to other people in an experience that will never happen quite the same way, ever again.”
As you might expect, The Sharon Playhouse’s own Education & Associate Artistic Director Michael Kevin Baldwin, feels the same: “Live theater and other forms of live entertainment offer a unique, irreplaceable experience that stands as a powerful antidote to the rise of artificial intelligence and computer-generated media. They foster genuine human connection, evoke real emotions, and remind us of our shared humanity in ways that technology simply cannot replicate.”
Whatever the eventual role of AI is in the arts, one thing is certain. AI and computer-generated media can never replace the impact of live theater. Come and experience the impact and pleasures of live theater for yourself at The Sharon Playhouse. Visit www.sharonplayhouse.org to order tickets and for more information about our 2024 Season.
Lee A. Davies is a member of the Board of Directors of The Sharon Playhouse. You can reach him at leeadavies4@gmail.com.
Justine and Victor Valla in their studio with a painting of Victor’s,”Jonah and the Whale.” Robin Roraback 
A ceramic vase by Kathleen Heidemann.Provided 
Joy Brown’s delightful ceramic sculptures.Provided 
