Wake boats — nothing like ski boats
Guest Commentary by B. Blake Levitt
Guest Commentary by B. Blake Levitt
Recreating humans have come up with a new way to thrill ourselves at the expense of water environments by creating artificial waves high enough for surfing behind a boat on inland watercourses (in addition to oceans) without being attached to a tow rope, unlike traditional water skiing. Sounds innocuous, right? It’s not.
The Lakeville Journal has done a yeoman’s job covering the subject of wake boating on Lake Waramaug, which borders the towns of Kent, Washington, and Warren but “recreational wakes” concern all inland watercourses too, especially in the NorthwestCorner where we have a unique strain of hydrilla infestations that permanently endanger the health of all inland lakes and rivers.
Wake boats are a direct conduit for invasives because their fundamental architecture is unlike anything seen in sports boating before. Wake boats employ internal ballast systems and wake-forming attachments like wake plates and wedges to shape waves that are typically 3-4 feet high. The ballasts are designed to take up water and weigh down the boat’s stern much deeper into the water than a ski boat, while raising the bow far above the water line, making it difficult to see other boats/swimmers ahead. Ballasts can retain up to 23 gallons of water inside the ballasts and bilge even after being drained with electric pumps. Because ballasts are internal systems, no physical inspections are possible and sanitation must be extremely thorough using water with temperatures above 1400 F. (This alone will require new inspection infrastructure at every lake since the transport of contaminated water has already been known to spread Eurasian watermilfoil, spiny water flea, and zebra mussels between waterbodies. And invasives are just one concern.
Traditional water skiing boats skim the water’s surface, create relatively superficial waves with little energy and do not destroy fragile lake ecosystems. But wake boats — new on the scene since 2010 — are specifically designed to displace huge amounts of water and sales have recently surged. As usual, the technology is in the field far in advance of our understanding its potential consequences.
Over 300 lakes in the country have banned or limited wake surfing; Wisconsin is in the process of passing statewide ordinances as is Vermont — all based on environmental concerns.
In a detailed report entitled “The Effects of Wake Boats on Lake Ecosystem Health: A Literature Review” by the environmental group “Wisconsin’s Green Fire, Voices for Conservation” in 2024, they note serious environmental damage from wake boating besides invasives:
Wake boats produce wakes that are 2–3 times larger than motorized non-wake boats and transfer up to 12 times more power to shorelines, requiring more than 600 feet to dissipate.
Armoring shorelines with riprap to repair/reduce erosion has high environmental/financial costs, reducing biodiversity/habitat quality, exacerbating invasive issues, and increasing nutrient runoff into lakes.
Recreational wakes, propeller turbulence, and direct damage from deep hulls and propellers can disturb/destroy aquatic plant communities, worsening erosion and habitat loss.
Native aquatic plants help secure shorelines and lake bottoms and are essential cornerstones of food webs and fish reproduction.
Enhanced wakes, noise levels, and turbulence can negatively impact wildlife, including near-shore nesting birds and fish.
Wake boats can resuspend lake sediments at deeper depths than other watercraft, reducing water quality and clarity. The resuspension of lake sediment can also reintroduce stored and previously inaccessible phosphorus back into the water column, fueling algal growth. The latter is of particular concern to Lake Waramaug, which was the country’s first whole-lake, non-chemical field experiment in algal remediation, partly funded by the U.S. EPA. In 1975, a group of concerned citizens formed the Lake Waramaug Task Force — now the Lake Waramaug Conservancy —to address the pea-soup-like conditions of the lake’s water quality caused by intense algae blooms from phosphorus/nutrient accumulation in lake sediment from nearby dairy farms, old septic systems, and general lawn/upland run-off.
Over the last 50 years, via innovative limnology designs, education, in-lake zooplankton farms (zooplankton eats algae), precise year-to-year monitoring/reporting and many millions of dollars from a supportive community, the group was able to steadily increase water clarity from zero in 1968 when the lake was in a state of quickening eutrophication to depths of 19 feet by 2019. However, since 2020 that success has backtracked somewhat and coincides with the increase in wake boats (estimated to be 40+ now). But since (in science parlance) ‘correlation does not equal causation,’ a detailed study was commissioned by the Interlocal Commission via the LW Task Force and funded by the three towns. Terra Vigilis Environmental Services, a nationally recognized science/engineering group with a focus on protecting infrastructure and environmental ecosystems, was commissioned. Their work took months to complete and included in-depth analysis during several seasons at numerous locations, supported by underwater and aerial drone technology. They created two highly detailed/critical analysis reports for the community that can be seen at www.lakewaramaug.org. The reports are decisive studies in underwater sediment disturbance as deep as 26 feet from the wake boat they employed in “normal use” conditions.
If ever there was a lake with scientific documentation to eschew wake surfing, Lake Waramaug — too small, narrow, shallow, and studied — is it. In the recent information meetings at town halls in the three towns, lakeside residents have reported significant shoreline erosion (repaired at private expense), plus damage to docks and moored boats. People report not sitting on their own docks on weekends due to waves rocking and crashing over them. There was one report of a child being slammed into shoreline rocks and numerous reports of capsized kayakers. (For perspective, Lake Tahoe, at 120,000 acres, has a 600 feet buffer for wake boats versus Lake Waramaug’s 640 acres with an unenforced voluntary 200 feet buffer for all boats.)
Referendums are scheduled in the three towns on July 31 to vote on a proposed ordinance put forth by The Lake Waramaug Authority and endorsed by numerous environmental groups, including the Protect Lake Waramaug Coalition. (Check town websites for times and to read the ordinance.) It’s a common sense proposal that bans wake surfing, not boats. It’s been reviewed, edited, and approved by the CT Department of Energy and Environmental Protection (DEEP), which has general jurisdiction over watercourses but partners with municipalities in which they are located.
Polluting for pleasure by a handful of wealthy residents, especially regarding dangerous whole-lake algae blooms, cannot be allowed to undo what the Lake Waramaug community has spent five decades to fix. Time for all voters to show up and protect the Commonweal. This is coming to a lake near you soon.
B. Blake Levitt is a science journalist who writes about how technology impacts biology. She is the Communications Director for The Berkshire-Litchfield Environmental Council and lives in Warren.
Author and cartoonist Peter Steiner signed books at Sharon Summer Book Signing last summer.
The 27th annual Sharon Summer Book Signing at the Hotchkiss Library of Sharon will be held Friday, Aug. 1, from 4:45 to 7:30 p.m.; Saturday, Aug. 2, from 10 a.m. to 4:30 p.m.; and Sunday, Aug. 3, at noon.
Friday’s festivities will honor libraries and the power of the written word. In attendance will be 29 locally and nationally recognized authors whose books will be for sale. With a wide array of genres including historical fiction, satire, thrillers, young adult and non-fiction, there will be something for every reader.
The event will include a selection of hors d’oeuvres and drinks, followed by eight festive author dinners where writers will read and discuss their work one-on-one with attendees.
Saturday will feature a new Page to Plate program that merges the literary and culinary worlds. Just as writing is a practice of patience and love, so too is the art of cooking. Cookbooks and food writing make cooking teachable to those excited to learn and celebrate the art of a perfect meal.
Through a combination of demonstrations and conversations, acclaimed cookbook authors and chefs will cover a variety of delicious topics. Highlights include a discussion with Chris Morocco, food director of “Bon Appetit” magazine and “Epicurious.” Sharon resident and chef Jessie Sheehan will demonstrate recipes from her cookbook “Salty, Cheesy, Herby, Crispy Snackable Bakes: 100 Easy-Peasy, Savory Recipes for 24/7 Deliciousness.”
With the combination of vetted recipes and thorough discussion from food experts, attendees are sure to leave knowing how to cultivate the ultimate act of service: the gift of a full stomach.
Sunday will be brunch at a private Sharon residence hosted by Graham Klemm and Cody O’Kelly to celebrate author Carolyn Klemm and her cookbook “Culinary Collection: Favorite Country Recipes.”
For more information and to purchase tickets, visit hotchkisslibraryofsharon.org
All proceeds support the programs at The Hotchkiss Library of Sharon.
Ukraine Emergency Fundraiser at The Stissing Center in 2022 raised over $120,000 for Sunflower of Peace.
The spirit of Ukraine will be on display at the Stissing Center in Pine Plains on Sunday, July 27. Beginning at 5 p.m., the “Words to America from Ukraine” fundraiser is set to showcase the simultaneous beauty of Ukrainian culture and the war-time turmoil it faces, all the while fundraising in support of Ukrainian freedom.
“Words to America from Ukraine” aims to remind and spread awareness for the suffering that often gets forgotten by those who live in comfortable worlds, explained Leevi Ernits, an organizer for the event. “We are trying to make an attempt to remind people that we are human, and we are connected with human values,” she said. “With very few words, poetry can express very deep values.”
Sponsored by the Town of Stanford, Friends of Ukraine, L.E. Design LLC, Bartelby & Sage, Oblong Books and Borshch of Art, the fundraiser will host the recitation of war-time Ukrainian poetry. Readings will include the works of Vasyl Sagaydak, Oksana Lutsyshyna, Serhiy Zhadan, Victoria Amelina, Marjana Savka, Ostap Slyvynsky, and Mariana Harahonych.
“Poems are fishhooks into our souls,” added Mark Lagus, another event organizer, explaining why poetry was chosen for the main event.
Guests will also enjoy a performance by Ukrainian Village Voices, a New York City- based band dedicated to preserving and promoting traditional Ukraining Folk music. The evening will also feature speakers Jed Sunden and Maria Genkin, along with a live auction. Food and drink will be provided by Bartelby & Sage, a sustainable, local and female-owned company.
All ticket proceeds, bids, and donations will go directly to Razom for Ukraine, a U.S.-based nonprofit. Razom, meaning “together” in Ukrainian, has the mission of “contributing to the establishment of a secure, prosperous and democratic Ukraine,” through “creating, inspiring, and collaborating on initiatives that motivate people to think, partner and do.”
Tickets, donation opportunities, and more information are all available by visiting www.wordsfromukraine.org
Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
The Grumbling Gryphons Traveling Children’s Theater is preparing to celebrate its 45th year — not with fanfare, but with feathers, fabric, myth, chant, and a gala finale bursting with young performers and seasoned artists alike.
The Gryphons’ 2025 Summer Theater Arts Camp begins July 28 and culminates in a one-night-only performance gala at Housatonic Valley Regional High School on Friday, Aug. 1 at 7 p.m. Founder, playwright, and artistic director, Leslie Elias has been weaving together the worlds of myth, movement and theater for decades.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”
Photo provided
Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
Attendees practive brushstrokes led by calligraphy teacher Debby Reelitz.
Calligrapher Debby Reelitz came to the David M. Hunt Library to give a group of adults and children an introduction to modern calligraphy Thursday, July 17.
Reelitz said she was introduced to calligraphy as a youngster and has been a professional calligrapher and teacher for more than 25 years.
She said there is no age barrier to learning the basics. “Once children can hold a pen or pencil, they can do it.”
Reelitz said her 5th-grade teacher introduced her to the art.
Then her mother pressed her into service doing the lettering for “4-H certificates and gift cards.”
Reelitz handed out a sampler and blank sheets of paper and then turned to the easel for demonstration purposes.
She noted that the letters (I,T,H,L,E and F) on the top row of the sampler were not alphabetically arranged.
Rather, they comprised a “latter family” of similar shapes.
Soon enough the entire group of six adults and three children were concentrating and turning out decent versions of the letters
Reelitz alternately demonstrated and encouraged the novices.
“Remember, this is not an instant gratification skill.”