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A family legacy: Roxana Robinson tells Harriet Beecher Stowe’s story for America’s 250th
Natalia Zukerman
Jul 15, 2026
Harriet Beecher Stowe, author of “Uncle Tom’s Cabin” and great-great-great aunt to author Roxana Robinson.
Courtesy of the Library of Congress
The award-winning novelist, biographer and scholar Roxana Robinson, who has longstanding ties to Litchfield County through her family’s centuries-old roots in Cornwall, was recently invited to tell the story of her great-great-great-aunt, Harriet Beecher Stowe, the abolitionist author born in Litchfield in 1811.
The invitation came from historian Heather Cox Richardson, whose national storytelling initiative, “250 to 250,” is marking the nation’s semiquincentennial with a series of short videos highlighting 250 people, places and moments that helped shape American history.
“We designed the videos to emphasize the agency of Americans — mostly everyday Americans — to change the country,” wrote Richardson. “Each falls into a category that defines what it means to be an American, including community, democracy, innovation, mobility, civil rights, education, conservation and creativity.”
According to an article Robinson wrote for The New York Times, she grew up hearing her family refer to “Uncle Tom’s Cabin” simply as “The Book,” a work that was treated as both a literary achievement and a source of family pride.In telling Stowe’s story for 250 to 250, Robinson reflects on not just a family lineage but a moral one.
“I am very proud of Great-Aunt Harriet,” Robinson said. “In an act of extraordinary courage, she challenged the economic, political and ethical structures of the entire country.”
That courage can be difficult to appreciate from the vantage point of the 21st century, she said.
“The main thing that amazed me about ‘the book’ was HBS’s courage. From this vantage point, now, ‘the book’ seems a bit obvious and heavy-handed, melodramatic ladies’ fiction, but at the time it was a deadly serious critique of the entire United States of America.”
Published in 1852, “Uncle Tom’s Cabin” arrived at a moment when many Americans, particularly in the North, could afford to look away from slavery.
“Slavery was a linchpin in the American economy,” Robinson said. “It was something the North could allow itself to ignore, since northern agriculture did not depend on slavery as southern agriculture did. But HBS, with these intertwined narratives of pain and love, made it impossible for northerners to ignore the human costs of slavery.”
Stories do that. They collapse distance. They insist that someone else’s child is your child. Someone else’s grief is your grief. Someone else’s freedom is bound up with your own.
“All people,” Robinson said of Stowe’s theology, “meant all people.”
It sounds simple. It was revolutionary.
“She wrote the Black experience just as she wrote the white experience, and showed readers, in heart-wrenching terms, that these stories were family stories, and that what the readers had been ignoring was a human tragedy. She made that tragedy impossible to dismiss.”
“Her book started a shift in public response to slavery, a movement toward revulsion and condemnation,” Robinson said. “Stowe’s book, like those of her peer Charles Dickens, lit up the dark places within the republic, and cast upon them the light of moral clarity.”
After all, movements most often begin this way — not with certainty, but with imagination. With someone refusing the accepted story and offering another one. For Robinson, Stowe’s story is also inseparable from the landscape that shaped her.
“The Litchfield Hills have always been a place where people have stood up for their own beliefs, tended their fields and raised their children to be responsible.”
Her own family’s roots in Cornwall stretch back to before the American Revolution.
“My corner of it, Cornwall, where my family the Scovilles have been since before the Revolution, has been populated by farmers and ministers ... and in the last century or so, writers and artists.”
She describes people from this region who felt and feel a deep responsibility to this country.
“I’m very proud of our state, with its strong history of support for public education, public health, gun control, agriculture and culture in general.”
For Robinson, civic engagement begins close to home.
“Politics begin at the bottom of your driveway,” she said. “Our neighborhood is made up of smart, kind, generous, engaged people whom I trust and love. Our first selectman is also our local organic farmer and a member of the EMT. How much more American can you get?”
That local focus is precisely what attracted her to Richardson’s project.
“I love the HCR project, linking our national history to these stories of individuals,” Robinson said. “This kind of story — one person committed to something about which they feel passionately — is the story of our country.”
To learn more about “250 to 250” and to view the videos, visit250to250.substack.com
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At North Canaan’s accordion museum, every instrument has a story
Christian Murray
Jul 15, 2026
Paul Ramunni playing polka music.
Madi Long
For visitors stepping into the New England Accordion Connection & Museum inside North Canaan’s historic railroad station, the first thing they notice is the sheer number of accordions.
Rows upon rows of instruments line the walls. Some are polished, while others show the wear of decades spent traveling across continents and sitting in family attics.
“There are about 500 accordions in this room,” museum founder Paul Ramunni said during a recent tour. “We have another 200 in the basement, so we’re cracking 700.”
But Ramunni insists the collection is not really about accordions.
“It’s the stories,” he said. “The instruments are just the carriers.”
For more than a decade, Ramunni and his wife, Marsha, have been collecting not only instruments but also the family histories attached to them. The result is what may be one of the most unusual museums in New England — a place where music, immigration, war and local history come together.
A Childhood Instrument Rediscovered
Ramunni’s own relationship with the accordion began on Long Island in the 1950s. His mother, who was of Italian ancestry, insisted he learn to play.
“I said, ‘Anything but that,’” he recalled. “The kids are going to make fun of me.”
He played for about three years before eventually putting the instrument away when he went to college.
More than four decades later, while spending time with Marsha in rural Vermont, something unexpected happened.
“I woke up with the urge to play the accordion again,” he said.
Soon after, he found a collector who was preparing to send several accordions to a Holocaust museum. The instruments had reportedly come from Dachau, a WWII concentration camp, where the victims were forced to give them up or perform for the guards.
The story stunned him.
“You mean to tell me every one of these accordions has a back story?” he remembered asking.
From that moment, Ramunni began seeking out instruments to collect and asking their owners about the back stories.

More Than A Collection
One of the first stories involved an elderly woman in Torrington whose late husband’s accordion sat unplayed for years.
When Ramunni picked up the instrument and began playing it, the woman broke down in tears.
“That was my husband’s voice,” she told him, referring to the sound of her late husband’s favorite instrument.
The couple had fled Europe during WWII with little more than a suitcase and the accordion.
“It was the family album,” Ramunni said.
Many of the instruments tell stories of immigration and war.
One accordion currently in Ramunni’s museum belonged to a World War II veteran who operated a landing craft during the Normandy invasion and often played it for his fellow marines.
The museum displays a photograph the veteran took of the soldiers aboard the vessel before they landed on the beach. Family members said many of the young men pictured never returned home.
More recently, a Ukrainian immigrant donated an accordion after losing family members during the current war with Russia.
“He said, ‘I can’t play it anymore,’” Ramunni recalled, noting that it had too many memories that he wanted to forget.
A Labor Of Love
The museum’s location is closely tied to Ramunni’s own history. In the early 1980s, he and a business partner purchased the North Canaan railroad station, where he operated a CPA firm.
He sold the building after a 2001 fire devastated the station. Two decades later, when space became available in the restored building, he returned to house the collection that had outgrown his North Canaan home. Since opening the museum in 2021, he said, it has welcomed more than 9,000 visitors.
Visitors come from throughout New England and beyond, many bringing their own stories along with old accordions. Some arrive hoping to repair an instrument.
The museum functions as more than just an exhibition space; Ramunni repairs accordions. The couple also buys and sells instruments. They host events, tours for school groups, senior centers, day-care programs and historical societies.
Sometimes they take the collection on the road.
“Everything fits in a Subaru,” Marsha said.
She sees the museum as both an educational resource and a community gathering place.
“We’re trying to make an impact here on the town and the area,” she said. “Bringing people in, educating them, giving them a place to learn about history.”
The collection continues to grow through donations.
On a recent afternoon, Salisbury resident Gary Peterson arrived carrying an accordion that had belonged to his grandmother, a Swedish immigrant who played polka music. Now retired and downsizing, Peterson said his family wanted to find someone who could appreciate the instrument rather than simply discard it.
Looking around at the hundreds of accordions on display, Peterson said he was struck by the variety and craftsmanship of the collection. “There are so many different types of accordions,” he said. “It’s awesome.”
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2026 Summer Nights of Canaan
Lakeville Journal
Jul 14, 2026
Wednesday, July 15
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Old Time Bingo
6 to 10 p.m.
Bunny McGuire Park Pavilion
Fire Truck Rides
6 to 10 p.m.
Thursday, July 16
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Old Time Bingo
6 to 10 p.m.
Bunny McGuire Park Pavilion
Fire Truck Rides
6 to 10 p.m.
Friday, July 17
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Old Time Bingo
6 to 10 p.m.
Bunny McGuire Park Pavilion
Fire Truck Rides
6 to 10 p.m.
Saturday, July 18
4th Annual Fly-In - CANCELLED
New England Accordion Museum
9 a.m. to 8 p.m.
Canaan Union Station
Canaan Union Depot Museum
10 a.m. to 6 p.m.
Canaan Union Station
Canaan Carnival
3 to 10 p.m.
Bunny McGuire Park
Barbecued Chicken Dinner
5 p.m. until sold out
St. Martin of Tours
4 Main St.
Canaan Fireman’s parade
6 p.m.
Bed Race
Following parade
Main street in front of
St. Joseph’s Church
Fireworks
Around 9 p.m.
Sunday, July 19
Ambulance Buffet breakfast
8 to 11 a.m.
New England Accordion Museum
9 a.m. to 6 p.m.
Canaan Union Station
Canaan Union Depot Museum
2 p.m. to 4 p.m.
Canaan Union Station
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Le Gamin reopens Le Bar with year-round plans
Phoebe Tobin
Jul 14, 2026
Le Bar, adjacent to Le Gamin in Sharon, has reopened for the season with a new menu, new bartender and plans to remain open year-round.
Madi Long
SHARON — Le Bar, the space next door that is part of Le Gamin, has reopened for the summer with a new menu, a new bartender and plans to become a year-round destination for drinks, good food and community events.
The bar first opened last summer as a seasonal extension of Le Gamin before closing for the winter. This year, owner Robert Arbor decided to bring it back with a more permanent approach, adding a new, and locally famous bartender, a different menu and a space that stands apart from the French café next door.
“We opened the bar last year just for the summer and closed it in the winter,” Arbor said. “This year we will run the restaurant from the bar all winter because it’s much cozier, warmer.”
The idea of Le Bar, although connected to Le Gamin, was to offer something different, a different vibe, to the community of Sharon and beyond. While the restaurant offers the experience of a classic French café, with crepes and quiche, the bar creates a darker, more intimate feel, with seating at the bar and tables throughout the smaller space.
The menu also separates the two spaces. Le Bar offers a slightly more American-style menu, featuring items like burgers and chicken sandwiches.
These changes and revamping were made possible by bartender Ryan Andrade, who previously worked at the White Hart Inn in Salisbury, garnering a local reputation as a talented bartender and, in 2021, was the Connecticut Restaurant Association Bartender of the Year Finalist. Arbor gave Andrade the freedom to shape the bar’s menu and overall feel.
“Those are all my own recipes, and I curated the food menu,” Andrade said. “The cocktails are my babies so it’s kind of hard to pick a favorite”
In the future, Ryan is looking to establish Le Bar as a gathering place. Recently, it has been hosting world cup watch parties and dance nights, including a U.S. match that packed the space from wall to wall.
Andrade hopes Le Bar brings a different energy to Sharon, describing the goal as bringing “kind of a Brooklyn side to Sharon” while cultivating a speakeasy atmosphere.
As Le Bar embarks on its first full year, Arbor and Andrade are looking forward to creating a regular destination for Sharon and Connecticut residents to gather.
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Community Health and Wellness Center expands reach
John Coston
Jul 14, 2026
Accepting New Patients” reads a banner in front of the Community Health and Wellness Center in North Canaan, now two years old. The facility continues to expand medical and health offerings.
John Coston
NORTH CANAAN — The federally supported healthcare safety net in the Northwest Corner that offers sliding-scale payments continues to expand its reach in the community.
The Community Health and Wellness Center, a Federally Qualified Health Center (FQHC), reported 36,235 visits in 2025, up from 33,750 in the previous year.
CHWC, which has medical office facilities in Torrington, Winsted and one in North Canaan that opened in the spring of 2024, reported that 65% of patients served last year were living at or below the poverty level.
In 2025, the organization served a total of 7,212 patients, compared to 6,746 the year before.
“We offer primary care, dental, behavioral health and much more,” said Joanne Borduas, chief executive officer. “We provide a local comprehensive medical infrastructure.”
The Northwest Corner continues to experience a shortage of primary-care doctors, compounded by the fact that some physicians no longer accept new patients, and others have long lead times for an appointment to see a doctor. FQHCs receive enhanced Medicare/Medicaid reimbursement and serve medically underserved areas.
In addition to primary care, CHWC has a long list of medical services that include women’s health, pediatrics, telemedicine, behavioral health, dental, pharmacy, home visits and others, as well as providing transportation for those in need and even a food pantry. The agency operates in 24 towns in the Northwest Corner and in seven Torrington schools, three Region One schools and has a mobile health clinic.
Though CHWC accepts insured and uninsured patients, Medicaid recipients, comprising low-income adults, children, pregnant women, elderly adults, and people with disabilities, made up 48% of CHWC’s patient base last year.
The organization has struggled to get reimbursement from the state for its Medicaid expenses. It also has faced the threat of Medicaid cutbacks from Washington and disputes with Connecticut’s Department of Social Service to make the state’s 17 Federally Qualified Health Care Centers whole with respect to their Medicaid costs. Last July, after lengthy negotiations, an agreement was reached to increase reimbursements over three years that will bring reimbursements to 2023 levels.
In May, CHWC announced a fundraising campaign in anticipation of federal Medicaid cuts.
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Cornwall exhibit to showcase historic bridge paintings
Debra A. Aleksinas
Jul 14, 2026
Woldemar Neufeld’s Cascade Bridge in Kent is among the watercolor and ink paintings featured in the Bridges Across the Housatonic exhibition opening July 17 in West Cornwall.
Image provided by the Housatonic Valley Association
WEST CORNWALL — Fifty years after artist Woldemar Neufeld completed one of the most ambitious artistic tributes ever devoted to the Housatonic River, a selection of his celebrated paintings will return to public view this summer, offering visitors a rare glimpse into the river’s history and the enduring landmarks that have long connected communities throughout the valley.
The exhibition, called “Bridges Across the Housatonic,” will open July 17 at the Housatonic River Commission and Cornwall Conservation Trust offices, located at 7 Railroad St. It will feature 10 original watercolor and ink paintings depicting bridges along the federally designated Wild & Scenic stretch of the Housatonic River in Northwest Connecticut.
The works, which mark the first public display of the collection since 2004, are part of the artist’s personal mission to document every bridge crossing the 149-mile Housatonic River. Beginning in 1974, Neufeld and his wife spent three years painting 65 automobile bridges and two pedestrian bridges stretching from the river’s headwaters in Massachusetts to Long Island Sound.
The resulting collection became both an artistic achievement and an important historical record, preserving scenes that in many cases have since changed dramatically through infrastructure improvements, environmental restoration and shifting patterns of land use.
Neufeld’s paintings capture not only the bridges themselves, but also the everyday relationship between people and the river — fishermen casting from its banks, farmers working nearby fields and travelers crossing structures that became familiar landmarks in communities from the Berkshires to Long Island Sound.
Today, many of the bridges depicted in Neufeld’s paintings remain cherished landmarks, while others have disappeared or evolved with the passage of time.
Presented by the Cornwall-based Housatonic Valley Association (HVA) in partnership with the Housatonic River Commission and Cornwall Conservation Trust, the exhibition also includes original sketches, reference photographs Neufeld took while creating the series in the 1970s, and contemporary photographs showing how many of the same locations have changed — or remarkably remained the same — over the past half century.
The public is invited to an opening reception on Friday, July 17, from 3 to 5 p.m.
About Neufeld’s works
Born in 1909, Neufeld established a national reputation as a painter, printmaker and sculptor whose work is held in collections including the Metropolitan Museum of Art, the Library of Congress, the New Britain Museum of American Art and Memorial Sloan Kettering Hospital.
“Neufeld was a realistic and sensitive portrayer of the connections between the built environment and the natural world,” said Tim Abbott, executive director of the Housatonic Valley Association.
“He understood that even mundane structures with a functional purpose like highway bridges had a form and elegance that not only help convey us over the river but become part of how we experience the landscape.”
Continued stewardship
The exhibition also celebrates the ongoing stewardship of the Housatonic River.
In 2023, a 41-mile stretch of the river through Northwest Connecticut received federal designation as part of the National Park Service’s Wild & Scenic Rivers Program, recognizing its exceptional scenic, ecological and recreational value.
Both HVA and the Housatonic River Commission played key roles in securing that designation and continue working alongside local conservation partners to protect water quality, wildlife habitat and public access throughout the watershed.
For residents who have seen renewed conservation efforts focus on the Housatonic River, including a $1.5 million state grant announced recently to keep a 245-acre parcel from development, the exhibition offers a look at its past and a reminder of why protecting its future remains a priority.
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