A trickle down system that works
A quarterly letter from the Salisbury Conservation Commission

The quality of our water depends on choices made in stewarding our properties.
Thomas Blagden
A quarterly letter from the Salisbury Conservation Commission

The quality of our water depends on choices made in stewarding our properties.
Welcome to the Salisbury Conservation Commission’s quarterly missive. Our mission is to educate ourselves as well as fellow Salisburyians on the important natural habitats unique to our beautiful and fascinating town and to learn how better to preserve them, armed with science and determination.
We had a wonderful rainy spring and early summer here in the Northwest Corner. Not so good for tennis and golf, but fabulous for filtration which is the exciting process whereby our aquifer gets replenished.Here we will review this process and hope that more rain is coming soon.
Water is delicious. Salisburyians get their drinking water from either private wells or town water, the latter being managed by Aquarion Water Company. The town water comes from two different sources: surface water and ground water.The surface water comes from two reservoirs, Reservoir #1 and #2, located on the Taconic uplift and is filtered at the Lakeville water treatment facility.These reservoirs supply 21% of the water used by the town. The town’s ground water comes from two well fields that access the aquifer.This water has gone through a natural filtration process and does not need to be treated.The two reservoirs and the ground water serve about 2,200 people in our town of about 4,000.
Water from the aquifer has been purified by filtration, a process that occurs when rainwater, on its trip to the ground, is slowed first by the tree canopy and then by the foliage of understory plants allowing for a gentle delivery to the forest floor.Some of the rain is absorbed by tree and plant roots, but not all.What is left continues through the humus, sand, and rocks that trap sediments, bacteria, heavy metals, phosphorus and nitrogen, leaving naturally filtered water to descend to the aquifer. Forests are the stars in this filtration adventure. Their trees’ leaves and needles provide buffers for the rain. The “understory” plays an important role in this filtration process as well.
When there is an extreme weather event, such as the heavy downpours that we are seeing more frequently these days, there needs to be a dense growth of trees and understory to protect important soils from eroding. “Whenever water is brownish in color on rainy days, it is carrying off valuable soil.” (Peter Wohlleben, “The Hidden Life of Trees”, p.87.)
If all goes according to plan, the forest floor acts like a sponge, soaking up the gently delivered rainwater.
Salisbury’s forests were denuded from the mid-nineteenth to mid-twentieth centuries to power Salisbury’s charcoal industry. Now they play another critical role in our town’s life. They provide important habitats, filter rainwater, cool our air and many other essential benefits to our lives. Curtis Rand, First Selectman and professional forester, comments that: “Taking care of our forests is crucial for our well-being. Forests mitigate climate change, regulate our water, prevent soil erosion and provide biodiversity.” To read more about our town’s forests, please read the “Forest” section of Salisbury’s NRI found here: www.salisburyct.us/wp-content/uploads/2021/02/NaturalResourceInventory2009.pdf
To help preserve this synergistic water filtration system, we asked AI “how do we keep Salisbury, CT water clean?” Its answer was surprisingly helpful with important takeaways being:
— Properly dispose of hazardous waste: Never pour fats, oils, grease, household chemicals, or medications down the sink or toilet. Salisbury participates in the HazWaste Central program, which offers safe and free disposal of these items at a facility in New Haven.
You’ll need to pre-register online for collection events, which run on Saturdays from May to October.
—Landscaping and Outdoors:
—Leave your leaves on your forest floor and wherever else they have fallen. Those leaves create duff, which is the stuff that slows water down and increases the first part of filtration. It helps to slow the flow and move water vertically. If you must rake leaves, rake them downhill to the bottom of your lawn and make a berm.
Taking leaves away in bags or a truck is a loss for your bank account and a loss for the environment.
—Minimize the use of fertilizers and pesticides, which can contaminate runoff.
Consider organic or slow-release fertilizers, if needed at all.
— Direct downspouts onto permeable surfaces like lawns or consider installing rain barrels to collect and reuse rainwater for plants.
—Pick up after your pets and dispose of waste properly.
—In the community:
—Support local regulations: Vote for policies that protect local water resources and support responsible land use.
—Educate others: Share information about water conservation and pollution prevention with friends, family, and neighbors.
The Conservation Commission suggests planting native plants. They need less water to grow than non-native plants and support our ecosystem by feeding critters that help our trees and the understory to thrive, preserving the process of filtration. The quality of our water resources is directly dependent on the choices we residents make in stewarding our properties.
Please reach us at conservationcommission@salisburyct.us for comments and suggestions.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.