
Jandi Hanna, president of the Falls Village Housing Trust, was among the representatives of affordable housing groups in the region who spoke out about successes over the past year.
Debra A. Aleksinas
Jandi Hanna, president of the Falls Village Housing Trust, was among the representatives of affordable housing groups in the region who spoke out about successes over the past year.
SALISBURY — Housing affordability is a daunting challenge throughout the Northwest Corner, but a coordinated, regional response is reportedly making strides, one new housing unit at a time.
The past year’s success stories were front and center during the Litchfield County Center for Housing Opportunity’s (LCCHO) Annual Housing Affordability Summit held on Sept. 20 at the Salisbury Town Grove Community Center.
Guests included state Housing Commissioner Seila Mosquera-Bruno, members of local housing nonprofits, area legislators, first selectmen, town housing committees and others passionate about create housing opportunities for those who live and work in the community.
“Housing is not just a roof over our heads. It is the foundation of our lives, yet the cost of housing is a growing concern,” Mosquera-Bruno told the crowd that surpassed 100 attendees. “When families can afford housing, they are investing in their future.”
Millions in state, federal funding in 2023
Jocelyn Ayer, LCCHO’s director, pointed to a “doubling of the number of affordable housing units in the pipeline since we got started a few years ago.”
She recited her organization’s impact by the numbers: 15 local housing nonprofits being provided with day-to-day project management support; 323 affordable housing units being supported to move forward as part of 18 developments in 13 towns; a 100% increase in the number of affordable housing units in the development pipeline (increase of 160 to 323 since 2022, and $4.8 million in state funding accessed by local nonprofits to construct and/or renovate housing in 2023.
Also, Ayer pointed to $4.25 million in federal funding accessed by local nonprofits for affordable housing in 2023 units and $176,000 in pre-development seed funding committed to support six developments.
She said $33,800 in pass-through funding was provided for community engagement projects in Barkhamsted, Canaan, Cornwall, Goshen, Kent, Litchfield, Morris, Norfolk, Salisbury, Sharon, Warren and Winchester, the Litchfield Hills Greenprint Collaborative and Kent Affordable Housing.
Mosquero-Bruno offered suggestions on how towns could add to their affordable housing stock, including the revision of zoning laws to allow for duplexes and townhouses and the promotion of public-private partnerships.
“Don’t just think about building, but also acquiring. It’s not just about construction it’s about engaging community members” through education and advocacy, she noted.
A team of stakeholders cut the ribbon on 10 new affordable housing units in Salisbury, From left, Peter Halle, president of the Salisbury Housing Committee, Inc.; Jocelyn Ayer, vice-president, SHC; U.S. Senator Richard Blumenthal (D-Conn.); State Representative Maria Horn (D-64); Marcus Smith, Connecticut Housing Finance Authority; Seila Mosquera-Bruno, Commissioner, Connecticut Department of Housing; T.J. Magnoli, Community Relations, Eversource; and Curtis Rand, Salisbury First Selectman.
Patrick L. Sullivan
Sharing successes and challenges
The evening included a brief update on Litchfield County success stories, including the ribbon cutting earlier in the day for 10 new units at Salisbury’s Sarum Village III.
“Unfortunately, we don’t get to do that every day,” said Ayer of the newly christened rental units. “So we need to celebrate the little wins.”
One by one, updates on various stages of housing projects, from rental units to single-family homes, unfolded from representatives of the Barkhamsted Housing Trust, Cornwall Housing Corporation, Falls Village Housing Trust, Goshen Housing Trust, Kent Affordable Housing, Litchfield Housing Trust, Litchfield/Morris Housing Authorities and the Foundation for Norfolk Living.
Also represented was the Salisbury Housing Committee, Salisbury Housing Trust, Sharon Housing Trust, Warren Affordable Housing Corporation, Washington Community Housing Trust and the Winchester Housing Partnership.
Peter Halle, president of the Salisbury Housing Committee, explained that in addition to the 10 new units at Sarum Village, projects in the pipeline include Dresser Woods, a 20-unit affordable housing project and the long-awaited Holley Place. “NIMBY is a reality, but it’s moving ahead,” he reported.
Earlier in the day, attendees were encouraged to take a self-guided tour of current/planned housing developments in Salisbury. In addition to Sarum Village, Dresser Woods and Holley Place, other sites on the tour included the Pope Property, two affordable homes by the Salisbury Housing Trust and Lakeview Apartments.
“We really have an embarrassment of riches in Salisbury when it comes to working on affordable housing projects,” noted Jennifer Kronholm Clark, vice president of the Salisbury Housing Trust.
‘The real success stories are our tenants’
Chris Sanders, president of the Goshen Housing Trust, said he was happy to report that 13 out of 18 rental units in his town have undergone major renovation since May of 2021 and are occupied, despite the fact that “Goshen, Connecticut is not necessarily a friend to affordable housing.”
He said “the real success stories are our tenants.”
Sanders spoke of the single mom with an infant who was a tenant for 15 years and recently purchased a home in Winsted. He recalled the long-time senior who lost his home due to healthcare costs and “didn’t know where to go next but wanted to live close by and has been with us for two years.”
Sanders recalled the professional couple who are employed locally, and the mom with three kids who was a victim of domestic violence “and found a safe home with us.”
Just last week, he said, one of our tenants gave birth to a baby girl. “It was the first tenant who snuck in!” he said, eliciting laughter from the crowd. “These are really the success stories affordable housing is about.”
Deidre DiCara, representing the Winchester Housing Partnership, spoke of the planned renovation of the vacant Batcheller school building on Pratt Street into 35 rental units. The vote to sell the school to the nonprofit Northwest Senior Housing, she said, “squeaked through” by a heart-stopping four votes.
The summit, sponsored this year by National Iron Bank, concluded with panel sessions on the upcoming Legislative session, and financing resources for affordable housing.
Attendees were treated to the debut of a short film screening showcasing the region’s collaborative effort and the strategies that have come out of it.
“I am truly grateful and committed to our shared vision,” the state housing commissioner told those in attendance. “Despite these challenges there is hope.”
Jazz and classical ensembles from Salisbury School and Indian Mountain School, and solo pianists and a cellist, will perform for the 43rd annual student recital at the United Congregational Church in Salisbury on Sunday, Feb. 23.
The annual student recital is returning for its 43rd year at Salisbury Congregational Church at 30 Main St.
This year’s performance is set for Sunday, Feb. 23, at 3 p.m.
Jazz and classical ensembles from Sailsbury school and Indian Mountain School as well as solo pianists and a cellist will grace the stage at the United Congregational Church.
Admission is free and donations to the church’s special music fund are encouraged.
After the performance, viewers are invited to stick around for a reception with sandwiches, chili and dessert.
Indoor track BL champs
Housatonic Valley Regional High School senior Kyle McCarron’s 1600-meter time of 4:30.31 earned him second place in this year’s indoor state meet. He was within two seconds of first-place finisher Matthew Kraszewski from Nathan Hale-Ray High School.
McCarron was one of eight runners to represent HVRHS in the 2025 Connecticut Interscholastic Athletic Conference Class S indoor track meet at Floyd Little Athletic Center in New Haven Feb. 15. In addition to his 1600-meter silver medal, McCarron placed sixth in the 3200-meter run.
For the HVRHS girls, Mia Dodge placed fifth in the 55-meter hurdles. Dodge also placed fifth in the sprint medley relay with teammates Gabi Titone, Harper Howe and Kenzie Lotz. Howe placed eighth in the 600-meter race. Titone placed 10th in the 1600-meter race.
Patrick Money placed 10th in the boys 55-meter hurdles and 25th in the long jump. Money, Kyle McCarron, Silas Tripp and Peter Austin placed 12th as a team in the sprint medley relay.
Joy Brown installing work for her show at the Tremaine Art Gallery at Hotchkiss.
This year, The Hotchkiss School is marking 50 years of co-education with a series of special events, including an exhibition by renowned sculptor Joy Brown. “The Art of Joy Brown,” opening Saturday, Feb. 22, in the Tremaine Art Gallery, offers a rare retrospective of Brown’s work, spanning five decades from her early pottery to her large-scale bronze sculptures.
“It’s an honor to show my work in celebration of fifty years of women at Hotchkiss,” Brown shared. “This exhibition traces my journey—from my roots in pottery to the figures and murals that have evolved over time.”
Co-curated by Christine Owen, Hotchkiss ceramics instructor, and Joan Baldwin, curator of special collections, the scale and scope of the exhibition was inspired by a recent Ed Ruscha retrospective in Los Angeles. “I thought it would be incredible to showcase all these different aspects of Joy’s work,” said Owen, who has known Brown for over 30 years.
Brown’s father, a Presbyterian missionary and medical doctor, opened a hospital in Japan where Brown grew up and cultivated her love of clay. Her first apprenticeship was in Tomba, a region in Hyogo Prefecture known for its ancient pottery kilns and Tambayaki pottery. “There are thousands of years of continuous history of clay there and I was working with a 13th generation potter.” Brown recalled that as part of her early training, her teacher handed her a sake cup and said, “make these.” With no extra instruction given, Brown proceeded to make thousands of copies of the cup. Never fired, she realized that the pieces were an exercise. She explained, “You’re not really making something, you’re participating in a process that these things emerge from.” From there, she embarked on an apprenticeship with master potter Shigeyoshi Morioka. As part of the process she learned from Morioka, Brown has built a 30-foot-long wood-firing tunnel kiln on her property in Kent, Connecticut, where she fires her work once a year in an intensive month-long process. The fire’s natural interaction with the clay creates unique earth tones and ash patterns, highlighting the raw beauty of the material.
Natalia Zukerman
“I learned not just pottery but a whole way of life,” she recalled. “The work is a continuous process—like practicing a signature until it evolves into something uniquely yours.” Her figures, initially emerging as playful puppets, have since evolved into large-scale sculptures now found in public spaces from Shanghai to Broadway to Hotchkiss’s own campus.
Brown’s seven-foot “Sitter with Head in Hands” was installed near Ford Food Court in October, followed by “Recliner with Head in Hands” near Hotchkiss’s Main Building in November. She welcomes interaction with her sculptures, encouraging visitors to touch them and even dress them with scarves or hats. “These figures transcend gender, age, and culture,” Brown noted. “They’re kind of like when you’re 4 years old and you didn’t know or care what you were, you know? All of us meet in that field and I think people resonate with that.”
In conjunction with the exhibition, Hotchkiss will host a screening of “The Art of Joy Brown,” a documentary by Eduardo Montes-Bradley, followed by a panel discussion with the artist and filmmaker on March 6 in Walker Auditorium. Brown will also serve as an artist-in-residence, collaborating with students on special projects.
On being part of the celebration of women at Hotchkiss Brown said, “Fifty years ago, I was deep in the mountains of Japan, immersed in clay.” With a soft spoken and almost childlike quality, Brown spoke about and interacted with her pieces with curiosity, reverence and wonder.
“The practice of working with clay for all these years is grounding and centering for me. It challenges me,” she said. “The work forces me to put myself out there. It’s not just the making of the pieces that make me more whole, the pieces themselves become more present.”
Brown reflected on the retrospective nature of the show and shared that putting it together has been like looking at a family album. “It’s kind of like I’m seeing my whole life in front of me,” she said. “It’s humbling and makes me think about why I do what I do. It comes back to the idea of those thousands of sake cups, you know? We’re just here, being as present as we can be. We’re not making things, we’re participating in a process of being more present, and all that spirit is reflected in the work.”
“The Art of Joy Brown” opens Saturday, Feb. 22, and runs through April 6. For more information, visit www.hotchkiss.org.
This story has been updated to reflect a change in the scheduled opening date due to forecast extreme weather conditions.
A special screening of “The Brutalist” was held on Feb. 2 at the Triplex Cinema in Great Barrington. Elihu Rubin, a Henry Hart Rice Associate Professor of Architecture and Urban Studies at Yale, led discussions both before and after the film.
“The Brutalist” stars Adrien Brody as fictional character, architect Laszlo Toth, a Hungarian-born Jewish architect. Toth trained at the Bauhaus and was interred at the concentration camp Buchenwald during World War II. The film tells of his struggle as an immigrant to gain back his standing and respect as an architect. Brody was winner of the Best Actor Golden Globe, while Bradley Corbet, director of the film, won best director and the film took home the Golden Globe for Best Film Drama. They have been nominated again for Academy Awards.
Laszlo Toth goes to work in his cousin’s furniture store when he arrives in New York, living in the storeroom and helping his cousin build up the business. When his cousin’s wife falsely accuses him of making a pass at her, he ends up living in a homeless shelter.
A would-be patron tracks him down, finds him working construction—the only job he can get—and asks, “Tell me, why is an accomplished foreign architect shoveling coal here in Philadelphia?”
Eventually, Toth gains a commission but faces prejudice as a foreigner and Jew, even though he and his wife, who he reunites with after she’d been in the concentration camp, Dachau, are both highly educated—she is an Oxford graduate and an established writer in their home country of Hungary.
Rubin began his discussion before the screening by saying, “I am thrilled this film has brought architecture to the forefront. There is something so fascinating and robust about the space Brutalist architecture creates.”
Brutalism is known for using “raw materials,” such as brick and concrete in ways that leave them visible. Rubin said that concrete is “incredibly expressive. It comes to the building site as mud and becomes what it is poured out as.”
“At first,” said Rubin, “optimism was associated with Brutalism.”
Brutalism came to the forefront of architecture in the 1950’s when it was used to reconstruct housing in the United Kingdom after WWII.
Some prime examples of Brutalist architecture include Boston City Hall, Rudolph Hall at Yale University, and the Temple Street Parking Garage in New Haven.
Rubin commented, “Brutalist architecture became the de-facto language of government and institutional architecture.”
Rubin said Brutalism began to fall out of favor in the 1970’s when it began to be associated with urban decay and totalitarian governments, who used it extensively.
Rubin asked the audience to consider two questions as they watched the film: “Why is the main character an architect… what does it bring to the emotional core?” and, “Who or what is the Brutalist in the film?”
After the screening, Rubin commentedtha Brutalist architecture is about “Getting an object to, ultimately, stand by itself.” Rubin explained that Brutalism “Throws off shadows of the past. No extraneous detail is left.” Audience members discussed how this could also be true of the character of Laszlo.
Rubin explained that architects face the challenge of “how to express themselves through someone else’s commission.” Discussion involved how Laszlo finds a way to achieve this.
The audience agreed that the film brought up some timely issues about immigration, class awareness, and acceptance, while asking them to consider how Brutalism applies to these subjects. The movie is at times, as rawly constructed as a brutalist building.