Grumbling Gryphons’ set to celebrate 45th anniversary with gala and summer theater camp

Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
Photo provided

Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
The Grumbling Gryphons Traveling Children’s Theater is preparing to celebrate its 45th year — not with fanfare, but with feathers, fabric, myth, chant, and a gala finale bursting with young performers and seasoned artists alike.
The Gryphons’ 2025 Summer Theater Arts Camp begins July 28 and culminates in a one-night-only performance gala at Housatonic Valley Regional High School on Friday, Aug. 1 at 7 p.m. Founder, playwright, and artistic director, Leslie Elias has been weaving together the worlds of myth, movement and theater for decades.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”

Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
There’s an old adage that asks, “How do you get to Carnegie Hall?” The answer is usually “practice, practice, practice.” But for 27 Hotchkiss students, the answer will be boarding a chartered bus from Lakeville to New York City for the Young Artists Concert on Jan. 31.
The concert will be presented by Fabio Witkowski, the Joanne Eastman Sohrweide Chair and director of music at Hotchkiss, alongside Gisele Witkowski, instructor in piano and director of the Hotchkiss Piano Portals summer program. Together, they will showcase a wide range of student performances, highlighting the depth of musical study and artistic excellence cultivated at the school.
“Hotchkiss has a great reputation for strong academics and athletics, but not as many people know about our wonderful music and arts programs,” Witkowski said. “The generosity of Barbara and Amos Hostetter made so much possible here,” he added, referring to a major three-part gift from the couple in 2018 that significantly strengthened Hotchkiss’s music and arts programs.
“One thing that makes me so proud about this type of philanthropy is that people usually spend every dime on the bricks,” Witkowski said. “But we used about half for the building and then half for programming. Now we really operate like a mini conservatory here.” Students who study in the music program have access to two lessons a week, orchestra, music history and theory. “And we have an amazing music series here,” he said. “We’ve had the Guarneri String Quartet, Emerson, Lang Lang and Midori. And the concerts are all free because they’re part of the endowment. That makes me very proud.”

To be chosen to perform at Carnegie Hall, students went through a competition process in December. About 20 students will have the opportunity to perform solo pieces, but to accommodate all the students, Witkowski arranged two pieces for small ensembles. “That way, everyone gets to play,” he said.
Annabelle Chu, from Hong Kong, is studying percussion at Hotchkiss and will be playing “Brazilian Landscape” by Ney Rosauro for solo vibraphone. “Usually, I do a sport. So, during the spring and fall, I do track and cross-country, respectively. Last year I did swimming in the winter, but I switched to music, which was great. Now I’m getting a lot more practice time — like two hours every day, and then on weekends, I get like three or four.”
Chu has only ever been outside Carnegie Hall. “When I was just wandering around the city,” she said. Asked how she will feel when she walks out on stage, she said, “I think I’ll be very nervous, but at the end, hopefully I’ll be very proud of myself.”
Senior Emma Liu is a pianist and is in the process of applying to conservatories that have joint programs. She has been to Carnegie Hall many times during her tenure at Hotchkiss and will be performing “Sonata No. 4” by Scriabin this year. Asked how much she has been practicing, she said, “Probably not as much as I should be, but I try to get in at least two hours a day.” Even though this will not be her first time at Carnegie Hall, when she walks out on the stage, Liu said, “Every time feels like the first time. I love being there with Hotchkiss students because it’s an incredible opportunity. I don’t think there’s any other place like Hotchkiss that does this kind of thing. So, yeah, we’re very, very lucky.”
Figure by Eli Sher, grade 6.
After a November 2025 meeting with Falls Village artist Vincent Incognilios, whose show “Face Time” was on exhibition at the David M. Hunt library, students at Lee H. Kellogg, under the eye of art teacher Madeleine Stern, got busy with their responses.
The results are now on display at the library.
“Lee H. Kellogg Emerging Artists Exhibition 2026” will be on display through Friday, Feb.6, with 71 art works from Kellogg students in grades K through 8.
