Thank you!
Your support is sustaining the future of local news in our communities.

AI judgment is fake news for authors

I have been increasingly concerned over AI and questions of originality of journalists’ work, authors’ manuscripts, plagiarism.A new manuscript submission an agency made to a publisher was rejected because they ran the author’s text through an AI detector and claimed it was mainly AI generated.

The manuscript was an anthology of short stories and true histories the author had written and compiled (about the history of dogs) over more than 10 years. The author claimed that most of the text was written before AI was around. The only editing he has done has been within the confines of MS Word (grammar and spell check). He has “NEVER used AI, ever.”

So I ran portions of the dog book text in Grammarly and Pangram and it came back “42% appears to be AI-generated” and “49% AI-generated,” respectively. Incredible.

So, as a test of these and two other AI detection systems, I ran 15,000 first (unedited) words of a manuscript I wrote in 2018 and was published in 2022 (Elephant Safari) and this was the result in a third AI checker: “75% of your text has signs of AI.” Considering I wrote this thriller on the dining room table in the dark of night without any copy and paste whatsoever, I knew this AI plagiarism was misleading, to say the least.

So I went further back and chose text from a book written in 1990… delivered in Nov. 1990, edited by Victoria Wilson at Knopf and still in print: Marlene Dietrich: By Her Daughter Maria Riva Result? On “JustDone” AI checker: “82% AI content.” This manuscript was handwritten on yellow legal pads.

So, the question we all have to ask is this: If AI memory already contains many of the materials, texts, of published books in AI memory… are they all now considered AI owned/generated? Or is AI actually saying that the material is not new to AI and therefore labels it as plagiarized?

The issue here seems to me to be a definition of “original” – original to whom? If an author sends a Gmail with a manuscript to an editor, Gmail (Google) has the file and their AI can presumably read it. Also, if Google or other AI platforms have scanned a previously published magazine article or a book, I believe the very familiarity of what is in the AI memory will give the result that “AI is familiar with this text” and therefore leads to accuse an author of plagiarism.

As for me, I have no faith whatsoever in these so-called AI detection systems. They provided complete nonsense on something I wrote in 2018 and an author delivered in Nov. 1990! To further illustrate the point, I ran Act 1 of HAMLET: “Most of your text is AI/GPT Generated,” so Shakespeare is also a plagiarist? Teachers, professors, and editors everywhere are relying on these false readings and contributing to fake literature appraisal.

Peter Riva, a former resident of Amenia Union, New York, now lives in Gila, New Mexico.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Voices from our Salisbury community about the housing we need for a healthy, economically vibrant future

Renee Wilcox

If you’ve ever wandered through Paley’s Farm Market, you probably know Renee Wilcox. For thirty years, she has been greeting you with unmistakable warmth—always ready with a smile. Renee grew up in Millerton, but it was in Salisbury that her family found something they’d never had before: a true sense of home. In 2003, she and her husband Bill were living in Millerton, but Bill—a volunteer with the Lakeville Hose Company—was already part of Salisbury life. When the Salisbury Housing Trust finished eight new homes on East Main Street (Dunham Drive), Renee and Bill were the first to sign on.

The story of those houses is really a story about the best parts of our community. Richard Dunham and his wife, Inge, along with the Housing Trust board, poured years of energy and hope into the project. Renee can’t help but light up when she talks about the people who helped her family settle in. Digby Brown came by to install appliances and bathroom cabinets; Barbara Niles spent hours painting; Carl Williams assembled bunk beds for the kids. Rick Cantele, at Salisbury Bank, helped them with their finances so they could qualify for a mortgage, while neighbors arrived at their door with fruit baskets and welcoming words.

Keep ReadingShow less
Trade Secrets: a glamorous garden event with a deeper mission

Heavy stone garden ornaments, a specialty of Judy Milne Antiques from Kingston, at Trade Secrets 2025.

Christine Bates

Tucked away on Porter Street in downtown Lakeville, Project SAGE is an unassuming building from a street view. But cross the threshold a week before Trade Secrets — one of the region’s biggest gardening events, long associated with Martha Stewart and glamorous plants of all varieties — and you’ll find a bustling world of employees and volunteers getting ready for the organization’s most important event of the year.

“It’s not usually like this,’ laughed Project SAGE director Kristen van Ginhoven. “But with Trade Secrets just around the corner, it’s definitely like this.”

Keep ReadingShow less
Two artists, two Hartford stages, one shared life

Caroline Kinsolving and Gary Capozzielo at home in Salisbury with their dogs, Petruchio and Beatrice

Provided
"He played his violin, I worked on my lines, we walked the dog, and suddenly we were circling each other perfectly."
Caroline Kinsolving

Actor Caroline Kinsolving and violinist Gary Capozziello enjoy their quiet life with their two dogs in Salisbury, yet are often pulled apart to perform on distant stages in far-flung cities. Currently, the planets have aligned, and both are working in Hartford, across Bushnell Park from one another. Bridgewater native Kinsolving is starring in “Circus Fire,” the current production of TheaterWorks Hartford, while Capozziello is a violinist and assistant concertmaster of the Hartford Symphony Orchestra. While Kinsolving hates being away from home, she feels the distance nourishes their relationship.

“We are guardians of each other’s confidence and self-esteem,” she said.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Local filmmaker turns spotlight back on Hollywood’s Mermaid

Esther Williams in “Million Dollar Mermaid” (1952).

Provided

For decades, Esther Williams was one of Hollywood’s brightest stars, but the swimming sensation of the silver screen has largely faded from public memory — a disappearance that intrigued Millerton filmmaker Brian Gersten and inspired him to revisit her legacy.

As a millennial, Gersten grew up largely unaware of Williams’ influential career. His teen years in Chicago were spent with friends who obsessed over movies, spending hours at their local independent video store,and watching anything that caught their eye. Somehow, though, they never ventured into the glossy world of synchronized-swimming musicals of the 1940s and ‘50s.

Keep ReadingShow less
Summer exhibition opens at Wassaic Project

Nate King, “When I Was Younger And Now That I’m Older,” 2026, Digital projection, digital animation, photography.

photo courtesy Nate King

The Wassaic Project, the 8,000-square-foot, seven-story former grain elevator transformed into a vibrant arts space, opens its 2026 Summer Exhibition, “Because, now is the time of monsters,” on Saturday, May 16, from 3-6 p.m. at Maxon Mills, launching a season-long presentation featuring 39 artists working across installation, performance, video and sculpture.

The opening celebration will include an afternoon of exhibitions and live programming throughout the historic mill building and its surrounding spaces. Gallery and Art Nest hours run from 12-6 p.m., with special presentations scheduled throughout the day.

Keep ReadingShow less
Hotchkiss to host inaugural International Piano Competition
Murong Yang ’08, a founding supporter of the Hotchkiss International Music Competition, helped establish the program through the Yang and Hamabata families to support young musicians and artistic excellence.
Provided

The Hotchkiss School will launch a major new addition to its arts programming with the inaugural Hotchkiss International Piano Competition, a three-day event taking place May 15–17 in Katherine M. Elfers Hall.

The competition will bring together young pianists ages 10 to 18 from around the world, with participants representing the United States, Thailand, Korea, China, Canada, and Azerbaijan. Performers will compete across multiple age divisions, culminating in final rounds that will be open to the public, offering audiences the opportunity to hear a wide range of emerging international talent in performance.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.