Annual clambake combines good times with good cause

Ray Zukowski, left, and one of the clambake professionals prepare the seafood for cooking at the Jane Lloyd Fund annual clambake Saturday, July 27.
Patrick L. Sullivan

Ray Zukowski, left, and one of the clambake professionals prepare the seafood for cooking at the Jane Lloyd Fund annual clambake Saturday, July 27.
SALISBURY — The Jane Lloyd Fund annual clambake went off smoothly Saturday, July 27.
Some 30 volunteers showed up the evening before to set up the tents and tables.
The clambake professionals from Turners Falls Schuetzen Verein in Gill, Massachusetts, led by the towering Ray Zukowski, were a little behind schedule on getting the fire lit, so a reporter whiled away the time by wandering around and learning things such as:
This year the potatoes were cooked at the Lakeville Hose Company firehouse kitchen.
The secret of shucking corn that is going to be cooked in the husk (as opposed to boiled) is to get rid of the cornsilk and the first couple of layers of husk, but no more.
Ed Thorney has a harmonica for every musical key except F-sharp major.
There is apparently no such thing as too much butter in clam chowder.
The band got started with Dave Mason’s “Feelin’ Alright?” and Ken Barker applied the flame to the carefully constructed structure of 4 x 6 inch lengths of wood with flat boards inside to hold rocks. Shredded cardboard boxes are the kindling. The boards burn and leave a pile of hot granite rocks inside the remains of the structure.
Once the fire burns down, the smoking 4 x 6s are dragged away, and the food phase begins. The first layer over the hot rocks is wet corn husks, followed by big clumps of seaweed. Wood crates containing lobsters and clams are added, along with wet burlap bags of corn. Wet, heavy tarps are pulled across the whole thing, and everybody grabs a refreshing beverage and waits.
The Salisbury-Sharon Transfer Station had receptacles on hand at the clambake to separate food scraps from the regular garbage.
Transfer station manager Brian Bartram reported that “422.4 pounds of lobster and clam shells, corn cobs, etc. were collected and diverted from the garbage,” adding “the volume of the diverted food waste was about 160 gallons, or almost 0.8 cubic yards.”
Bartram thanked everyone for cooperating and in particular Barbara Bettigole, Karen Lundeen and Tanya Tedder for heading up the effort
The clambake is an annual tradition, now in its 17th year.
Jane Lloyd of Salisbury died of cancer in 2005. The Jane Lloyd Fund was established by her family to help families who are struggling financially with the costs of cancer treatment. It is an endowed fund within the Berkshire Taconic Community Foundation.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
Canyon de Chelly (1904) – Seven Navajo riders on horseback
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1930, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing.
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”

In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html
This article has been edited to correct the date range of Edward S. Curtis’s photographic work.