Artists, authors bring town’s history to life

CORNWALL — When asked at the Cornwall Historical Society’s “Artists and Authors” exhibit reception how it all began, Curator Jamie E.O. Cantoni, like a true historian, goes way, way back. “It really started in 1844.”

With large blue eyes and complementary blue seersucker summer dress, Cantoni may have looked young among her guests, but she expertly commanded the scene with a beaming smile and warm greetings, like Kate Middleton among the people. 

She also possesses the ability to speak eloquently about Cornwall’s history at a mile per minute with intimate details, as if, like the Lorax, she had been there since the start. 

“In 1844 the railroad came through. People became more mobile, and we slowly progressed through different stages of semi-permanence. 

“But in the 20th century, people in Cornwall began to feel that part-time residents could be, in their words, ‘insidious.’ They felt they were taking up space without contributing anything to the community. And really, they just didn’t know how. 

“So gardening really laid the foundation for that, and during World War II, so did the rationing. It got people talking to their neighbors and dispelling any preconceived notions. They found out they had a lot in common, and they really liked each other. They started holding events, and took Cornwall from just a community of artistic people to an artistic community.”

This summer’s show at the historical society celebrates the growth of that community.

“We have 65 artists and authors in the exhibit and well over 160 original items,” she explained. “We had so many extremely generous donations from people, and calls to say, ‘Oh, hey I have …’ or ‘Did you know about….’ 

“So we made the distinction that we were only going to include people from approximately 1870 to 1970. It’s still a huge span of time.” 

Looking through her exhibit, every piece sparks a story for Cantoni; nothing is ordinary — even a painting of a forest. 

“William Ward Beecher, he’s known for two types of paintings: his trompe l’oeil paintings and his paintings with light. John and Nancy Calhoun, who are from Cornwall, called and said, ‘Bill, we’d like to commission a painting.’ It’s 1989 and the tornado had just come through the Cathedral Pines. 

“He went up to the pines and he measured each of the stumps that remained. Then he went home and produced the painting, all from measurements of the pines and memory, and it’s very accurate. He dated the painting the day before the tornado. So that is a very special painting by a very Cornwall personality for a very important Cornwall family about an event that’s touched Cornwall deeply.”

Cantoni gestured to a glass case at the room’s center filled with dolls. “Helen Fox Trowbridge was discovered by E.I. Horseman,” she said. Horseman was a leading U.S. toymaker based in New York starting in the 19th century. 

“She had six children, so for a good 12 years there was a baby in the house, and she used them as models. The doll that’s on display, the really posh looking one, her name is Felicia Dusenberry. Her hair used to be long, it was from her daughter’s hair after a haircut. But then their dog ate a little bit of it, so now it’s … a little shorter.” 

The mention of New York of course leads the eye to The New Yorker magazine covers: a country field in winter, a post office at Christmas, the West Cornwall Covered Bridge among the fall foliage. 

“Arthur Getz rented a house in Cornwall for a while. He’s done more New Yorker covers than any other artist. He was exceptionally good at both cityscapes and landscapes; he could do it all!” 

The stories that Cantoni continued to share regarding the work in the large exhibit could fill three articles. You will simply have to visit to discover for yourself. 

“Aren’t you glad I know everything? I’m a little encyclopedia,” she said with a grin.

“Artists and Authors” will remain at The Cornwall Historical Society through Oct. 30 and is open on Saturdays from 10 a.m. to 4 p.m., and on Sundays and holiday Mondays from 1 to 4 p.m.

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