Centuries-old surprise found in Kent home

The interior of the centuries-old home in South Kent.
Kathryn Boughton

The interior of the centuries-old home in South Kent.
KENT — Douglas and Chris Branson, owners of an old house located on the southeast corner of Camp Flats and South Kent Road, have uncovered a fascinating reminder of the building’s former life while making repairs to the mid-18th century building.
The house, originally constructed circa 1740 by John Hopson was doubled in size around 1780 when an addition was constructed. The earliest portion of the house, remarkably unchanged by nearly 300 years of occupation, remains intact, but the later addition suffered a significant blow in December 2023 when a winter gale sent a massive tree toppling onto it. “The whole house shook,” Douglas Branson said last week.
One front corner of the building was crushed under the tree and now, 17 months later, restoration work has begun. As workers cleared away the damaged portion of the house, removal of a ceiling suddenly revealed an old sign painted on what was once exterior clapboards.
The sign announced that it was the CW Page Store, which sold “Groceries, Good Things to Eat.”
The Bransons already knew some of the history of the property. They knew it had been a 140-acre farm where cattle and pigs were raised—indeed, the section of town where it lies is known as Pigtail Corners. They believed that a portion of it was once used as a post office. They knew that it had been a home to artists: Hugh Tyler who lived there in the mid-1900s and later Ms. Branson’s father, Larry Coultrip.
They inherited the property from Coultrip upon his death in 1998 and honored his desire that the building be preserved in as original a condition as possible. But they never suspected its mercantile background.
So, who was C.W. Page? It is probable that the merchant was Clark Page, both a son and a father to men named Walter Page. Page, variously described in census records as a blacksmith and farmer, was born in 1826 and died in 1897. The inventory of his estate reports the monetary value of “old store merchandise” and the sale of a store building for $850. His land was divided up among his heirs with his wife, Hellen, receiving much real estate.
Was the house on the corner where he had his store? It cannot be said with certainty. In 1897, six years after Clark Page’s death, Francis Atwater wrote in the History of Kent, Connecticut that one Fred Chase had become a wealthy businessman after buying “the small and ancient grocery store of this place,” a building that had passed through the hands of William Geer, Edward Dakins and a man named Segar. “It was an old stand, but it remained for Chase to make it a noteworthy establishment,” Atwater wrote.
Chase quickly built on his success, moving his store close to the railroad station and building a new dwelling house. Atwater writes, “South [of Chase’s property] is a feed store, it being the remodeled building formerly occupied by the small grocery.”
“The four houses in the immediate vicinity of the station are those of Walter Page [Clark Page’s son], VanNess Case, Miss Emiline Fanton and John Burkhardt. All are farmers and Mr. Page runs a distillery and cider mill,” Atwater concludes.
Did the Page family go back into the retail business and start their grocery store once more? We don’t know. What is clear is that a photo of the house taken in 1903, before a porch was added to the front, does not show the sign painted on the front. Walter Page became South Kent postmaster in 1915 and during his tenancy Larry Coultrip removed what he believed to be post office boxes from the porch addition.
The Bransons are interested in preserving the sign, but the work would not be covered by insurance. They have been exploring various funding options, including the Historic Homes Rehabilitation Tax Credit. Unfortunately, the property does not have either state or national register designation.
“Our goal is to preserve it,” said Douglas Branson. “We are hoping to share this amazing discovery as it is part of the history of the area and to see if there is any interest in a private party or historic entity helping preserve the store sign. We feel it would be a shame to cover it back up.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.