AMENIA — A well-appointed automotive service establishment with accommodating staff is ready to serve the area’s automotive repair needs. Citywide Automotive North, located at 3387 Route 343, has been open for business since Feb. 1, following a few months of building renovation.
“I grew up around the automotive industry,” said owner and chief mechanic Toby Kiernan during a conversation on Wednesday, Feb. 26.
Getting the building ready to open included “a ton of cleaning,” Kiernan said, along with painting the interior, carpeting the offices and applying epoxy to the shop floor.
Services offered to the community include 24-hour towing service, all automotive mechanicals, body repair and auto sales, Kiernan said. Services also include oil changes, brake service and tires. The tow services offer a flatbed tow truck and a standard wrecker tow.
Citywide Automotive is equipped and experienced with all makes and models of vehicles, including high end luxury and classic cars. Electric vehicles, however, are not a specialty.
Kiernan’s uncle, Peter Kiernan, brings 45 years of auto repair experience to the business, delighting in serving as a personable volunteer assistant in the shop.
“We love it here,” Peter Kiernan said of the town. He divides his time between Amenia and his home in Florida.
Completing work on a car belonging to a veteran, Peter Kiernan set about giving the car a washing, a small, and yet appreciated, reward for that customer’s military service.
“It’s the least I could do,” he said.
While customers wait for their vehicles, there will be time to admire the classic cars Pete Kiernan has lovingly restored to their original glory.
“The cars are most certainly his pride and joy,” Toby Kiernan said of his uncle’s cars.
“My uncle Pete is my mentor in the automotive industry and business. What I am doing here I could not do without his knowledge and support,” Toby said.
Citywide Automotive North has opened its wide doors in Amenia, ready to serve the community’s automotive needs. Owner Toby Kiernan, foreground, is ably assisted by his uncle, Peter Kiernan, in the full-service enterprise, conveniently situated on Route 343.Leila Hawken
Veterans and senior citizens receive a 10% discount on service.
“We come from a long line of veterans who served. We support our troops and first responders as much as possible in appreciation for their service,” Toby Kiernan said.
“My uncle loves to BBQ,” Kiernan said, and there is plenty of room. Once the weather gets warm, on Fridays at lunch time Citywide Automotive expects to have the grill going, welcoming all comers for a festive free lunch.
Toby Kiernan recognized the challenges in finding qualified shop workers today, He said that as the shop gets busier, they expect to contact the local BOCES training program to find help and to explore ways that they might help to mentor the next generation of expert mechanics.
Hours of operation are Monday through Friday, 8 a.m. to 5 p.m., and Saturdays 8 a.m. to 2 p.m. The business is closed on Sundays. Towing services are open 24 hours. To contact Citywide Automotive, phone 845-789-1300.
“We appreciate the people we’ve met from Amenia and surrounding towns. They have been kind, helpful and courteous. We are happy to be in business here,” Toby Kiernan said.
Fierce action from both teams commenced right from the opening face-off, and it looked to be an equal battle. Dakota Boyle and Ainsley Moffitt scored quickly for Kent giving them a 2-0 lead after only six minutes.
Kent's Ainsley Moffitt takes a shot against the Millbrook goalie.Photo by Lans Christensen
The second period started, again with fast but equal aggression from both teams. The Millbrook and Kent goalies were sharp, turning away chance after chance for the bulk of the period.
Millbrook’s Brooke Ness found the net near the end of the second period, as did Lily Kennedy and the game was tied 2-2.
Lily Kennedy on attack for Millbrook.Photo by Lans Christensen.
Excitement grew throughout the contest and the final period started with high hopes from both teams and fans. The two sides traded goals, only adding to the drama.
The deciding moment came when Kent's Abby Roberson scored the game-winning goal, securing a tough but deserved 4-3 victory for Kent.
Kent's record advanced to 7-12-1 and Millbrook moved to 6-10-3.
Ainsley Moffitt celebrates after scoring a goal for Kent.Photo by Lans Christensen
Want more of our stories on Google? Click here to make us a Preferred Source.
Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.
“He was doing critiques with everyone,” Fendrich said of Plagens. “We met at one of those sessions and, well, what can I say. We fell in love instantly.”
Fendrich speaks candidly about the pressures that shaped her early life choices. “We both married the first time at 21, which a good number of women of my generation did without much thought.” Her first husband was a good guy, she says, but “we weren’t suited for each other at all, even though he suited my parents perfectly.” Her decision to get a divorce was seismic. “My mother didn’t speak to me for a year.” Time softened the rupture. “One day she told me, ‘I see now why you left.’”
Fendrich had a rigorous liberal arts education at Mount Holyoke. “I studied painting and drawing, but I also got interested in political philosophy. Plato, Aristotle, Machiavelli — Rousseau was my big guy — Tocqueville, everybody. And I still read them.” Plagens’s path was less formal. “I went to USC at 17,” he said, “and declared English as my major. It was a frat school, and I was in one for the first two years. Then I started doing the cartoons for the Daily Trojan, took a couple art classes, and thought, ‘Wait a minute, I like this.’”
Culturally, they diverged just as sharply. “I came from a fairly puritanical family that didn’t even go to the movies,” Fendrich said. Plagens, by contrast, grew up immersed in pop culture. “My father was an omnivorous reader,” he said, “and a jazz fan, and he shared these passions with me.” In 1966, Plagens walked into Artforum’s LA office and said, “I want to write reviews.” He was paid five dollars per piece. “Gasoline was 23 cents a gallon, so it went a long way.”
Over time, the couple slowly fused their educations. “He taught me jazz, I taught him Mozart,” Fendrich said with a laugh. “I’ve had a movie education from him; he read Jane Austen because of me.”
Plagens and Fendrich at home in front of some of Fendrich’s paintings. Natalia Zukerman
During their early years in LA, Plagens taught at USC, and Fendrich at Art Center College of Design. In 1985, they decided “our kind of abstraction would do better in New York,” as Fendrich put it. “So, we up and moved to Tribeca with $10,000 and a toddler.”
Both artists grounded their artistic careers in teaching and writing. “Teaching, which I loved, gave me the financial stability to be an artist,” Fendrich said, reflecting on her 27 years as a professor at Hofstra. “It meant that being an artist didn’t require I make money from every show. I didn’t start writing until 1999, but though I write for publication frequently, I make hardly any money at it.”
Artistically, they guard each other’s independence. “We have unspoken rules,” Plagens said. “You don’t comment on someone’s work while they’re in the middle of creating it.” Critique comes by invitation only. “He’s not mean, just direct,” said Fendrich. Over time, their aesthetics have subtly converged. “My work has gotten cleaner from looking at his,” she said. “He’s gotten more colorful because of me.”
The two have had several two-person exhibitions. At a recent duo show at the Texas Gallery in Houston “Laurie’s paintings flew off the wall,” Plagens recalled. “Me, well, not so much.”
Plagens’s parallel career in journalism shaped their lives in tangible ways. He worked as art critic at Newsweek from 1989 until 2003 and currently contributes reviews of museum exhibitions to The Wall Street Journal. “Being at Newsweek was one of the luckiest breaks I ever had,” he said. “They paid me to see things I would gladly pay to see.”
Their creative processes mirror their personalities. “I start with a specific idea,” Fendrich said, “and then modify things as I paint.” Plagens laughed. “I start with complete mush, just blurting it out and spending the rest of the time fixing it.”
In 2019, they made what Fendrich calls “a decision of contraction.” They left the TriBeCa loft they had lived in for three decades, sold their Catskills home with its large studio, and moved full-time to a former auto repair shop in Lakeville, now a house where each has a studio, and the ground floor retains the open feel of a loft.
What sustains them in life, art and love, decades in, are endless conversations — and arguments — about art, history, exhibitions, books and movies. That exchange, ongoing and rigorous, may just be the masterpiece of their shared life.
Want more of our stories on Google? Click here to make us a Preferred Source.
