
Actor Stanley Tucci became America’s favorite foodie thanks to his travel/cooking series on CNN. His memoir, “Taste,” gives fans even more to love. Photo from IMDB
In that hypothetical game where I’m asked whom I’d love to host for dinner, Stanley Tucci remains firmly at the top of my guest list. I’ve always admired people with passion — particularly those whose passions awaken in the kitchen — and Tucci embodies passion as a connoisseur of cuisine, an enthusiastic explorer of the powerful connections created through food and its preparation.
I was given a taste of Tucci’s passion last winter when his documentary series, “Searching for Italy,” premiered on CNN. That alone would have been enough to sate my appetite, until I received Tucci’s 2021 memoir “Taste: My Life Through Food” as a birthday gift and found myself hungry once more.
Cracking open Tucci’s memoir, his thoughts fueled my hunger for a good read and rendered me ravenous both for travel and for the chance to try the dishes he described so deliciously in his book.
Reflecting on his life in and out of the kitchen, Tucci seamlessly guides his readers through stories and recipes fondly remembered from childhood, travels and the people and moments that shaped his life and career.
Food lovers will find their fascination heightened in reading the words of a man whose love of food has flourished throughout countless experiences, both personal and professional.
The memoir opens with a dialogue from Tucci’s childhood that reminisces about an early appreciation of food shared between Tucci and his mother. The memoir’s closing dialogue mirrors this appreciation as shared between Tucci and his youngest son, demonstrating how these connections are preserved and passed on to future generations.
From the school lunches that sparked envy among his classmates and weekly dinner plans to the Fourth of July celebrations with extended family, Tucci reminisces about his childhood through the meals shared with his family.
His time as a struggling actor in New York City is wistfully framed through the lens of eateries that no longer exist. As he narrates the rise in his career success, Tucci compares the variety (and quality) of food offered to cast and crew on film sets and evokes stories from his work in foodie films like “Big Night” and “Julie & Julia.”
As well as sharing food memories that include his late wife, Kate, Tucci describes the spark between himself and his new wife, Felicity Blunt, over their love of food.
Balancing the sweet with the bitter, Tucci doesn’t shy away from writing about his own oral cancer diagnosis and its impact on his love of food.
Finishing “Taste” in just four days, I could hear Tucci’s wry voice in my head with each story I savored. Regardless of whether a meal delighted or disgusted him, I admired how Tucci handles each dish he writes about with respect and ample research into how it’s regarded in other cultures. This respect for cuisine also sparked within me a sharper observation of how food is prepared and why certain pairings of food are considered unthinkable.
Thanks to Tucci’s memoir, should I ever find myself in Italy (a destination earmarked on my travel bucket list), I’ll plan a visit to the restaurant Pommidoro in Rome and order the pasta carbonara, a dish prepared so outstandingly at Pommidoro that Tucci dares readers to see if they can eat it without uttering an obscenity in awe.
Should my travels take me to Paris, I’ll refrain from ordering andouillette, a mistake Tucci wryly shared with Meryl Streep after filming scenes for “Julie & Julia.”
Inspired by Tucci’s family experiences with making timpano, I now await the day I can make it with my partner, Tom, in our own kitchen, perhaps (given the time and effort required) saving its preparation for a special occasion.
And given how strongly he writes about this faux pas, I pity the fool that dares cut his spaghetti in Tucci’s presence.
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.