Band of Brothers, Generation Kill: Thank You for Your Service

Damien Lewis, at far right, was one of the young stars of “Band of Brothers.” Photo from IMDB

If I asked you to name some great war movies, you could likely rattle off a half dozen without much thinking. But TV does not dramatize war very often or very well. We do have Ken Burns’ fine documentary “The Vietnam War,” but I can think of only two miniseries worth mentioning here; each depicts a very different war.
Band of Brothers
You have certainly heard of and possibly seen this classic, which many consider the best miniseries of any kind. Let me remind you what makes it great and urge you make time to watch it for the first time or again.
The story: Based on Stephen Ambrose’s book of the same name, this 10-episode HBO show follows Easy Company of the 101st Airborne Division from jump training to the Normandy invasion to the Battle of the Bulge and to the liberation of Dachau.
The cast: Winner of an Emmy for outstanding casting, the main cast includes David Schwimmer as Captain Herbert Sobel, the flawed leader of Easy during training and Damian Lewis as Dick Winters, the company commander who leads them in combat.
The production: Led by co-producers Tom Hanks and Steven Spielberg, the production is nothing short of astonishing (at a cost of $125 million).
There are few more thrilling TV moments than the early episodes showing close to 100 C-47s taking off from England heading to Normandy, and then the night sky filled with flak and descending parachutes. This is a sight unlikely to be seen again; airborne troops are now delivered by helicopters rather than jumping from planes.
Generation Kill
In March 2003, the U.S. launched a pre-emptive invasion of Iraq, beginning a war based on misinformation and lies. This in no way diminishes the courage and service of the men and women who fought in it.
Their story was told in a 2008 HBO miniseries about an elite Marine recon company heading north in the desert in their lightly protected Humvees, a trip marked by confusion and firefights.
In the final devastating episode they roll into Baghdad and are ordered to stand aside while civil conflict begins. Their interpreter says, “You took this country apart and you can’t put it back together.”
Generation Kill is notable for its authenticity and its dialogue, which is jumpy, profane, and laced with black humor. It was written by David Simon, creator and head writer of “The Wire.” Marines love this show and say it’s 80% on the mark.
Both shows are based on actual events and are honest in balancing heroism with the terror and violence of battle.
When you watch these shows together, as I did, you see the difference in production and tone, but the similarities are more striking. The weapons may have changed somewhat, but one firefight looks very much like another, and for “boots on the ground,” all wars must seem the same.
The most basic tenet of military training is to obey orders without hesitation or question. When it comes to war we are still back in the 19th century: “Theirs not to reason why, theirs but to do and die.” But when we look away from the screen, we cannot help asking why.
Then we think of the enormous difference in the mission and the outcome of these two wars and the leaders who sent soldiers into battle: Roosevelt and Churchill and Bush, Cheney and Rumsfeld.
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.