
Jon Suters, Dinuk Wijeratne, and Nick Halley. Photo by Jennifer Almquist
Every seat in the Great Hall of the Norfolk Library was full. The audience ranged from toddlers held in their parents’ arms to gray-haired couples eagerly waiting to experience the music of the Dinuk Wijeratne Trio. Percussionist Nick Halley, bassist Jon Suters and Dinuk Wijeratne on piano, spent the next hour dazzling the grateful crowd with original compositions, superb musicianship and stories that wove a theme of “home” throughout the evening.
To award-winning composer, conductor and pianist Wijeratne — who was born in Sri Lanka, raised in Dubai, educated in the UK and at Juilliard, and now lives in Ottawa — home is many places: “Dubai was a melting pot of South Asian and Middle Eastern culture. Simultaneously I was being trained as a Western musician. I heard Mozart’s Piano Concerto No. 21 randomly when I was 12, and then I was hooked. It was my first spiritual experience.”
Wijeratne began the performance by saying: “Home is an ephemeral window in time, and perhaps the bittersweet quality of home is when we suspect that window in time has passed. I wrote this piece, “Homecoming,” in 2015 as a commission for piano and oud for the opening of the Museum of Immigration in Halifax, Nova Scotia. It was also the year I gained my Canadian citizenship.”
Recalling the origins of his composition “Damascene,” which was performed by the trio in the library Nov. 13, Wijeratne smiled: “I had traveled with the great Syrian clarinetist, Kinan Azme. We spent a few magical days in his home city of Damascus. It was a very precious time; it seemed like time had stopped. We have all had that feeling when you are perfectly at home in a new, strange place. Is home a state of mind? Is it the people we love? Or is it purely geography?”
A world-renowned musician, Wijeratne made his Carnegie Hall debut in 2004 playing with Yo-Yo Ma and the Silk Road Ensemble. He has been described by The New York Times as “exuberantly creative”; the Toronto Star called him “an artist who reflects a positive vision of our cultural future”; and the Manitoba Chamber Orchestra referred to him as “a modern polymath.”
Wijeratne has conducted the Calgary Philharmonic and the Qatar Philharmonic in Doha. His work “Two Pop Songs on Antique Poems” won both the 2016 Canadian Juno award for Classical Composition of the Year and the 2016 East Coast Music Award for Classical Composition of the Year.
For percussionist Halley, the performance was a return home. When Norfolk Library director Ann Havemeyer introduced the threesome, she noted that the first time she heard Halley perform in the library, he was 10, singing Beatles songs with Chorus Angelicus, a children’s choir started in 1991 by his Grammy-award winning father, Paul Halley.
Halley smiled and said: “It is meaningful to be back in Norfolk, and to feel the warm embrace of this special community. It is heartening to see so many familiar, gorgeous faces, everyone aging so gracefully. And the fact that they took the time to come and hear us, to support the amazing work that Eileen [Fitzgibbons] and Ann [Havemeyer]and the others at the library are doing makes this sort of homecoming that much more encouraging.”
Fitzgibbons is the events coordinator and children’s librarian for the Norfolk Library, all of whose music and arts programs are funded by The Norfolk Library Associates, which started in 1974.
Halley and his young family now live in Halifax, Nova Scotia: “By the time I got to Halifax, Nova Scotia, in 2008, Dinuk was already ‘Halifamous’ and well on his way nationwide. So I heard a lot about him long before he showed up to a gig of mine. Of course, I was terrified of him at first, but soon discovered what a gentle, magnificent soul he is. Playing-wise, it was love at first sight: of course, being so rhythmically compelling along with everything else, his music is any drummer’s dream, but I think he even liked me right off the bat, too.”
In 2010 the young Halley founded Capella Regalis, a Canadian charity dedicated to training singers, which includes a boys choir, a girls choir, and a professional men’s choir, offering a free music education and performance program for children and young adults in Nova Scotia. In 2012, Halley was awarded the Queen Elizabeth II Diamond Jubilee Medal in recognition of his contribution to Canada and Nova Scotia through the arts. For the 2013-14 season, Halley was the host of CBC’s national radio program, “Choral Concert.”
When asked about his dreams, Halley mused: “In one sense, I’m living my dream with Capella Regalis. I just want to keep building it. We’ve started an endowment, for instance. I would like to take them to England. Bring some coals to Newcastle and such. There is so much music I love within that genre; we will never get through it in my lifetime. I want future generations of kids to continue encountering that world of beauty.”
Suters is as tall as his standing bass. He lives in New Marlborough, Massachusetts, with wife Samantha Halley (Nick Halley’s sister) and their children: “Each of my five children has been encouraged to play music and all of them have some facility with at least a couple of different instruments as well as vocalizing. We have homeschooled them all and music is a big part of our approach.”
Suters plays piano, guitar, string bass, cello, didgeridoo, banjo, mandolin, lute, violin, trombone, saxophone, drum set and percussion, and steel drums.
Suters has taught at Berkshire Country Day School, Indian Mountain School, Salisbury School, and Simon’s Rock of Bard College: “Teaching has enabled me to constantly go back to the fundamentals of music making and demonstrate and talk about them with students. I teach bass guitar, drums/percussion, keyboards, fiddle, brass instruments, and this has helped me to understand the relationships between the different instruments in an ensemble.”
When asked about his musical influences, Suters replied: “I am also a classical guitarist and grew up listening to my virtuoso piano prodigy brother play all the greats, so basically everyone from Bach to Scott Joplin, plus the usual rock influences: Jimi Hendrix, Led Zeppelin, classic jazz greats like Miles and Coltrane and more modern ones like Pat Metheny and Herbie Hancock. Brazilian composers and musicians like Villa Lobos, Garoto, Paulo Bellinati, African artists such as Youssou N’dour, Ali Farka Toure, and Indian musicians such as L Shankar, Talvin Singh, and Shakti.”
Suters has appeared on stage with James Taylor, Taj Mahal, Doctor John, Rickie Lee Jones, Martin Sexton, Madeleine Peyroux, Eugene Friesen, Paul Halley, Ed Mann (Frank Zappa) and Charles Neville of the Neville Brothers.
One evocative composition, “Chloe” by Wijeratne, is based on Italo Calvino’s book “Invisible Cities.” The composer illuminated the ideas behind the music: “Chloe reads like some bustling street scene, full of shady characters. There are twins wearing coral jewelry, a blind man with a cheetah on a leash — all very odd scenes. They don’t speak. When I read that the city of Chloe ‘has a voluptuous vibration to it,’ I knew I had to write this piece. Calvino wrote, “‘f everyone acted on their impulses, the carousel that is Chloe would come to a stop.’”
In each piece, the music flowed into the room like ocean waves, rhythmic and soothing, Wijeratne played piano with crystalline precision and emotion, the bass of Suters poured through the notes like honey. Halley’s wild percussions, played mostly with his fingers on drum kit, frame drums bendhir and riq specifically — “and the odd bells and whistles, doctoring up the kit with old shirts and weird stuff like that,” laughed Halley — provided the structure beneath the music. Playing together, the three musicians created an instinctual harmony in a language unspoken.
Composer and philosopher Wijeratne explained the spiritual origin of each of his compositions. “Lebanese/American Poet Kahlil Gibran, in a poem called ‘Upon Houses’ from his book ‘The Prophet’ describes the home not as an anchor, but as the mast of a ship. At first the home is a place for consolation, safety and comfort. Thereafter, home becomes the beginning of a journey of curious exploration. I find that to be a beautiful sentiment, so I wrote this piece I call, ‘Whose Windows are Songs and Silences.’”
The trio’s final piece ended with an immediate standing ovation. Half-asleep children and their parents and grandparents were clapping; the players held hands and bowed deeply. Fitzgibbons, who organized the event, felt the concert “was an exciting evening full of complex chords and improvisations... wrapped around with old friends and new.”
The combination of global musical traditions, jazz improvisation, poetry and literary influences, musicians at the top of their game, and the warm “welcome home” from the Norfolk community created an evening no one will easily forget.
NORTH CANAAN — The Canaan Red Sox ended the season with a thrilling 14-13 win over the Tri-Town Phillies Thursday, June 12.
Canaan trailed for most of the game but kept it close. Ultimately, the Red Sox secured the victory with a final-inning comeback in front of the home crowd at Steve Blass Field.
The Red Sox rejoiced as victors. Reflecting on the season, Coach Nikki Blass stated, “My boys continue to come off the field smiling and doing better than the game before.”
The Red Sox are part of the Northwest Connecticut Steve Blass Little League AAA program, consisting of players aged 9 to 11 from Cornwall, Falls Village, Kent, Norfolk, North Canaan, Salisbury and Sharon. Tri-Town includes players from Goshen, Litchfield, Morris and Warren.
Berkley Karcheski connects for a Red Sox hit June 12.Photo by Simon Markow
The result June 12 marked the first win of the season for the Red Sox. The night before, Coach Nikki Blass reassured her team with a letter, writing, “You should keep your heads high and know that you are all an asset to this team. Tomorrow we are clearing the slate and we will win.” She continued, “I hear in addition if you put a bat under your bed you get an amazing hit on game day.”
The bat trick paid off and many Red Sox logged hits in the game. “Everyone was on fire,” exclaimed Blass after the game.
Quinn McKniff pitched the majority of the match for Canaan with reliever Myles Shippa taking the mound for the final inning.
Blaze Freund heads for home.Photo by Simon Markow
Offensively, Blaze Freund logged his first hit of the season. His twin brother Roan scored after sliding head-first into home “Pete Rose-style.” Myles Shippa recorded an RBI double in the game.
The Red Sox gathered beneath the scoreboard for a team photo after the win. With wide smiles and baseballs held high, the players ended another joyous Little League season.
Written by Riley Klein with reporting from Simon Markow.
The Red Sox conclude the 2025 season with a win.Photo provided
State Rep. Maria Horn (D-64) was treated for her injuries at Sharon Hospital.
The day after concluding what has been described as a grueling legislative session, State Rep. Maria Horn (D-64) had a running accident, leaving her with a broken pelvis and collarbone among other more minor bruises and abrasions. Despite the injuries, she is in good spirits and recuperating at home, eager to get back on her feet.
Horn said after spending weeks in the assembly hall, she was eager to get some outdoor exercise in, but perhaps pushed a little too hard too soon. She said she was excited to get a run in on the morning of Friday, June 6, but was still exhausted from her time in Hartford and in the final stretch of recovering from a meniscus repair surgery in December.
Before the run, she told friends she was hoping for a “hard reset for [her] health,” she said with a rueful laugh.
Nearing the end of the loop, Horn said her leg was fatigued and gave out, causing her to fall on the pavement. She is grateful for the community members who helped during the ordeal, including an unknown motorist who waited with her until her husband arrived, and the staff at Sharon Hospital who she said were “wonderful.”
She was directed to keep weight off her hip for 4 to 6 weeks, and since her collarbone is also fractured, cannot use crutches so she’s partially wheelchair-bound for the time being. While she’s disappointed to be missing out on the start of hiking, biking and running season, she’s keeping her sights forward and focusing on recovery.
In the meantime, she said she’s grateful for the video and photo updates from her son, who is hiking the Connecticut portion of the Appalachian Trail: “I’m living vicariously through him.”
Milo Ellison sends a fly ball to left field, bringing home Brody Ohler and Sam Hahn in a walk-off win for the Canaan Pirates June 11.
NORTH CANAAN — The Canaan Pirates advanced to the league championship after a comeback victory over the Tri-Town Red Sox Wednesday, June 11.
Down 3-2 with two outs and two on in the bottom of the 6th inning, "Mighty" Milo Ellison stepped up to the plate and launched a fly ball deep to left field. The single brought home Brody Ohler and Sam Hahn for a walk-off Pirates win.
"Milo did it," shouted a teammate. "Let's hear it for Milo!"
Elite pitching from both sides kept the game close. Starter Sam Hahn pitched five and one-third innings for the Pirates and recorded 10 strikeouts. For the Red Sox, Joey B. struck out 11 batters over five innings.
Sam Hahn threw 10 strikeouts for the Pirates against the Tri-Town Red Sox June 11.Photo by Riley Klein
Milo Ellison led the Pirates offensively, batting 2-for-3 with one run and three RBI. Sam Norbit logged an RBI and went 1-for-2 at the plate for Canaan.
"Nothing like a walk-off," said a spectator after the Pirates won 4-3.
Canaan, which includes players aged 10-12 from the six Region One towns and Norfolk, will face top-ranked JRC Transportation in the Northwest Connecticut District 6 Little League title game.
The Pirates rejoice after winning the Northwest Connecticut District 6 Little League semifinal game.Photo by Riley Klein
The Pirates are the reigning champs of District 6 and have a 10-2 record this season. Brody Ohler, who pitched the win in last year's championship, is expected to start on the mound once again for Canaan.
JRC Transportation led the league this season with a record of 11-1. Canaan delivered JRC its lone loss 1-0 on May 27, but JRC defeated Canaan 15-4 in the June 6 rematch.
The championship will be played at Reeves Field in Thomaston Friday, June 13, at 6 p.m.
The Northwest Connecticut Steve Blass Little League Majors Pirates have a chance to go back-to-back in District 6.Photo by Riley Klein
Kevin Kelly
“I was exposed to that cutthroat, ‘Yes, chef’ culture. It’s not for me. I don’t want anyone apologizing for who they are or what they love.”— Kevin Kelly
Kevin Kelly doesn’t call himself a chef; he prefers “cook.” His business, After Hours, based in Great Barrington, operates as what Kelly calls “a restaurant without a home,” a pop-up dining concept that prioritizes collaboration over competition, flexibility over permanence, and accessibility over exclusivity.
Kelly grew up in Great Barrington and has roots in the Southern Berkshires that go back ten generations. He began working in restaurants at age 14. “I started at Allium and was hooked right off the bat,” he said. He worked across the region from Cantina 229 in New Marlborough to The Old Inn on the Green at Jacob’s Pillow before heading to Babson College in Boston to study business. After a few years in Boston kitchens, he returned home to open a restaurant. But the math didn’t work. “The traditional model just didn’t feel financially sustainable,” he said. “So, I took a step back and asked, ‘If that doesn’t work, then what does?’”
The answer became After Hours. Rather than investing in a single location, Kelly partners with various venues and brings the restaurant experience to them. He uses the commercial kitchen at The Thornewood, a former inn turned workforce housing in Great Barrington. “They didn’t really have much use for the commercial kitchen, and I happened to connect with them when they acquired the property. We were actually the first tenant in the building,” said Kelly. Events are usually family-style and rooted in seasonal, local ingredients, sourced from local farms whenever possible including Dancing Greens, Indian Line, Off The Shelf and North Plain.
Since launching in December 2023, After Hours has hosted more than 150 events and partnered with nearly 100 local businesses including Wards Nursery in Great Barrington, Paige’s Place in Otis, Massachusetts, The Berkshire Botanical Garden, and coming up is a summer residency at The White Hart in Salisbury. From multi-course dinners to casual market pop-ups, its model adapts to the space, the moment, and the ingredients. “We design menus based on the venue,” said Kelly. “Whatever the kitchen allows, we make it work.”
Looking for partnerships that are mutually beneficial adds to the community-oriented business model. “Something we always look to curate with events and event partners is finding ways to mutually collaborate on marketing. So, Wards is a great example where they’re really looking to tap into a younger demographic and that’s something we’re able to really bring to the table.”
Now, Kelly is extending the model with a new initiative called The After Hours Supper Club. A subscription-based model, members will receive monthly meals for two or four with seasonally inspired mains, small plates, desserts, and extras. A portion of the proceeds supports Berkshire Bounty, a nonprofit fighting local food insecurity.
The Supper Club is not Kelly’s first collaboration with Berkshire Bounty. Last Thanksgiving, he launched a “buy one, give one” meal kit where one purchased meal equaled one donated to a local family. “Berkshire Bounty is so grateful for the continued support from Kevin and After Hours. Through Kevin’s creativity and care, together we are making an impact on food security in this community and providing nourishing food for the most vulnerable among us,” said Morgan Ovitsky, Executive Director of Berkshire Bounty.The subscription model allows After Hours to extend its reach into homes across the region. “We’ve had strong early interest,” said Kelly. “We’re fulfilling our first orders in June.”
Staffing such a fluid operation is a challenge. To address this, Kelly also created After Hours Gigs, a flexible labor system where people can sign up for one-off shifts. “Most people around here have three or four jobs,” he said. “This lets them pick up a gig with low commitment.” About 15 to 20 people work regularly through the system, but Kelly is often still scrambling to fill roles on busy weekends. With five events in just four days on the calendar, Kelly keeps moving. “It’s a lot,” he said. “But you just do it. One event at a time.”
There is a distinctly anti-macho ethos to his kitchens. “I was exposed to that cutthroat, ‘Yes, chef’ culture. It’s not for me. I don’t want anyone apologizing for who they are or what they love.” When someone asks what to wear to a gig, his response is simple. “Be comfortable. Be presentable. Be yourself.”
What Kelly has built with After Hours is less a brand than a belief that food should be personal, shared, grounded in place and people. So, what’s the most delicious thing he’s made recently? “A white pizza with ramp pesto,” he told me, eyes lighting up. “We’ve started doing Sicilian slices at the farmer’s market. Breakfast pizzas are next.”
For more information, visit: www.afterhoursgb.com