Sharon Playhouse Education Program Discovers and Grows Young Talent of all Ages

Young performers get to share their razzle dazzle thanks to Sharon Playhouse education programs. Photo Submitted
Professional summer theater productions at the Sharon Playhouse in Sharon, Conn., lure audiences to the area and have been doing so for years. The advantages to Northwest Corner towns are many.
Now sharing space with that professional theater is an upgraded and enhanced educational program that includes intensive training in the theater arts. For teens, it may be the Youth Theater program. The program’s classes and activities can also accommodate the very young whose artistic leanings are exuberantly unfettered, and the older kids refining their performing skills in acting, voice or movement. Teens continue their progression. There are additional offerings for adults who just plain enjoy a common interest in theater.
Regardless of level — beginning or advanced — each student of any age is discovering theater arts in the playhouse’s education program, buoyed by the instruction of Associate Artistic Director Michael Baldwin, teamed with the dance and acting classes of Education Associate and Company Manager Sarah Cuoco. Additional teachers from Broadway and beyond offer their credentials and talents in voice and acting.
“We’re incredibly proud,” both Baldwin and Cuoco agreed during an interview on Wednesday, June 22, as this summer’s program was getting underway.
The last week of June would bring teens to rehearse the Youth Theater stage production of Jane Austen’s enduring 1813 novel “Pride and Prejudice,” arranged for a modern stage production by Kate Hamill. With just two weeks of rehearsal, the show would open in July. The rehearsal atmosphere during a second visit on Wednesday, June 29, was appropriately intense and positive.
Shows are selected a year in advance.
“The key is to discover what the kids are talking about,” Baldwin said, as an aid to choosing shows. “Pride and Prejudice” promised a good fit.
The play’s message being conveyed by this cast to their 21st-century theater audience is one of timeless social commentary in which the characters deal with rigid personal and societal bias wrapped in a period-costumed story of romance. It’s about discovery and finding humanity waiting beyond the confines of ingrained bias.
“Having a director of education has made a huge difference,” Baldwin said, noting the rapid growth of the program. In light of the success, the theater’s Board of Directors is committed to investing in the program’s expansion. Included is the prospect of the educational program going year-round, adding fall and spring, Baldwin said.
The program has already expanded into offering theater arts education in local schools. Baldwin said that the arts education program is in its second year at Indian Mountain School in Salisbury, Conn., and as an arts residency at Housatonic Valley Regional High School in Falls Village, Conn. In the coming year, the youth arts program will be introduced at Sharon Center School.
“He’s a really good director,” cast member Rory Marquis of Millbrook, N.Y., said of Baldwin. “He’s good at giving instruction and he makes it fun.” Members of the cast who were not needed in a rehearsal scene were learning their lines outdoors in the sunshine, eager to speak of their experience in the program.
“It feels more like a camp in the summer,” said Olivia Brooks of Lakeville, Conn. “It also brings us close to the company.” Coming from throughout the region and from New York City, the teens spoke of the value of socializing and getting to know each other. And, that the audition experience had not been pressured.
“We are both of the community,” Baldwin said of himself and Cuoco. “We grew up in Lakeville.
“We have a vested interest in sustaining the opportunities we had as youth,” he added. “Growing up with the Sharon Playhouse was incredible.” At age 10 Baldwin first appeared on the Sharon Playhouse stage.
In his teens he began helping at the box office. From that vantage point, he foresaw expanding the education program to bring young people a deeper connection with the playhouse.
“We see change at every level,” Baldwin said of the instruction and its effectiveness as students display growing confidence. “It’s the most rewarding thing that we do,” he added.
Across all age groups taking the classes, Baldwin said, whether young people or adults, they leave the Sharon Playhouse a fuller version of themselves.
“They discover themselves,” Cuoco agreed.
“When I was 17,” Baldwin recalled, “I played Humpty Dumpty for a Sharon Youth Theater production. I was on the wall, then I was off the wall. The Sharon Playhouse was the safest, most inclusive place to discover and then to express my true self.”
Cuoco picked up the conversation. “Just being in this environment at the Sharon Playhouse,” she said, “I have met some of my favorite people.”
“Dancers are actors,” she explained, “just as much as actors are actors. You can teach someone a step, but they bring themselves to create a dance.”
Speaking of steps, admitting to stepping onto his imaginary soap box, Baldwin said, “There is no better way to teach collaboration or empathy. People have to work together as an ensemble, to step into someone else’s shoes and life experiences.”
What’s next?
This summer’s production schedule is packed with opportunities for young talent. Upcoming youth productions include “Winnie the Pooh Kids,” “Sharon Playhouse Stars” and “Shrek Jr.”
Future planning includes possible field trips, where groups could be bused to Sharon Playhouse to attend youth performances.
Baldwin also looks ahead to writing original shows for young people and having actors go on tour to area schools.
For more information about the education program and upcoming productions, and to acquire tickets that are going fast, go to: www.sharonplayhouse.org.
Sharon Playouse Associate Artistic Director Michael Baldwin gets young imaginations growling and growing. Photo Submitted
Sharon Playouse Associate Artistic Director Michael Baldwin gets young imaginations growling and growing. Photo Submitted
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.