Uncaged

Uncaged
Tan Dun 
Photo by Nana Watanabe

Objet trouve or “found object” is the exaltation of the everyday, the unremarkable item pulled from the scrapyard and turned into art — think of Marcel Duchamp’s porcelain urinal fountain or his bicycle wheel mounted upside down on a stool. Found sound we’re probably more familiar with thanks to the work of Foley artists, a whole division of sound producers who use all sorts of objects to create the audio effects we hear on television, from footsteps to crunching leaves to laserbeams. In post World War II America, avant-garde John Cage took the noise of ordinary objects to create symphonic compositions no one else could have heard. His “Imaginary Landscape” series included parts for tin cans, electric buzzers, frequency recordings, and radios. In 1960 he performed “Water Walk” on the game show “I’ve Got A Secret” using — among found songs — a bathtub, rubber duckies, a blender, and a watering can. His work “4’33” contains no purposeful sound at all, but as Cage said, “There’s no such thing as silence.” Cage’s lifelong romantic partner was the influential American dancer and choreographer Merce Cunnigham, whose own exploration beyond tradition labeled him “the father of contemporary dance.” The Bard Conservatory of Music will present a concert in honor of John Cage, with orchestral direction by Chinese-born American composer Tan Dun. In 2001 Dun won the Academy Award for Best Score for his work on Ang Lee’s martial arts romantic epic, “Crouching Tiger, Hidden Dragon.” The score featured several cello solos played by Yo-Yo Ma, a frequent collaborator of Dun's.

“Uncaged” will be performed at Fisher Center’s Sosnoff Theater at Bard College in Annandale-On-Hudson, N.Y., on Nov. 4 at 8 p.m. as well as streamed live at www.fishercenter.bard.edu

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