Corner Food Pantry receives 1741 Award for feeding masses
Amanda Halle of the Corner Food Pantry (left) accepted the 1741 Award from Salisbury Association president Jeanette Weber Saturday, Aug 3.
Patrick L. Sullivan
The comparative figures in the charts show the ever-increasing demand of our services between 2019 (pre-pandemic) and the end of year, 2023. During the first six months of 2024 we had 170 new registrants. As these figures demonstrate, the steady uptick in the number of families in need have resulted in an increased need for additional volunteers and substantial increase in the Corner Food Pantry’s food costs.The Corner Food Pantry
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Nonnewaug sweeps BL soccer titles
Nonnewaug sweeps BL soccer titles
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.
The Nonnewaug girls team celebrates as victors in the Berkshire League tournament final Oct. 28.Photo by Riley Klein
The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
Canyon de Chelly (1904) – Seven Navajo riders on horseback
Edward S. Curtis
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1930, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing.
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”
Little Plume with his son Yellow Kidney (1911)Edward S. Curtis
In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html
This article has been edited to correct the date range of Edward S. Curtis’s photographic work.
