Cornwall Days highlights creativity, culture and community

Above, Cornwall Park and Recreation volunteers serve locally sourced meals at Taste of Cornwall.
Sava Marinkovic
Above, Cornwall Park and Recreation volunteers serve locally sourced meals at Taste of Cornwall.
From Aug. 9 to 11, residents and visitors of “Connecticut’s Greenest Town” gathered to celebrate Cornwall Days — a weekend-long festival dedicated to “Cornwall and all its eccentricities.”
The townwide occasion, staged at a scatter of Cornwall institutions and green spaces across the town’s wooded sprawl, featured live music, theater, film, art, food, shopping, and more.
Spanning all three days and providing the weekend’s structural and cultural backbone was the enduring Rose Algrant Art Show, now in its 65th year and hosted at the Cornwall Consolidated School. Born in Constantinople (present-day Istanbul), Algrant emigrated to New York in 1940, shortly afterwards settling in Cornwall and fomenting a local artistic scene of writers, painters, illustrators, and printmakers.
The Rose Algrant Show filled Cornwall Consolidated School with art all weekend.Sava Marinkovic
“Rose was quite the character,” said exhibit organizer and artist Ellen Moon. “She was small, but fierce,” — a fitting patron for the tiny but energetic town of Cornwall, which produced 51 artists for the show out of a population of less than 2,000.
“This year, we have even greater variety than usual,” continued Moon. Paneled display boards hung paintings, drawings, and photographs from around the Northwest Corner, rendered in a slew of styles and media, forming a thematic throughline that bound together many of the works. Also on display were sculptures, ceramics, furniture, puppets, shoes and jewelry creating an eclectic array of forms and disciplines very much in the spirit of Algrant’s ecumenical vision.
As the art show continued to draw out, other events around town were getting underway.
Although Friday’s family movie night, to have screened Disney-Pixar’s Toy Story outdoors at the Trinity Retreat Center, was postponed to Thursday, Aug. 15 due to inclement weather, live music continued at The Union in West Cornwall. As wind and rain rattled shops and residences in the neighborhood of Cornwall’s iconic covered bridge, patrons cozied up to weather the storm with guitarist Ava McCoy and pianist Maddie Rubin.
On Saturday, skies opened and cleared the way for a Taste of Cornwall on the Village Green, which Parks and Recreation Chair Michelle Shipp called a “highlight of the best things Cornwall has to offer.”
Grain Thief plays the Village Green, Aug. 10.Sava Marinkovic
The main event, a farm-to-table tasting buffet, sourced ingredients from local growers, ranches, and dairies. Upon being outfitted with a glittering purple bracelet and handed an introductory slice of bruschetta, tasters were free to meander between colorfully-tented tasting tables at their leisure—so long as they followed the injunction to wait for seconds until after time was called.
And seconds certainly tempted from among the local fare: saucy ground beef tacos with meat and vegetables from Birdseye and Tanner Brooks Farm, Coltsfoot Farm, and Ridgway Farm; hot, sweet pigs in a blanket from Maple Hill Farm; macaroni gooey with cheese made from Calf & Clover Farm dairy; sweet and sour meatballs assembled with meat, jelly, eggs, and produce from Hurlburt Farm & Forestry, Coltsfoot, and Ridgway; and various salads courtesy of the aforementioned, as well as Buck Mountain Herbs.
Between tastings (or perhaps to wait out the service lines that began to curl across the green), visitors enjoyed placing bets in the quintessentially country cow chip raffle, playing lawn games, and browsing local vendors from among the event’s 36 sponsors—all Cornwall businesses. Drifting over the festivities was music performed by Americana string band Grain Thief, whose repertoire includes bluegrass, fiddle tunes, and old-timey interpretations of country classics. Redoubling the fair’s rustic ambiance, a small contingent of line dancers formed, broke, and reformed as tunes coursed from lively to somber and back again.
Come Sunday, the weekend concluded with rounds of live music and family theater.
Grumbling Gryphons Children's Theater performed at The Wish House Lawn on Sunday, Aug. 11, to a receptive audience.Sava Marinkovic
Up first, the Grumbling Gryphons Traveling Children’s Theater performed a colorful adaptation of West African folktale Anansi, the Trickster Spider at the Wish House in West Cornwall.
Calling on the tale’s African roots, Director Leslie Elias welcomed the crowd with a hearty Swahili “jambo, to this village and our global village!” Invited to “sing nice and loud and enjoy the show” by performer Daniel Saed, audience members roared, signed, buzzed, and mimed their way through the whimsical fable of a conniving spider-turned-folk hero.
After the show, Arieh and the Lions animated the Wish House lawn with their danceable pop and rock covers before DIY indie outfit Ruby Leftstep took the stage at Cornwall Market to close out the evening, the sun finally setting on Cornwall Days.
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Rosa setigera is a native climbing rose whose simple flowers allow bees to easily collect pollen.
After moving to West Cornwall in 2012, we were given a thoughtful housewarming gift: the 1997 edition of “Dirr’s Hardy Trees and Shrubs.” We were told the encyclopedic volume was the definitive gardener’s reference guide — a fact I already knew, having purchased one several months earlier at the recommendation of a gardener I admire.
At the time, we were in the thick of winter invasive removal, and I enjoyed reading and dreaming about the trees and shrubs I could plant to fill in the bare spots where the bittersweet, barberry, multiflora rose and other invasive plants had been.Years later, I purchased the 2011 edition, updated and inclusive of plants for warm climates.
On the cover of the new edition, a quote from Adrian Higgins of The Washington Post boasts, “Michael Dirr is the oracle of ornamental horticulture. I trust his judgements implicitly.”I heartily disagree with Mr. Higgins:I blame this book — and my poor use of it — for some of my worst tree and shrub choices.
I realize some readers might find this declaration inflammatory. The book still occupies a place of high regard among experienced and novice gardeners alike, so please allow me to explain.
In addition to giving the reader his opinion on the aesthetic worthiness of the woody plants included in the book, Mr. Dirr makes good on the book’s title with a review of each species’ hardiness. What makes a tree hardy?It thrives in its intended site, resisting disease with leaves and bark not readily eaten by insects and other critters.
Non-native plants make up the majority of the recommended hardy plants in the book.And here is why:Native trees and shrubs are, by evolution’s design, food source and host to our native fauna — critters large and small. There is no substitute equal to the fauna’s co-evolved flora.A native caterpillar cannot eat a kousa dogwood leaf, as it has not evolved to digest it.Non-native plants seemingly have the advantage if the lens we look through values pristine, uneaten leaves.
In the days when there were sufficient thriving ecosystems to maintain local habitats, a non-native specimen tree here and there was just fine.But where we live in Northwest Connecticut, our woods, meadows, marshes and other natural areas have, for a couple of decades, been severely compromised by invasives that have almost entirely removed the food sources for native insects. It is up to us — now — to plant native plants to save the food chain.Without insects, not only will native animals die, but human food sources will also be at risk.
The security of our food pipeline seems a worthy exchange for some caterpillar-eaten leaves — and to be clear, we’re not talking about non-native infestations such as spongy moth, but rather native caterpillars, which are the singular food source for nesting birds.
My issue is that, in being a trusted source for plant selection, Dirr’s book should give equal — if not prioritized — space to information on ecological impact.For example, it would be good to know when selecting a tree, that a native oak provides food and other ecosystem services to more than 400 native animal species, while a native tulip poplar supports fewer than 30 — though that includes the Eastern tiger swallowtail. Including information on the birds and insects attracted to a given plant would enable reader to weigh these factors in choosing what to grow.But this information is not mentioned at all.
Dirr makes no mention of the role some of these plants have played in the degradation of our natural areas — an omission that is highly relevant, as many of the plants featured in his book are, in fact, invasive culprits. Plants like barberry, porcelain berry and tree of heaven are showcased for consideration alongside native plants without recognition of the devastating infestations they can manifest. Tree of Heaven is now responsible for hosting the spotted lanternfly, which is devastating crops.
Similarly Euonymous alatus (winged euonymous) and Actinidia arguta (hardy kiwi) — two highly invasive plants touted in the book — have been banned or are close to being banned for sale from nurseries in the state of Massachusetts. To his credit, Dirr does point out the invasive nature of Ligustrum sinense (Chinese privet), calling it “a terrible and devastating escapee that terrorizes floodplains, fencerows and even open fields, reducing native vegetation to rubble.” Yet Japanese honeysuckle gets an understated warning, with Dirr describing this massively invasive shrub as “bullying their way into understory and open areas.”
The latest edition of Dirr’s book devotes seven pages of copy and photos to various Berberis species, about which Dirr waxes poetic. He notes the addition of “30 new cultivars” in the latest revision and complains that “this species is under assault for its aggressive invasive nature.” He refers to Berberis thunbergii — Japanese barberry, the most invasive of them all — as “the species of major importance in garden commerce.” This plant has already been outlawed for sale in New York, Pennsylvania, New Hamphsire and Maine.A few weeks ago, a bill was passed in Connecticut recognizing the harm of a broad group of invasive plants. Under this new legislation, barberry will be phased out from sale or transport by October 2028.
In understating the invasive nature of many non-natives and de-prioritizing the importance of native species, Dirr’s widely used reference may be partly responsible for many a devastated woodland, forest, meadow and marsh in New England — if not across the U.S.Certainly, the evolution of species, and scientific knowledge about the environment, is changing faster than new editions of books can be printed. I can only hope that if a new edition of Mr. Dirr’s reference book is in the works that it will account for this criteria we now know to be vital in plant selection.
Which brings me back to that quote on the cover from The Washington Post and the larger issue it suggests:Should “ornamental horticulture” get a pass when it comes to ecological survival?I think we can agree — it should not.The consequences are simply too destructive.
Dee Salomon ‘ungardens’ in Litchfield County.
Foxtrot Farm & Flowers’ historic barn space during UAW’s 2024 exhibition entitled “Unruly Edges.”
Art lovers, mark your calendars. The sixth edition of Upstate Art Weekend (UAW) returns July 17 to 21, with an exciting lineup of exhibitions and events celebrating the cultural vibrancy of the region. Spanning eight counties and over 130 venues, UAW invites residents and visitors alike to explore the Hudson Valley’s thriving creative communities.
Here’s a preview of four must-see exhibitions in the area:
1. Wassaic Project (37 Furnace Bank Road, Wassaic)
“So It Goes” is a powerful group exhibition curated by Eve Biddle, Bowie Zunino, Jeff Barnett-Winsby, and Will Hutnick. The title, drawn from Kurt Vonnegut’s “Slaughterhouse-Five,” signals a reckoning with how we process the horrors of the world. Through play, reflection, and immersive scale, 43 artists respond with urgency and imagination. Installations can be seen throughout the town of Wassaic at Maxon Mills, Gridley Chapel, and Luther Barn, each space transformed by this deeply thoughtful show.
2. Foxtrot Farm & Flowers (6862 Route 82, Stanfordville)
“Queer Bestiary,” a group show curated by Charlotte Woolf, is inspired by Patricia Ononiwu Kaishian’s book “Forest Euphoria.” The exhibition investigates queer ecology and human relationship to land through the work of 10 artists using painting, sculpture, textiles, and photography. The exhibit is accompanied by a variety of interactive experiences including tattoo pop-ups, karaoke, book readings, and pick-your-own flowers.
3. ChaShaMa North/ChaNorth (2600 Route 199, Pine Plains)
ChaShaMa North (ChaNorth) will have open studios all weekend and has partnered with Paradice Palase, a platform for emerging artists, to mount a site-specific sculpture exhibition featuring 20 artists entitled “Alone, You Are Heard.” On Saturday evening, July 19, stop by for Weird Music Night for an audio-visual synthesis of experimental music, performance art, and unexpected happenings. Don’t miss this opportunity to experience an eclectic lineup of acts that redefine the boundaries of performance.
4. Millbrook Arts Project(3 Friendly Lane, Millbrook)
The Millbrook Arts Project is hosting a curated exhibit entitled “Generated Utility” at the newly renovated gallery at the village library. The exhibit will feature the work of artists Natalie Beall and Kathy Greenwood. Additionally, visitors will have access to 12 open artists studios across town. The weekend culminates in a free outdoor concert on Saturday evening at 6 p.m. at the Millbrook Bandshell. Enjoy the Indie-Folk sounds of Strawberry Runners and She Keeps Bees.
For more information and a complete list of participating artists and locations, visit: upstateartweekend.org