Eversource seeks 19% rate hike for CL&P customers

Millstone nuclear power station.
Photo by Sean D. Elliot/The Day of New London

Millstone nuclear power station.
Eversource filed a request Thursday, Feb. 15 for a $784 million rate adjustment that would bump its Connecticut Light & Power (CL&P) electric rates by nearly 19%, costing an average residential customer an additional $38 a month May 1.
The United Illuminating Company, an Avangrid subsidiary and the smaller of Connecticut’s two regulated electric monopolies, filed a request Friday, Feb. 16 to raise rates by 12%, or $26 a month, on May 1.
Twice a year, the utilities seek rate adjustments to recover costs imposed by public policies, notably a directive that they purchase electricity at a favorable rate from Millstone, the state’s last nuclear plant and its biggest source of carbon-free power.
Eversource said the Millstone credit authorized by the General Assembly in 2017 caused $605 million of the $784 million in unrecovered costs; another $160 million is blamed on mandated benefits for the poor and medical hardship cases.
The filing comes as Eversource is looking to raise cash by selling Aquarion Water to offset a one-time $1.9 billion loss on off-shore wind investments and a day after it told stock analysts that Connecticut regulators were making its cash crunch worse.
Eversource complains that a change that the Public Utilities Regulatory Authority (PURA) unanimously adopted in December 2020 in its methodology for assessing biannual rate adjustments have slowed cost recovery.
The company’s cash issues were “primarily driven” by PURA’s shift in methodology away from forecasts of recoverable costs to using actual costs in the previous year as a benchmark, said John M. Moreira, the Eversource chief financial officer.
“We’ve been significantly under-recovered at the CL&P franchise in 2023 by a sizable amount, close to $1 billion,” Moreira told stock analysts on an earnings call Wednesday.
Eversource offered no estimate, however, of how using the older methodology would have mitigated the proposed increase by allowing some cost recovery earlier. Eversource proposed Thursday that the increase be phased in.
The criticism of PURA has a broader subtext: Eversource and Avangrid, the owner of United Illuminating, have been urging Gov. Ned Lamont not to reappoint Marissa P. Gillett, the authority’s chair, to another term.
Gillett declined comment on the filing. Neither she nor the other two commissioners, John W. Betkoski III and Michael Caron, were mentioned by name in the Eversource filing or accompanying letter or press statement.
Two lawmakers on the Energy and Technology Committee said they saw new messaging around the filing as part of the broader campaign against Gillett.
“It’s pretty clear that the utilities are not a great fan of Marissa Gillett,” said Sen. Ryan Fazio, R-Greenwich. “I think she has the interest of consumers at heart, and whether every decision she and the other commissioners make is right or wrong is a complicated question. Each of those decisions should be examined and judged on their merits.”
He called the campaign against her “untoward.”
Sen. Norm Needleman, D-Essex, co-chair of the committee, was blunter.
“In my opinion, they are just trying to get her fired. And that’s as simple as it is,” Needleman said.
Lamont has both praised Gillett for her close oversight of utilities’ expenses and rates, but he has urged her to work more collaboratively with her two colleagues on the PURA commission as well as the companies.
The governor’s office reacted with caution Thursday night.
“We need to review the filing. We agree that we ought to work together to lower electric costs,” said Julia Bergman, the governor’s spokeswoman. “We’ll continue to collaborate with all the parties to do that.”
Whether the numbers are correct, the types of expenses claimed by Eversource clearly are recoverable, lawmakers said. Fazio said the methodology challenged by Eversource did not change that.
The ranking House Republican, Rep. Bill Buckbee of New Milford, blamed Democratic policies.
“This proposed rate increase comes at a time when residents simply cannot afford to pay more out of pocket to cover the financial ramifications of policy decisions that have been made by the Democrat-controlled legislature, the governor’s office, and his regulators,” Buckbee said.
Actually, the Millstone bill had more Republican support in the House than Democrat — Buckbee among them. In 2017, Republicans held half the seats in the Senate and were five short of a majority in the House. The governor was a Democrat, Dannel P. Malloy.
At the time, Millstone’s profits were eroded by competition from electricity generated by what then was plentiful and cheap natural gas, and its owner said its future was threatened without help.
The bill allowed the Department of Energy and Environmental Protection and PURA to permit Millstone to compete in a more favorable market against solar, wind and hydro power that commands higher prices.
What resulted was a fixed price for much of the electricity generated by Millstone. Eversource and Avangrid would buy it and immediately resell it on the competitive market.
When the market prices were low, the utilities took a loss that PURA would let them recover from ratepayers. When the prices rose, as occurred during the first year of the war in Ukraine, the utilities turned a profit on the Millstone power that flowed back to ratepayers.
Millstone’s electricity is once again above market rates, meaning UI and Eversource are owed a recovery of their costs.
“Now we’ve got to pay the piper,” said Rep. Jonathan Steinberg, D-Westport, co-chair of energy. “There’s not much way around it, and they stand on very firm ground with that one aspect.”
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.