SHARON — When Sharon Hospital was sold to for-profit Essent Healthcare Inc. in June 2003, state law required that the $16 million in proceeds be transferred to a nonprofit organization with a similar purpose — to promote healthier individuals and communities.
To meet that mandate, Foundation for Community Health (FCH) was formed to steward that mostly unrestricted windfall for the benefit of the rural, 17-town region, where Northwest Connecticut and the Greater Harlem Valley in New York meet, served by the hospital.
Fast-forward two decades and the Sharon-based philanthropic organization, under the stewardship of Nancy Heaton, its president and CEO, has granted more than $21 million through 609 grants to 118 organizations and invested thousands of staff hours to support better health to communities, many of which have historically been underserved.
An auditor’s Dec. 31, 2022, financial statement showed the foundation’s total assets at $32.6 million.
In 2023 alone, FCH’s 20th anniversary, the foundation awarded more than $1.6 million in grants to 30 grantee partners, including $650,000 to help establish the North Canaan Health Center. Since 2017, FCH has awarded about $2 million toward the North Canaan Health Center. The long awaited opening is expected in spring 2024.
Support also extended beyond the grants. FCH helped its grantee partners secure $1.9 million in additional grant funding and nearly $36,000 toward programs. Eight executive directors received one-on-one leadership support, and four sessions of the foundation’s Community of Practice assisted nonprofit leaders.
“Our goal has really been more focused on strengthening the capacity and sustainability of these organizations so they can do their work more efficiently,” said Heaton.
Conditions that influence health span beyond medical care, such as access to food, safe and stable housing, and the opportunity for positive childhood experiences. According to FCH, “On average, 45 percent of renters in our community pay more than 35% of their income on housing.”
“The pandemic shone light on all the issues and cracks and needs, and how fractured our system is,” noted Natashea Winters, FCH’s director of programs and learning.
2023: a ‘year of newness’
Heaton described 2023 as “a year of newness,” with new tools to capture support beyond the grant, new community members including two new board members and one new staff member, and five new grantee partners.
Based on feedback from its grantee partners, FCH developed a Community of Practice for Nonprofit Leaders, offering one-to-one leadership support to executive directors of organizations. The foundation also helped grantee partners secure nearly $2 million in additional grant funding.
“I think it speaks to the value we can provide. We call it support beyond the grants,” Winters noted. “No two organizations are the same. It’s part of the uniqueness of our region and uniqueness of our foundation.”
Neither are the communities served by FCH the same. For instance, she said,“Dover is our largest community and our neediest community.”
The organization’s board of directors comprises representatives from throughout its vast region.
In 2023, two new faces joined the FCH board: Dover Plains, New York, resident Jill Fieldstein, business manager of the Louis August Jonas Foundation in Rhinebeck, New York; and Dr. Zachary McClain of Falls Village, medical director of the Wieler Health Center at The Hotchkiss School in Lakeville.
Extending support to nonprofits’ leaders
Last October, FCH granted $81,500 to eight nonprofits through its Capacity Building Grant Program. Since its start in 2021, the program has granted $423,070 to 21 organizations by supporting important work including strategic planning, infrastructure needs, leadership support and organizational restructuring,
FCH has been “a consistent supporter” of Greenwoods Counseling & Referrals Inc., which provides affordable mental health care, education and related services throughout Litchfield County, according to its executive director John Simoncelli.
The $15,000 grant his organization received from FCH last October helped with a much-needed expansion, Simoncelli explained.
“We’ve grown a lot in the seven years since I’ve been here. When we started, we had about four employees and now we have 25,” he explained. “We’ve maxed out our space in Litchfield.”
The recent grant was instrumental in the opening of a satellite office in Torrington, “and eventually in Winsted as well.” With the new offices, he said, comes a need to hire staff, rent the spaces and furnish them: “That’s what the money is being used for, these expansion efforts.”
Simoncelli praised the work of FCH. “They’ve been a part of our growth all along, and I can’t say enough about how they have evolved their grantmaking process. In my mind it has been revolutionary. I feel that Natashea has a great sense of what we do and how the money is being spent.”
Helping seniors, protecting immigrants
The Lakeville-based Chore Service Inc. was the recipient of a $12,000 grant from FCH last fall. The funding, said Executive Director Jane MacLaren, has been critical for helping seniors and disabled residents live safely and independently in their homes.
“Our federal funding has been reduced by 33%, which is difficult as the need is increasing. Last year we served 137 clients in seven towns and provided part-time work to 30 workers and 5,181 hours of service,” MacLaren noted.
“The foundation’s support has been instrumental to Chore’s commitment to increasing community impact, maintaining organizational health and long-term financial viability. Many people do not have the means to pay for services, so they call Chore. We provide services regardless of ability to pay, so for many, we are a last resort to remaining at home.”
A $15,000 Capacity Building Grant was also distributed to the Columbia County Sanctuary Movement in Hudson, New York.
“We are really grateful for this fund,” said Diana Laura Cruz, co-executive director of programs and services. “CCSM has experienced a rise in racist and xenophobic attacks against our immigrant community. Funds have been able to support our staff to rest and recover while also giving us the opportunity to train community members to keep us safe.”
This story has been updated to correct Natashea Winters' name and title.
Image courtesy of Foundation for Community Health
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.
Melissa Gamwell, crafting custom Valentine’s Day cards in her office in Cornwall. Kevin Greenberg
Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
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New works on display at Kenise Barnes Fine Art in Kent
An intricate woodcut print by Eve Stockton and the organized chaos of Margaret Neill’s abstract drawings dazzled the eye. But much of the show’s distinctive texture came from its sculptural works.
Catherine Latson’s wire structures, tightly wrapped in hand-dyed threads, bring to mind pastel- hued sea anemones and become more impressive upon closer inspection. Translucent, hanging cast-resin vampire bats by Tristan Fitch blend into the ceiling until viewed up close, when they become an inescapable presence.
Detail of“Specimen 42” by Catherine Latson at KBFAD.H. Callahan
An intriguing sculpture by Julie Maren features acorn caps affixed to the wall, filled with vibrant, shimmering colors.
Paintings and a sculpture crafted from reclaimed wood by Maine-based artist Matt Barter demonstrated the range of mediums represented by a single artist.
While some of the works are already spoken for, all are on view through late April.
For more information, visit kbfa.com
Harriet Newman Cohen
Provided
Cohen writes fearlessly, with a good dose of wry humor, about her own struggles balancing marriage and divorce, raising four daughters, entering Brooklyn Law School in 1971 at age 38, and her ensuing legal career. According to Bernstein, “Passion and Power” is as much about the reshaping of American cultural norms as it is about one remarkable woman’s role at the forefront of legal and social transformation.
Cohen’s work in the legal profession has been pivotal to social change. A 2021 HBO documentary, “Nuclear Family,” directed by Ry Russo-Young, chronicles the landmark custody struggle of Russo-Young’s parents, a queer couple who hired Cohen as their lawyer.
Cohen is an honest storyteller, unflinching in admitting her mistakes and rightly proud of her accomplishments. Her story ranges from tales of her father’s fortune made producing the Hula-Hoop to her memory of schoolmate Kiki Bader — Ruth Bader Ginsburg — as a cheerleader waving pom-poms in Brooklyn. She also writes of her deep love of family, the stultifying suburban life of her first marriage, mentorship by legal icon Louis Nizer and riding the wave of social revolution that buoyed her career.
Norfolk author Gillian Linden writes of her step-grandmother, “Harriet Newman Cohen is a funny, edifying guide — precise, curious, warm. Entirely unsentimental. Marriage and its many paths is rich territory. This book is filled with the strange, glamorous, desperate and sadistic characters you hope to meet in the very best novels.”
For details, visit norfolklibrary.org
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