
The group — minus Garrick Dinneen, who’s taking the photo — stops for a mid-run rest.
Provided
The group — minus Garrick Dinneen, who’s taking the photo — stops for a mid-run rest.
CORNWALL — This past winter, an intergenerational group of Mohawk Mountain skiers took their hard-earned East Coast skills to the towering peaks of interior British Columbia for a ski trip that went beyond just pursuing the steep and deep.
“As fun as the skiing was, the lift rides and even just going home and cooking dinner together and talking was a pretty cool part of it,” said 24-year-old Cornwall native Dean Saccardi of the nearly 20-day voyage. “To have that age range of people who had grown up in Cornwall, went to [Cornwall Consolidated School], and had all their stories about the school, about the ski program, about the community … it definitely made the trip.”
Jim Terrall, who runs a building company in Cornwall, grew up skiing at Mohawk about 50 years before Saccardi got his start through the after-school CCS ski program, which lets students out at noon on Fridays to go skiing during a stretch of the winter. Terrall grew up going to Mohawk the same way, and estimated that the group on the trip spanned 1960-2017 of the CCS ski program.
“My winters were spent at Mohawk” said Terrall, “as were my kids’ winters.”
He said Mohawk Mountain and the CCS ski program have had an outsized impact on building a unique love for downhill snow sports in the town: “A lot of Cornwall kids are skiers because of the program,” which continues to this day — minus the included season pass of years past.
After graduating from Colorado College, Terrall moved to Jackson Hole, Wyoming, with the intention of working a ski season or two, and ended up staying for 15 years.
Terrall’s son Keaton, who also joined the trip, is now a student at Montana State University in Bozeman and is as passionate about skiing as his father.
While a veteran of Western skiing, the elder Terrall said part of the fun of the trip was introducing Saccardi and his brother-in-law Garrick Dinneen, who had never skied outside of the Northeast, to bigger and steeper terrain.
Saccardi said the difference was immediately apparent. At the group’s first stop at Schweitzer Mountain in northern Idaho, “you could barely see the tips of your skis, it was so foggy,” Saccardi recalled. Even then, though, “you quickly appreciate how steep it is.”
Saccardi said that despite the initial adjustments, he and Dinneen were able to keep up well with the seasoned and skilled group. “It’s a testament to Mohawk Mountain and that program … Despite it being a little mountain, it does prepare you with the basics and everything you need to know.”
Josh Tyson, from the CCS class of 1981, who now runs a Cornwall excavating company, said that watching Saccardi and Dinneen get to experience Western skiing was a highlight of the trip for him.
“They became such better skiers in like a day,” he said. “Just the exposure to really steep and mogully trees — it’s not eastern skiing, you know, and they just figured it out right away and were great.”
Tyson’s son Ian joined too and the final member of the cohort was Andy Peterson, who grew up skiing with Terrall at Mohawk in the 1960s and now lives in Colorado, but still spends a few months in Cornwall every summer. As a group of seven, the skiers resort-hopped across southern British Columbia on an itinerary that would make even the most seasoned skier rage in jealousy.
Flying round trip to Missoula, Montana, the group hopped in a few cars and first stopped at Schweitzer in Idaho for a day of foggy skiing, before bouncing to Red Mountain just across the border, where they spent three full days, including the sole powder day of the trip — which was a blast, Tyson said. After that, the crew visited Whitewater, Kimberly, Panorama, and finally, famed powder-mecca Revelstoke, which was unfortunately mostly powder-free during their stay.
Their visit, which spanned the final week of February and first week of March, was uncharacteristically warm for the Canadian mountains.
“We skied in all types of weather, from dense fog to 18 inches of fresh snow to spring skiing,” said Tyson. Despite the variable conditions, “I didn’t hear one complaint the whole time,” said Terrall, reflecting fondly on the group’s positive attitude.
The Terralls and Peterson capped off the trip with a few days of heli-skiing in the mountains surrounding Revelstoke, where “you never cross another ski track” — including your own — said the elder Terrall.
Plans for another trip are already in the works for next year. The group is thinking a return to B.C. is in order, but with an emphasis on mountains they missed this round — Fernie, Kicking Horse, and maybe some more Revelstoke for good measure.
The community feeling remains, however, as those who still call Cornwall home settle back into Northwest Corner life.
Tyson said that since both he and Terrall are in the contracting business, they often run into each other on job sites alongside Dinneen, who is an electrician in town. Ian works for his father’s company, and Saccardi works for Terrall, further tightening the bond.
In his free time, Saccardi stays busy by serving on Cornwall’s Board of Education, a position he picked up after graduating high school and has held for nearly four years.
When asked about how he decided to take up a town service role at such a young age, he was quick to attribute it to Cornwall’s intrinsic community benevolence: “I think the town itself sort of has that culture.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino