Thank you!
Your support is sustaining the future of local news in our communities.

The Gilbert Battle Continues

As has been the case in years past, a small group of residents has banded together to loudly criticize the town’s contract with the semi-private Gilbert School and call for reductions in funding to the high school.

The chief argument currently being raised by opponents of Gilbert’s contract states that the current system is not "fair and equitable" because Gilbert students receive much more money per student than do children in the town’s K-8 system. Critics go on to say that Gilbert charges more per pupil than many comparable high schools across the state and that the school uses its semi-private status to avoid financial accountability and shield itself from town scrutiny.

The critics may be half right about Gilbert. For decades, the school’s endowment has been shrinking, while the town has been footing a greater and greater percentage of the bill — up to about 95 percent of it — without majority representation on the high school’s directing board. That equation is obviously inequitable, and if it does not change in the next 10-year contract currently being negotiated between the Winchester and Gilbert boards, it certainly will have a strong chance of being rewritten in 2016. (Yes, there is a future, fellow taxpayers.)

In the case of the cries of unfair and inequitable funding within the school system, critics of Gilbert fall short with their argument. Citing figures that state the town’s public K-8 students are educated at a cost of $10,000 per student per year, critics have noted that the cost of educating a Gilbert student has risen to $12,304. That, they say, is not fair because it is prejudiced toward Gilbert students.

As we’ve said before, that argument falls flat because the critics are comparing apples and oranges. Most high schools have different costs than K-8 schools, so it stands to reason that the per-pupil expenses will be different. More importantly, the system is fair because students in the town’s K-8 system are eligible for a free education at Gilbert, the town’s primary high school.

That simple argument seems to be ignored by critics who appear more interested in disparaging Gilbert than coming up with an "equitable" solution. By the way, the solution critics seem to always come up with involves cutting funding to Gilbert. Why not increase funding to the K-8 system? The simple answer is that critics are coming from the angry point of view that schools are the enemy to taxpayers.

Ultimately, both sides will have to come together if anything is to change in Winsted. While the arguments have become old and tired, no one has offered a comprehensive, progressive solution. It just may take another decade or two for the town to figure out the answer.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.