Gone With The Winsted: The Civil War in The Litchfield Hills

President Lincoln by William Marsh, 1860.
The Metropolitan Museum of Art
President Lincoln by William Marsh, 1860.
In 1861, following the election of Abraham Lincoln to the United States presidency on a platform to prohibit the legal slavery of African Americans, seven southern states seceded from the country, and the American Civil War began.
While no battles were fought on the soil of Connecticut, Peter C. Vermilyea has gone to lengths to detail the political climate of Northern communities and military recruitment efforts in the early years of the conflict in a new book from The History Press, “Litchfield County and The Civil War.” Vermilyea, a history teacher at Housatonic Valley Regional High School and the author of “Wicked Litchfield County” and “Hidden History of Litchfield County,” will appear at the David M. Hunt Library in Falls Village for a discussion Saturday, March 2, at 2 p.m.
At the time of Lincoln’s election, three local weekly newspapers served Litchfield County — The Litchfield Enquirer, The Winsted Herald, and The Housatonic Republican — and the area had entered a period of economic stagnation after the uptick in enterprise when the Salisbury Furnace produced the majority of cannons used in the American Revolutionary War. The region’s swampy meadows and rocky soil, Vermilyea points out, did not attract any swell in the population size following America’s independence, especially after the county’s iron mines and furnaces were acquired by the Barnum and Richardson Company.
Still, these underpopulated Northwest Connecticut towns wanted to be represented in the war and were resolute to have area men in prominent positions in the state’s regiment. Vermilyea writes that the average Litchfield County recruit for the 19th Connecticut Infantry Regiment, which served in the Union Army, was 27 years old, equally likely to be married or unmarried, and thanks to “the county’s long-standing support of public education… 95 percent of its men who marched off to war in the summer of 1862 were literate.” From a photo of the infantry preserved by the Litchfield Historical Society, we also know the majority were in possession of hefty, dark mustaches on their upper lips. Nearly half were farmers, and many were Irish, thanks to the efforts of Irish-born Michael Kelly, who worked to enlist the considerable immigrant population of the town of Sharon.
Litchfield’s Camp Dutton training ground, which has been the site of contemporary Civil War reenactments, was a place of maturation for the twentysomething-aged soldiers in more than one way — swaths of young women were regular visitors, the sight of fitted bodices and floor-skimming skirts as visible as any Prussian blue military coat. The era’s more cordial aspects of courtship had been evidently thrown out the window in wartime, leading to more lax views on a flirtatious brush of one’s lips on a soldier. Affection from these young women was perhaps seen as more permissible, considering the likelihood that these men would never return home. The Enquirer lamented that “the very flower and cream of our county — the best and dearest to many of us… we shall never see anymore.”
In one letter home, a soldier at Camp Dutton wrote that a certain Lieutenant Frederick Barry “spent this p.m. and evening with Miss Alice Marsh, the most beautiful lady that has visited our camp… I was quite fascinated by Miss Alice the very first time I saw her… and as I think Lieut Berry the finest looking man in our regiment, it is not strange to think that I should wish there might be a Mrs. Lieut B from New Milford before we go.”
In 1864, after the men of Camp Dutton had been stationed guarding the Washington capitol from Virginia for 20 long months, battling the threat of disease rather than the threat of Confederate violence, they joined The Battle of Cold Harbor near Mechanicsville. It was an unmatched battle for the Union soldiers, resulting in an unnecessary litter of corpses and the Union “suffering more than three hundred casualties in about an hour of fighting.”
“Litchfield had approximately 3,200 residents when the war began and sent 299 men off to war,” Vermilyea records. “27 were killed or mortally wounded, another 27 died of disease and five died in prisoner of war camps.” In many ways, Camp Dutton and the promise of valor had been the highest point of Litchfield County’s Civil War effort.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.