Gone With The Winsted: The Civil War in The Litchfield Hills

President Lincoln by William Marsh, 1860.
The Metropolitan Museum of Art

President Lincoln by William Marsh, 1860.
In 1861, following the election of Abraham Lincoln to the United States presidency on a platform to prohibit the legal slavery of African Americans, seven southern states seceded from the country, and the American Civil War began.
While no battles were fought on the soil of Connecticut, Peter C. Vermilyea has gone to lengths to detail the political climate of Northern communities and military recruitment efforts in the early years of the conflict in a new book from The History Press, “Litchfield County and The Civil War.” Vermilyea, a history teacher at Housatonic Valley Regional High School and the author of “Wicked Litchfield County” and “Hidden History of Litchfield County,” will appear at the David M. Hunt Library in Falls Village for a discussion Saturday, March 2, at 2 p.m.
At the time of Lincoln’s election, three local weekly newspapers served Litchfield County — The Litchfield Enquirer, The Winsted Herald, and The Housatonic Republican — and the area had entered a period of economic stagnation after the uptick in enterprise when the Salisbury Furnace produced the majority of cannons used in the American Revolutionary War. The region’s swampy meadows and rocky soil, Vermilyea points out, did not attract any swell in the population size following America’s independence, especially after the county’s iron mines and furnaces were acquired by the Barnum and Richardson Company.
Still, these underpopulated Northwest Connecticut towns wanted to be represented in the war and were resolute to have area men in prominent positions in the state’s regiment. Vermilyea writes that the average Litchfield County recruit for the 19th Connecticut Infantry Regiment, which served in the Union Army, was 27 years old, equally likely to be married or unmarried, and thanks to “the county’s long-standing support of public education… 95 percent of its men who marched off to war in the summer of 1862 were literate.” From a photo of the infantry preserved by the Litchfield Historical Society, we also know the majority were in possession of hefty, dark mustaches on their upper lips. Nearly half were farmers, and many were Irish, thanks to the efforts of Irish-born Michael Kelly, who worked to enlist the considerable immigrant population of the town of Sharon.
Litchfield’s Camp Dutton training ground, which has been the site of contemporary Civil War reenactments, was a place of maturation for the twentysomething-aged soldiers in more than one way — swaths of young women were regular visitors, the sight of fitted bodices and floor-skimming skirts as visible as any Prussian blue military coat. The era’s more cordial aspects of courtship had been evidently thrown out the window in wartime, leading to more lax views on a flirtatious brush of one’s lips on a soldier. Affection from these young women was perhaps seen as more permissible, considering the likelihood that these men would never return home. The Enquirer lamented that “the very flower and cream of our county — the best and dearest to many of us… we shall never see anymore.”
In one letter home, a soldier at Camp Dutton wrote that a certain Lieutenant Frederick Barry “spent this p.m. and evening with Miss Alice Marsh, the most beautiful lady that has visited our camp… I was quite fascinated by Miss Alice the very first time I saw her… and as I think Lieut Berry the finest looking man in our regiment, it is not strange to think that I should wish there might be a Mrs. Lieut B from New Milford before we go.”
In 1864, after the men of Camp Dutton had been stationed guarding the Washington capitol from Virginia for 20 long months, battling the threat of disease rather than the threat of Confederate violence, they joined The Battle of Cold Harbor near Mechanicsville. It was an unmatched battle for the Union soldiers, resulting in an unnecessary litter of corpses and the Union “suffering more than three hundred casualties in about an hour of fighting.”
“Litchfield had approximately 3,200 residents when the war began and sent 299 men off to war,” Vermilyea records. “27 were killed or mortally wounded, another 27 died of disease and five died in prisoner of war camps.” In many ways, Camp Dutton and the promise of valor had been the highest point of Litchfield County’s Civil War effort.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com