Why Numero Uno?

Years back the great Russell Baker in The New York Times said, What’s wrong with being Number 17? Why do we have to be Numero Uno?

Well, we’re Number One At Guns, isn’t that good enough? More mass shootings. We have barely taken in Buffalo and here comes another down the interstate. Tulsa? Can’t bear to write about them at the moment. Number One.

Some thoughts.

If you can’t be number one, why be at all?

Roger Federer, Rafael Nadal, even the accursed Jokervitch? Tennis, anyone? Why play?

If you can’t be Elon Musk (does he smell musky?, and did you see that his mother is featured in the Sports Illustrated swimsuit issue, you cannot make this stuff up) why bother being a run-of-mill Mark Cuban billionaire when your Dallas Mavericks, even with the sublime Luka, are never going to beat the Golden State Warriors. So pack it up, Markie.

I was regaling my dinner hosts with the fact that my a great friend was the proud student of Doris Lessing at Sarah Lawrence College.

Small problem. Nobel Prize winning novelist, only the 11th woman to win the award, never taught there or anywhere. So friend could not have been her prize student.

Friend says that this is what happens, people get old and make things up.

But I actually believed what I was saying. Fancy that.

Friend also says that she was never anyone’s favorite student.

I remind her that in her Russian class she spent her time staring out the window and that her teacher was stunned that she had learned so much Russian. Swear.

Back to number one.

My youngest daughter, now 21, was, until 15, an exquisite tap dancer. She lived for tap and talked about starting her own company. Everyone, I mean everyone, said, The next Michelle Dorrance.

Then she suddenly lost interest. And I mean suddenly. No longer able to shoot for number one? Have not a clue.

Now doing extensive research on public housing, which started big-time in Chicago, her old man’s hometown. She asked me, Daddy, when you were growing up, did you know about The Projects? Not at all. We were uptown in Slava Ukraine. Glory to it forever.

My middle daughter, 27, is taking over the New York banking world. The Times called her mother the “most powerful woman on Wall Street.” Number One? Pretty good shot.

When I suggest to her that she go to law school, which I do with suffocating frequency, she looks at me as if I have two heads.

That’s it! I’ll be number one at having Two Heads!

O, well.

My guess is that that award has already been claimed, many times over.

More guns, anyone?

 

Lonnie Carter is a playwright, Obie winner and his signature play is “The Sovereign State of Boogedy Boogedy.”

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

‘Elie Wiesel: Soul on Fire’ at The Moviehouse
Filmmaker Oren Rudavsky
Provided

“I’m not a great activist,” said filmmaker Oren Rudavsky, humbly. “I do my work in my own quiet way, and I hope that it speaks to people.”

Rudavsky’s film “Elie Wiesel: Soul on Fire,” screens at The Moviehouse in Millerton on Saturday, Jan. 18, followed by a post-film conversation with Rudavsky and moderator Ileene Smith.

Keep ReadingShow less
Marietta Whittlesey on writing, psychology and reinvention

Marietta Whittlesey

Elena Spellman

When writer and therapist Marietta Whittlesey moved to Salisbury in 1979, she had already published two nonfiction books and assumed she would eventually become a fiction writer like her mother, whose screenplays and short stories were widely published in the 1940s.

“But one day, after struggling to freelance magazine articles and propose new books, it occurred to me that I might not be the next Edith Wharton who could support myself as a fiction writer, and there were a lot of things I wanted to do in life, all of which cost money.” Those things included resuming competitive horseback riding.

Keep ReadingShow less
From the tide pool to the stars:  Peter Gerakaris’ ‘Oculus Serenade’

Artist Peter Gerakaris in his studio in Cornwall.

Provided

Opening Jan. 17 at the Cornwall Library, Peter Gerakaris’ show “Oculus Serenade” takes its cue from a favorite John Steinbeck line of the artist’s: “It is advisable to look from the tide pool to the stars and then back to the tide pool again.” That oscillation between the intimate and the infinite animates Gerakaris’ vivid tondo (round) paintings, works on paper and mosaic forms, each a kind of luminous portal into the interconnectedness of life.

Gerakaris describes his compositions as “merging microscopic and macroscopic perspectives” by layering endangered botanicals, exotic birds, aquatic life and topographical forms into kaleidoscopic, reverberating worlds. Drawing on his firsthand experiences trekking through semitropical jungles, diving coral reefs and hiking along the Housatonic, Gerakaris composes images that feel both transportive and deeply rooted in observation. A musician as well as a visual artist, he describes his use of color as vibrational — each work humming with what curator Simon Watson has likened to “visual jazz.”

Keep ReadingShow less