
Jon Kopita’s new show was inspired by Vitra Design Museum, the pandemic and schoolhouse work.
Patrick L. Sullivan
Jon Kopita’s new show was inspired by Vitra Design Museum, the pandemic and schoolhouse work.
FALLS VILLAGE — “Read Between the Lines,” the art exhibit at the David M. Hunt Library, is among other things a record of how artist Jon Kopita dealt with the COVID-19 pandemic.
The show consists of some 70 pieces, including a group done between March 14, 2020, and Aug. 10, 2020, when much of ordinary life was curtailed due to pandemic lockdowns.
The medium is pencil on the dotted midline paper used to teach handwriting. Words are repeated over and over, just like handwriting exercises.
Some examples: Day 1’s entry is “I will wash my hands thoroughly.”
Day 41: “I will remember it’s allergies, not COVID.”
Day 85: “To mask or not to mask?”
At a talk at the library Thursday, Feb. 27, Kopita said the idea stemmed from a visit to the Vitra Design Museum in Switzerland in 2007.
“I hated it,” he said. “Mass-produced furniture is not meant to be worshipped.”
In response he found some of the dotted midline paper and wrote “I hate Vitra” 100 times. That got it out of his system, and he had forgotten about the episode when the pandemic hit.
Kopita offered a list of terms to describe the work.
Under “obsessive,” he said “things stick with me, in a really good way.”
He also described the pieces as resonant, meditative, and cathartic.
As the process unfolded, he found graphic patterns “that randomly appeared” in the repeating lines on the paper.
He said he dideach piece three or four times before settling on a final version.
An educator by trade, Kopita said “I wanted it to look like it came from a schoolhouse.”
“Read Between the Lines” is on display through March 21.
Savannah Stevenson and Sharon Playhouse Youth Ensemble from Sharon Playhouse Gala 2024
The Sharon Playhouse is welcoming a new Managing Director for its 2025 season. Meghan Flanagan has taken the mantle from Rodney Christensen. This change went into effect on May 21, right before the Playhouse starts off its season with the 2025 Annual Spotlight Gala.
Meghan Flanagan stepped into the role of managing director officially on May 21, 2025, replacing Rodney Christensen after two and a half years. Flanagan was previously a board member and treasurer of the Sharon Playhouse from 2021 to 2024. She has been an active member of the Sharon community since moving there in 2004, having held positions on the Sharon Connect Task force and Equus Effect. She currently also serves as a board member of the Hotchkiss Library of Sharon.
New managing director of the Sharon Playhouse, Meghan FlanaganProvided
When asked what she thought is most exciting about this year’s season at the Sharon Playhouse, Flanagan expressed a zeal for the variety of performances that the Playhouse is putting on in her inaugural year. “We’re thrilled to have such a vibrant and diverse lineup this year,” said Flanagan. Not only does the lineup of the main stage have a show for everyone, but the theater’s Youth Program is more ambitious than ever and gearing up for several performances throughout the year.After the powerhouse productions of “Million Dollar Quartet” and “Annie” in the summer,to round out the Mainstage season, there will be two plays to look forward to: the hilarious and heartwarming “Sylvia,” by A.R. Gurney, directed by Colin Hanlon, and the thrilling mystery of Agatha Christie’s “The Mousetrap,” directed by Hunter Foster.Additionally, the playhouse will debut its new pre-professional program for 15-20 year-olds with the Launchpad Company’s production of “Once Upon a Mattress,” which “promises to be a delightful take on the classic musical,” Flanagan said. Additionally, the YouthStage season includes some amazing productions like “Finding Nemo Jr.,” “101 Dalmatians Kids,” and Sharon Playhouse Star s— a great mix of joy, imagination, and talent.
Broadway talent Julia Murney, left, and Kate Baldwin, right, at Sharon Playhouse Gala 2024.Aly Morrissey
The highlight for Flanagan so far, however, is the upcoming Annual Spotlight Gala. Having been a volunteer at the Playhouse for many years, she is excited to share this year’s Gala with the community from her new position. “This is very full circle for me,” Flanagan said. The Gala is set for Saturday, May 31 and promises a robust show and afterparty. The Gala is the Sharon Playhouse’s main fundraiser and is one of its most important events of the year. The show on the Olsen Stage will consist of Playhouse favorites: stars set for the main stage later this year and local musicians. Tickets are available for both the show and for drinks with the show. Tickets for the sit-down dinner are sold out.
The honoree of this year’s gala is President of the Board Emily Soell. Soell has served as board president since 2017 but has been a member of the board and an incredible contributor to the Sharon Playhouse for more than 20 years. “She has been not only just an incredible leader, but an incredible friend of the Playhouse,” Flanagan said.
For more on the Sharon Playhouse, as well as tickets for this year’s Annual Spotlight Gala, visit www.sharonplayhouse.org.
Filmmaker Peter Hutchison
On Saturday, May 31 at 4:30 p.m., “The Invisible Doctrine: The Secret History of Neoliberalism” will screen at the Triplex Cinema in Great Barrington as part of The Berkshire International Film Festival.
Based on the book by the same title, the documentary explores the work of public intellectual and author George Monbiot (“Out of the Wreckage”, “Regenesis”), and is the latest project from award-winning documentary filmmakers Peter Hutchison and Lucas Sabean (“Requiem for the American Dream (ft. Noam Chomsky)”).
Augmented by AI generated graphics and animation, the film begins with Monbiot asking,“Neoliberalism: do you know what it is?” Largely defined by competition, neoliberalism pits people against one another in a system where financial success is encouraged and failure is shameful. But Hutchinson says it doesn’t have to be that way.
“We’re seeing neoliberalism on a very extreme level right now. With Trump, there’s chaos, deconstruction of the administrative state, flooding the zone, eroding people’s faith in institutions and democracy itself. This economic growth model is incompatible with the survival of the earth. We need to look at things in a different way.”
As a documentary filmmaker and professor at NYU’s Tisch School of the Arts, Hutchinson is a skilled storyteller aware of the narratives we’ve internalized. His film suggests other models.
“There’s an experiment in Amsterdam called true cost pricing with the option to pay the standard or a slightly higher price that considers the environment, public health or labor practices. People will pay the higher price knowing what they’re buying has a direct impact,” he said.
“If we can expose a broader range of communities to all of these amazing ideas and people were able to adopt two or three of them, we could really make some fantastic movement forward,” he added.
“Human beings are the most cooperative species on the planet, and evolutionarily that has been an imperative for our survival. Otherwise, we wouldn’t be here. We’re not advocating an end to capitalism as much as we are re-envisioning our relationship to capitalism. There are plenty of models within the structures of capitalism that make people happier, strengthen community and make people feel like they have agency. The more people invest in a community the more they feel like they belong to it, which is one of the most important antidotes to neoliberalism,” he said.
The screening of “The Invisible Doctrine” will be followed by a Q&A session. For tickets to this film and more during BIFF, visit: biffma.org