Thank you!
Your support is sustaining the future of local news in our communities.

ITW to bring 25 new jobs to Millerton

MILLERTON — The expansion of an international business is having an impact on the village of Millerton, to the tune of 25 new jobs being created. News of ITW’s expansion hit the streets last Thursday, March 31, and had village Trustee Jay Reynolds praising the hard work of the Dutchess County Economic Development Corporation (DCEDC), which helped broker the deal.“This is a bit of a news flash,” he said after learning of the arrangement. “Anytime jobs come to a community, it’s great for the business environment. New jobs are the lifeblood of the community.”ITW stands for Illinois Tool Works, Inc. According to its website, it is a “plastic custom molder for precision and micro precision plastic compounds.” The company has a plant in neighboring Lakeville, Conn. According to a release from DCEDC, ITW has “825 decentralized business units that comprise their international business corporation and are located in 52 countries and employ approximately 60,000 men and women.” It is also on the New York Stock Exchange as ITW.The ITW Deltar division has leased a 25,000-square-foot space at Arnoff Moving and Storage for its operations. Arnoff renovated its facilities in 2005, when it moved its central operations from Lakeville to Millerton. The ITW division that is moving to Millerton, will be producing “seating components for the automotive industry,” according to the release.“Arnoff’s goal has always been to attract industry and jobs to this most northeastern corner of Dutchess County,” stated Mike Arnoff about the arrangement. “This is a win-win situation for ITW, Dutchess County and New York state.”According to Reynolds, Arnoff originally tried courting Skip Barber’s Driving School, but that deal never came to fruition. When Barber decided not to take the space at Arnoff’s, the DCEDC helped negotiate on behalf of ITW, which had been looking for something to rent. Gordon Rutherfurd, director of business for DCEDC, said it worked closely with Elyse Harney Real Estate and Mike Arnoff to pull off the deal.Reynolds said the end result is that Millerton comes out a winner. “It helps all of the businesses because you have people who will go to local places to do shopping, or to eat lunch, it could help any of the service-based businesses,” he said. “And ultimately, anytime you bring more salaries into a community, there’s an opportunity for some of that to be spent in the community, and all of that generates sales tax that comes back to the community to some extent.”Reynolds added that the opportunity for Millerton to provide for a company like ITW was limited, so the fact the deal worked out was worth appreciating.“It’s very special, because the opportunity for drawing something like this is very limited because we don’t have the buildings with this kind of space really,” he said. “We normally can draw smaller businesses because we have smaller facilities, drawing businesses with two to five jobs. But having something larger, like in manufacturing, we don’t have the infrastructure to do something like that and we don’t have the buildings, nor do we have the land to put the buildings on, and the town has a very limited supply of correctly zoned places for a place like this. So we’re very lucky this happened.”Bill Thurston, business manager of ITW Deltar, stated he’s “pleased” about the expansion as well as being able “to provide the opportunity for additional jobs in Dutchess County.”

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.