The unfolding multiple nuclear reactor catastrophe in Japan is prompting overdue attention to the 104 nuclear plants in the United States — many of them aging, many of them near earthquake faults, some on the West Coast exposed to potential tsunamis.Nuclear power plants boil water to produce steam to turn turbines that generate electricity. Nuclear power’s overly complex fuel cycle begins with uranium mines and ends with deadly radioactive wastes for which there still are no permanent storage facilities to contain them for tens of thousands of years.Atomic power plants generate 20 percent of the nation’s electricity. More than 40 years ago, the industry’s promoter and regulator, the Atomic Energy Commission, estimated that a full nuclear meltdown could contaminate an area “the size of Pennsylvania” and cause massive casualties. You, the taxpayers, have heavily subsidized nuclear power research, development and promotion from day one with tens of billions of dollars.Because of many costs, perils, close calls at various reactors and the partial meltdown at the Three Mile Island plant in Pennsylvania in 1979, there has not been a nuclear power plant built in the United States since 1974.Now the industry is coming back “on your back” claiming it will help reduce global warming from fossil fuel emitted greenhouse gases.Pushed aggressively by President Obama and Energy Secretary Chu, who refuses to meet with longtime nuclear industry critics, here is what “on your back” means:1. Wall Street will not finance new nuclear plants without a 100 percent taxpayer loan guarantee. Too risky. That’s a lot of guarantee given that new nukes cost $12 billion each, assuming no mishaps. Obama and the Congress are OK with that arrangement.2. Nuclear power is uninsurable in the private insurance market — too risky. Under the Price-Anderson Act, taxpayers pay the greatest cost of a meltdown’s devastation.3. Nuclear power plants and transports of radioactive wastes are a national security nightmare for the Department of Homeland Security. Imagine the target that thousands of vulnerable spent fuel rods present for sabotage.4. Guess who pays for whatever final waste repositories are licensed? You the taxpayer and your descendants as far as your gene line persists. Huge decommissioning costs, at the end of a nuclear plant’s existence, come from the ratepayers’ pockets.5. Nuclear plant disasters present impossible evacuation burdens for those living anywhere near a plant, especially if time is short.Imagine evacuating the long-troubled Indian Point plants 26 miles north of New York City. Workers in that region have a hard enough time evacuating their places of employment during 5 p.m. rush hour. That’s one reason Secretary of State Clinton (in her time as senator of New York) and Gov. Andrew Cuomo called for the shutdown of Indian Point. 6. Nuclear power is both uneconomical and unnecessary. It can’t compete against energy conservation, including cogeneration, windpower and ever more efficient, quicker, safer, renewable forms of providing electricity. Amory Lovins argues this point convincingly (see RMI.org). Physicist Lovins asserts that nuclear power “will reduce and retard climate protection.” His reasoning: shifting the tens of billions invested in nuclear power to efficiency and renewables reduce far more carbon per dollar (nirs.org/factsheets/whynewnukesareriskyfcts.pdf). The country should move deliberately to shutdown nuclear plants, starting with the aging and seismically threatened reactors. Peter Bradford, a former Nuclear Regulatory Commission (NRC) commissioner, has also made a compelling case against nuclear power on economic and safety grounds (nirs.org/factsheets/whynewnukesareriskyfcts.pdf).There is far more for ratepayers, taxpayers and families near nuclear plants to find out. Here’s how you can start:1. Demand public hearings in your communities where there is a nuke, sponsored either by your member of Congress or the NRC, to put the facts, risks and evacuation plans on the table. Insist that the critics as well as the proponents testify and cross-examine each other in front of you and the media.2. If you call yourself conservative, ask why nuclear power requires such huge amounts of your tax dollars and guarantees and can’t buy adequate private insurance. If you have a small business that can’t buy insurance because what you do is too risky, you don’t stay in business.3. If you are an environmentalist, ask why nuclear power isn’t required to meet a cost-efficient market test against investments in energy conservation and renewables.4. If you understand traffic congestion, ask for an actual real life evacuation drill for those living and working 10 miles around the plant (some scientists think it should be at least 25 miles) and watch the hemming and hawing from proponents of nuclear power.The people in northern Japan may lose their land, homes, relatives and friends as a result of a dangerous technology designed simply to boil water. There are better ways to generate steam.Like the troubled Japanese nuclear plants, the Indian Point plants and the four plants at San Onofre and Diablo Canyon in southern California rest near earthquake faults. The seismologists concur that there is a 94 percent chance of a big earthquake in California within the next 30 years. Obama, Chu and the powerful nuke industry must not be allowed to force the American people to play Russian roulette.Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School.
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Meg Sher, executive director of the David M. Hunt Library in Falls Village.
“I was a library kid. I walked to the library after school,” she said.
For Sher, the library is as much about the people as it about the books.
“Part of the job I love so much is that running the library is such a community,” she said.
She treasures the relationships she has built, whether recommending books, celebrating accomplishments or helping patrons through difficult times.
“I am thankful that our community is so supportive of the library, unlike what is happening in some other places where librarians are villainized,” Sher said.
Sher takes pride in the Hunt Library’s reputation for being “open and welcoming to everyone. People come in and see things and get pulled into things they weren’t expecting. Our library is seen as a positive force.”
Sher came to Falls Village after being awarded a fellowship at Adamah Farm, then a program of the Isabella Freedman Jewish Retreat Center. She worked at pickling, in the greenhouse and later in the development office. She also worked as a nanny.
At the same time, “I was in the library all the time,” she recalled. “I’m a voracious reader. The library is where I met a lot of my first friends in Falls Village.”
She became assistant librarian at Hunt and worked in that position for almost a decade before becoming the executive director four years ago.
Meg Sher, executive director of the David M. Hunt Library in Falls Village.L. Tomaino
Sher met her husband, Adam, while working at Adamah. They had their wedding there in 2012. He now emcees many events which she co-organizes with the Falls Village Recreation Commission.
Sher and her family live near the library.
“It’s an easy commute,” she said with a smile. “My kids run back and forth. I can go home to walk the dog if I need to.”
“My kids have grown up here.” Her oldest son, Eli, “loves volunteering. He helps with Augustfest and often helps set up chairs for ArtWall gatherings.” Her younger son, Noah, is often at events and was eager to taste cookies at last year’s holiday cookie swap.
When she is not at the library, Sher likes to hike with her family. Bella, their Portuguese water dog, often accompanies them.
Sher enjoys seeking out people to offer events at the library.
“I do a lot of different community programming. It is one of my favorite parts of the job.”
Augustfest, featuring food, music and an auction, is the library’s biggest fundraiser.
“This summer we had a record 152 attendees, which was pretty incredible.”
Yonah Sadeh, a filmmaker from Falls Village, inaugurated the VideoWall this year, Sher explained.
“I’ve known Yonah since he was two. It’s wonderful to work with him as an adult.”
The VideoWall complements the library’s ArtWall, which showcases a new artist each month. Sher praised the ArtWall committee for its work and highlighted December’s popular “12x12 Show,” featuring works by local artists, each measuring 12 by 12 inches and priced at $150.
Sher added that some of the artists who exhibit at the ArtWall offer workshops to students at Kellogg School, next door to the library. In September, artist Danielle Mailer worked with the children. Vincent Inconiglios taught a class last November.
Being next to the school, said Sher, is a great advantage.
“Kids are coming after school, to see friends, work on projects, find a great book. Kids that love the library end up using the library as grownups.”
This past year, in partnership with Adamah, the library and school created a garden, with excess produce made available at The Center on Main.
This year is Sher’s second year participating in the Troutbeck Symposium in Amenia with James King, director of the library at Salisbury School. The Troutbeck Symposium is “a gathering of a year of student historical inquiry across the region” in which students “uncover stories that have been overlooked, forgotten, or never recorded.”
Last year, Sher and King began a project with a group of students researching Irish immigrants in Falls Village, exploring ancestry and creating small magazines about their findings.
They continued this year, visiting St. Patrick’s Catholic Cemetery on Dublin Road, cleaning seven gravestones and even righting one with the help of stonemason and gravestone restoration expert Karl Munson. Paul Kozeazny, a representative of the Catholic archdiocese, helped secure access to the site.
A film documenting their activities will be shown at the symposium in spring 2027.
A full schedule of programs and events, ranging from tech help to ceramic mug-making, can be found on the library’s website.
Despite spending her days surrounded by books, and a busy schedule of programming, Sher still loves to settle in with a book at home.
For more information on library programs and events, visit huntlibrary.org
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Touré was born in northern Mali in 1981. His father, the renowned guitarist Ali Farka Touré, came from a family of soldiers and wanted his son to join the army. The younger Touré studied drums and the calabash and practiced guitar in secret. He earned his father’s blessing to pursue music shortly before Ali died in 2006, and they played two tracks together on Vieux’s debut album.
Touré is known for his deft, polyrhythmic playing, and his songs grow out of riffs that repeat and layer to hypnotic effect. He draws on rock, blues, Latin music and various African traditions. This distinctive blend builds on his father’s work adapting the sonic traditions of Mali’s arid north to the guitar.
Vieux’s album “Mon Pays” (“My Country,” 2013) honored Mali’s culture after Tuareg separatists and extremist groups seized the north in 2012. “Samba” (2017) was recorded before about 50 listeners in Woodstock, New York. In 2022 came “Les Racines” (“The Roots”), a return to his father’s desert blues, and “Ali,” on which he and the trio Khruangbin reworked eight of the elder Touré’s songs.
Touré leads the Ali Farka Touré Foundation, which focuses on cultural and educational work in Mali. Around the anniversary of Ali’s death, it holds a festival in Bamako, Mali’s capital. Bamako has been under blockade for much of the past year, besieged by JNIM, an al-Qaeda affiliate. Against this backdrop, Touré continues to carry the music of Mali to audiences abroad.
At the Nov. 5 concert, Touré’s desert blues will share the bill with Gnawa, the music LanGus plays, which developed in Morocco among West Africans who were brought north across the desert as enslaved people. Gnawa is religious music traditionally performed at all-night healing ceremonies called lila, intended to carry participants into trance.
Samir LanGusProvided
LanGus was born and raised outside Agadir, Morocco, and began learning Gnawa from its masters at age 8. He plays the sintir, a three-stringed bass lute made of wood and camel skin. The player strikes a low string with the thumb to create a deep, resonant pulse. Iron castanets clatter over the sintir’s bass line, and vocalists trade call-and-response refrains.
LanGus infuses the tradition with jazz and improvisation. In New York, he founded the ensemble Innov Gnawa. His first solo album, “Gnawa Love,” came out in February.
Touré and LanGus’s Nov. 5 concert is one of the last public events at Race Brook Lodge, which is for sale and ended full-service operations at the end of 2025. The lodge’s final scheduled event, on Nov. 6, is an evening of Rumi’s poetry with translator and vocalist Haleh Liza Gafori, cellist Isabel Castellvi and ceremonial bard James Bird.
For tickets, visit rblodge.com.
James FitzGerald is a student at Yale Law School, where he focuses on ecological restoration and international environmental cooperation. He splits his time between Lakeville and New Haven.
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