Thank you!
Your support is sustaining the future of local news in our communities.

First-quarter gains were led by technology

The NASDAQ 100 index jumped more than 20% from its December 2022 lows. The textbook definition indicates that when a market does that, it officially leaves a bear market and enters the bull market territory.

A handful of stocks can be credited with not only pushing the tech sector higher but also dragging the rest of the market up with it. I’m sure you can guess the names—Meta, Apple, Netflix, Google, and Microsoft—they all did yeoman’s work in the first quarter.

In my opinion, the motivation for crowding into these stocks can be explained with a single word—fear. Fear of financial contagion. Fear of a gathering recession. Fear of a Fed that may have overstayed its role as an inflation fighter. All these companies represent a place to hide out. They have little debt, strong cash flows, and solid business models.

Fear is also the reason investors have flocked to gold and precious metal miners. Throughout history, whenever there has been a question of financial stability in the banking system, gold seems to shine. The fact that the government and the private sector have rushed to assure all of us that the system is stable, and a few bank failures are nothing to get upset about was commendable and expected. But has it assuaged the market’s worries that we have yet to see another foot to fall in this sector? No, depositors are still moving money out of smaller banks into larger banks and into U.S. Treasury bills, money market funds, and out of checking and saving accounts.

On the positive side, the recent banking crisis has forced the Fed to pump money into the credit markets. That has caused the equity markets to rise as the liquidity in the financial system increased. The flow of billions of dollars from the central bank into the banking sector has effectively put the Fed’s quantitative tightening program on hold for now.

In addition, many investors are convinced that the regime of interest rate hikes is over. They point to the impact the Fed’s rapid rate rise over the last year has had on the banking system. Further hikes could translate into even more bank failures, which is something the Fed will need to avoid. As such, the next move by the Fed will be to cut interest rates and do so before the end of the year.

I am still thinking we have room to run here on the S&P 500 Index. In the next few weeks, my upside target of 4,370 could be achieved but it won’t be a smooth ride. Near-term resistance on the benchmark index is right here, around 4,100. Investors for behavioral reasons are attracted to or repelled by round numbers. The 200-day moving average (DMA) has held like a champ throughout this period, which is an encouraging sign.

All the averages, however, are fairly stretched, so a stalling out and a bit of selling should be expected in the near term. One area that has shown exceptional strength is the precious metals area, especially gold, and silver. Aggressive investors in the short-term might want to dabble in these commodities if there is a pullback in price next week.

 

Bill Schmick is a founding partner of Onota Partners, Inc., in the Berkshires.  None of his commentary is or should be considered investment advice.  Email him at bill@schmicksretiredinvestor.com.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.