First, the lies, then the betrayal

First, he lied to us — repeatedly — and then he betrayed us.

And that is how history will remember Donald Trump and his presidency.

We normally have to wait years or even decades to accurately assess a president’s place in history but the history of Donald Trump’s presidency has already been written — right before our eyes. He’ll be remembered, not for the court appointments, the tax cuts, the immigration policies or the trade war with China but for the lies and for the 6th of January.

The lying started long before his presidency.

Trump was little more than a much-married New York tabloid figure with questionable business ethics when he attracted media attention by repeatedly claiming that Barack Obama, the president of the United States, shouldn’t be president because he wasn’t a native born citizen of the United States. It was an attention grabbing dress rehearsal for the big lies to come.

Obama was, of course, born in the United States — in Hawaii in 1961 — but that fact didn’t deter Trump and other enemies of the first Black president to claim he was born in his father’s native Kenya. This continued even after Obama released his birth certificate.

But by the time Trump ran for president in 2016, Obama was nearly out of office and the birther movement had been largely discredited, so candidate Trump was forced to change his story before it became a campaign issue.  He did it during the opening of his Washington hotel by shouting a 10-word non-apology: “President Barack Obama was born in the United States, period” as he walked angrily from the room.

What turned out to be a bigger, longer lasting lie — the stolen 2020 election — also underwent something of a dress rehearsal in 2016 when Trump charged during the campaign that opponent Hillary Clinton was stealing millions of votes.

After he won what turned out to be an electoral, but not a popular, victory, Trump continued to lie — without a shred of evidence — about his vote.

“In addition to winning the electoral college in a landslide,” he tweeted soon after the election, “I won the popular vote if you deduct the millions of people who voted illegally.”

Trump never stopped lying about Hillary’s alleged larceny but he added a new vote-rigging story when polls showed Joe Biden ahead of him in the 2020 race.

Once the polling was confirmed by the voters on Election Day, Trump broke ranks with his predecessors by refusing to concede defeat. Not only did he continue to tell the big lie about the stolen election, he actively worked to pressure state officials to help him overturn Biden’s victory.

Working with reckless allies like Rudy Giuliani, Trump used the period between the election and the Biden inauguration to pressure voting officials in Georgia and other places to overturn the votes in their states. Georgia’s secretary of state was even told to find the 11,780 votes needed to give Trump the state. Dozens of court cases, loaded with bogus claims, were filed on Trump’s behalf and rejected, but still, Trump labored on, convincing his faithful that he was being deprived of the second term the people awarded him.

All of this led Trump to incite the last, desperate attempt to overturn the election and do it violently on January 6, the day Congress met to receive and confirm the electoral votes from each state.

It’s all there on tape; he did it before our eyes, incited a mob of his true believers to join him in a march on the Capitol where Congress was about to meet and ratify Biden’s electoral victory and Trump’s loss.  In doing so, he caused what was unarguably characterized as the worst assault on the Capitol since the War of 1812 when invading British troops burned the White House.

Trump didn’t join the march, of course. It was just another lie, this time to those who most believed in him. Instead, he sat in the White House for hours, watching the rioting on live television while ignoring pleas from family and supporters to call the insurrection off.

I have never had patience with those who compare Trump to Hitler but there is one valid comparison. When Hitler was jailed after unsuccessfully trying to overthrow the German government, he wrote his memoir, “Mein Kampf” (My Struggle) and in it, coined the term, “the Big Lie.”

He described it as a propaganda technique that allowed for the successful use of a lie so enormous that no one would believe it was a lie because no liar “could have the impudence to distort the truth so infamously.”

From Obama’s birthplace to the current election steal, Trump found big and not so big lies so useful that news organizations had to employ fact checkers to carefully dissect his more questionable assertions in order to determine their accuracy.

After Trump defeated Hillary Clinton in 2016, one of the most prominent fact checkers, the Washington Post’s Glenn Kessler, expressed the hope that a President Trump would mend his ways.

“Now that Trump is on the verge of becoming president,” Kessler wrote on Nov. 27, 2016, “he needs to be more careful about making wild allegations with little basis in fact, especially if the claim emerged from a handful of tweets and conspiracy-minded websites.”

But the wild allegations grew wilder and Kessler continued checking them, finally reaching a total of “30,573 false or misleading claims over four years.”  Some turned out to be true or harmless but then, there were the big lies too.

 

Simsbury resident Dick Ahles is a retired journalist. Email him at rahles1@outlook.com.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.