Thank you!
Your support is sustaining the future of local news in our communities.

Spongy months again

It took eight months for the Entomological Society of America to come up with a new name for the invasive “spongy moth,” which is widespread in the northeastern United States and eastern Canada. It was introduced in  Massachusetts in the 1800s, according to the Society, and today racks up a damages in the millions of dollars.

The name change process started in July of 2021 when the previous name, “gypsy moth,” was removed due to its use of a derogatory term for the Romani people. By March 2022, “spongy moth” was adopted — the first initiated by the Society’s Better Common Names Project. The origin of “spongy” derives from the common name used in France and French-speaking Canada for the moth’s egg masses, which look like sponges, or “spongieuse.”

In a Page One article in this issue, Debra Aleksinas reports on the “spongy moth” outlook for this summer. Anyone driving through the green hillsides of the Northwest Corner last summer can recall seeing whole hillsides turned brown from the defoliation created by these insects. Last year, more than 45,000 acres were defoliated, and that followed an equally devastating stripping of 40,000 acres in 2021. Sharon and Cornwall were hard hit in both years.

According to the Connecticut Agricultural Experiment Station, while the outbreaks over the past two years were severe, they don’t match with the estimated 800,000 to 1.5 million acres impacted in Connecticut in the 1970’s and 1980’s.

Still, many of the trees hit hard by spongy moth two years in a row are likely to die, scientists say. Last year, by midsummer, there were signs that many trees had put out a new set of leaves, getting a second wind. But foresters are concerned about the vitality of trees that may face a third strike this season.

The hatching period from the egg masses typically comes between late April and mid-May. That’s now. The next larval stage lasts for weeks. Adults emerge in late June through the middle of July and can persist into August.

The insect spends most of its life cycle (10 months) in the egg stage. If you decide to take matters into your own hands, you can either spray the egg masses with an agricultural oil or insecticidal soap, soaking them completely, or scrape them into a container and dispose of them.  Another approach is to wrap tree trunks with sticky tape.

Besides the stress on the trees after two years of “spongy moth” attacks, there is hope that soil moisture will reach levels that will activate a fungus that kills the invaders. As our Page One article explains, we’re not out of the woods yet. Though we’re not in a drought, we need rain.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.