Thank you!
Your support is sustaining the future of local news in our communities.

Military force vs. police force

When you go into the military on a volunteer basis, you go to “boot camp” where they assess your fitness and capability. The aim of the modern military — any branch — is to be efficient with their responsibility to defend America against foreign foes. 

Part of the need for efficiency surfaced after the Vietnam era when we changed to a volunteer force. And, in that new recruiting process, the goal for the military was, to the extent possible, to determine each applicant’s potential expertise. In other words, if you were a math whiz, it was likely they tailored your training and employment in that area of need; like radar or accounting. What’s the point of putting a math whiz in a crowd fight with boots on the ground? It’s a waste of resources. 

Seen from another angle, what’s the point of putting a crack marksman into a warehouse billing department? The U.S. military — all branches — do their best to allocate the right talent into the right job from the day of recruitment.

And this led to recruitment away from blindly “serve your nation” to “come find a career.” And the end result? The finest military on earth where morale and pride of the role of protector is higher than in previous decades and the public appreciation of our fighting women and men has never been higher. Of course, in recent polls the internal morale as regards the commander in chief has dropped to under 50% and the disconnect between Blue Star families and their community continues to be worrying (U.S. Army paper, 2/15/19). But overall, the career women and men in the military are proud of their choice to join and serve, as they should be.

Part of the problem facing the police — and we may hopefully be in a post-Vietnam-like inflection point — is that no one joining the police force gets that same early career assessment. In training every officer is run through the same training and put on a beat. The motto seems to be, if you can make it on the streets dressed in blue, you can remain a police officer, part of the “team of brothers in blue.”

A helicopter pilot I knew in LA said it took him two years on a beat before he could use his helicopter license and become a pilot again. Why would anyone with half a brain risk that special talent on a violent East LA street in the ‘80s? He got wounded in his first year, survived and had to stick out the next year in a squad car before he could even transfer to helicopters. His force called it a “baptism of fire.” 

Not only is this kind of “training” wasteful of taxpayer dollars, it supports a culture of police being a force separate from the public and in a constant battle zone — often against the very public they are meant to protect. And if even 10% of the men and women in blue are way out of their talent and comfort zone in riot gear, why is anyone surprised there are missteps and more violence? Frightened people do frightening violence because they are panic-protecting themselves, not the public they were hired to serve. That frightened officer is likely not an evil person, just way out of his or her comfort zone and acting in panic. In a panic, your oath of office goes out the window.

What’s the solution? The police forces of the USA need to learn from the military’s post-Vietnam change in recruitment and training methodology. They need to weed out those who only come to kill (yes, the military does that — as should the police), and determine and train the most beneficial talents of each woman and man to run a more efficient, cost-effective, public-acclaimed force. That way, they are there to serve and protect, not to serve to control, and certainly to serve the public in a more purpose-focused — and safer — way for all.

 

Peter Riva, a former resident of Amenia Union, now live in New Mexico.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.