The torch: The Ungardener champions a local hero…and a useful tool

        In the marsh, Jaime Choc uses a weed torch to remove invasive stilt grass. 
    
        Photo by Dee Salomon
    

Joan Ingalls moved to her new home in Lakeville from nearby Salisbury and she has been restoring the five-plus acre property for the past two years.
It is an enormous job as a majority of the trees have been mortally overwhelmed by bittersweet and there are herbaceous invasives on nearly every surface — rock, meadow and what’s left of a small wooded area.
By the time Joan signed up for the spring woodland workshop she had already had a portion of her land brush-hogged. When I visited her property, as I did for all workshop participants, she had made a big effort clearing rocky areas of barberry, privet and bittersweet.
“It was the first thing I did because I wanted to get to the oak tree.’”
The large red oak is a splendid anchor to Joan’s yard as are the substantial granite outcroppings Joan exposed in the process.
Since that visit, Joan has been using her ‘buckthorn Blaster’ applicator (Naisma.org) to target the woody invasives specifically but the herbaceous weeds have come back with a vengeance, a consequence of the otherwise helpful July rains.
I visited again the other day and it was apparent that a different solution was needed on top of the rock outcroppings; it was again a tangle of invasive narrowleaf bittercress, garlic mustard rosettes and native but messy bedstraw, Gallium aparine.
We decided that it is an ideal place to try the weed torch, as the plants are low to the ground in a thin layer of soil on top of rock. A few darling pink flowered Herb Robert will be sacrificed in the process, but we can look at replanting those from other spots on the property amidst the bountiful supply of dogbane and native grasses.
Joan’s careful consideration of her land restoration and her dedication to making it happen are admirable, even more so as she is 79. Hats off to her and the other participants I enjoyed working with in the spring.
Our weed torch is currently in use by Jaime Choc who, for several years, has been helping me battle invasives and tame the garden. The current culprit is stilt grass which has taken over the marsh. The recent wet weather allowed Jaime to make headway with the torch, working as deftly as possible around the native plants that reside there: grass, ferns, thalictrum, goldenrod and yellow loosestrife.
But there is collateral damage from the torch; lovely ferns are brown at their tips and some grasses and asters have been sacrificed. I chose a low BTU torch to avoid this outcome but still the flame is too wide. (If anyone knows of a long-handled weed torch with a precision flame adjustment please let me know at dee@theungardener.com.)
I have been following Jaime as he works, pulling out by hand the remaining stilt grass under the precious natives. Using a weed torch requires experience, adherence to safety precautions and prudence to judge when the conditions for using it are right, and when they are not.
The three-acre marsh is fed by a stream that flows down from the northern part Swaller Hill. The stream usually dries up in July abetted by a beaver dam; this year it is still running.
When we moved here a dozen years ago, the marsh was entirely covered in barberry.
Trees, mostly tulip poplars but also a beautiful shadblow and willows were dying by bittersweet strangulation.
We bit the bullet one winter and spent several thousand dollars to have the bittersweet cut out; since then, each spring has brought a larger swath of skunk cabbage with its exotic looking purple flower and leaves that are an early feast for bears.
How long had the cabbage been lying low while the barberry flourished? According to Nancy Lawson, the author of The Humane Gardener, skunk cabbage’s deep rhizomes allow it to live for decades and perhaps centuries. It has existed on earth millions of years before humans.
After a decade or so of barberry interference on our property, the skunk cabbages blossom again. As with so many of our native species, they are waiting underground for you to create the conditions for their return.
If this sounds intriguing, please consider joining the fall woodland workshop which will equip you to tackle the ‘woody’ invasives — barberry, bittersweet, burning bush, Russian olive, Asian honeysuckle, privet, porcelain berry — and others — this fall into winter. To sign up, send an email to dee@theungardener.com.
Dee Salomon “ungardens” in Litchfield County.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.
 
The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com