Thank you!
Your support is sustaining the future of local news in our communities.

The torch: The Ungardener champions a local hero…and a useful tool

The torch: The Ungardener champions a local hero…and a useful tool
In the marsh, Jaime Choc uses a weed torch to remove invasive stilt grass. 
Photo by Dee Salomon

Joan Ingalls moved to her new home in Lakeville from nearby Salisbury and she has been restoring the five-plus acre property for the past two years.

It is an enormous job as a majority of the trees have been mortally overwhelmed by bittersweet and there are herbaceous invasives on nearly every surface — rock, meadow and what’s left of a small wooded area.

By the time Joan signed up for the spring woodland workshop she had already had a portion of her land brush-hogged. When I visited her property, as I did for all workshop participants, she had made a big effort clearing rocky areas of barberry, privet and bittersweet.

“It was the first thing I did because I wanted to get to the oak tree.’”

The large red oak is a splendid anchor to Joan’s yard as are the substantial granite outcroppings Joan exposed in the process.

Since that visit, Joan has been using her ‘buckthorn Blaster’ applicator (Naisma.org) to target the woody invasives specifically but the herbaceous weeds have come back with a vengeance, a consequence of the otherwise helpful July rains.

I visited again the other day and it was apparent that a different solution was needed on top of the rock outcroppings; it was again a tangle of invasive narrowleaf bittercress, garlic mustard rosettes and native but messy bedstraw, Gallium aparine.

We decided that it is an ideal place to try the weed torch, as the plants are low to the ground in a thin layer of soil on top of rock. A few darling pink flowered Herb Robert will be sacrificed in the process, but we can look at replanting those from other spots on the property amidst the bountiful supply of dogbane and native grasses.

Joan’s careful consideration of her land restoration and her dedication to making it happen are admirable, even more so as she is 79. Hats off to her and the other participants I enjoyed working with in the spring.

Our weed torch is currently in use by Jaime Choc who, for several years, has been helping me battle invasives and tame the garden. The current culprit is stilt grass which has taken over the marsh. The recent wet weather allowed Jaime to make headway with the torch, working as deftly as possible around the native plants that reside there: grass, ferns, thalictrum, goldenrod and yellow loosestrife.

But there is collateral damage from the torch; lovely ferns are brown at their tips and some grasses and asters have been sacrificed. I chose a low BTU torch to avoid this outcome but still the flame is too wide. (If anyone knows of a long-handled weed torch with a precision flame adjustment please let me know at dee@theungardener.com.)

I have been following Jaime as he works, pulling out by hand the remaining stilt grass under the precious natives. Using a weed torch requires experience, adherence to safety precautions and prudence to judge when the conditions for using it are right, and when they are not.

The three-acre marsh is fed by a stream that flows down from the northern part Swaller Hill. The stream usually dries up in July abetted by a beaver dam; this year it is still running.

When we moved here a dozen years ago, the marsh was entirely covered in barberry.

Trees, mostly tulip poplars but also a beautiful shadblow and willows were dying by bittersweet strangulation.

We bit the bullet one winter and spent several thousand dollars to have the bittersweet cut out; since then, each spring has brought a larger swath of skunk cabbage with its exotic looking purple flower and leaves that are an early feast for bears.

How long had the cabbage been lying low while the barberry flourished? According to Nancy Lawson, the author of The Humane Gardener, skunk cabbage’s deep rhizomes allow it to live for decades and perhaps centuries. It has existed on earth millions of years before humans.

After a decade or so of barberry interference on our property, the skunk cabbages blossom again. As with so many of our native species, they are waiting underground for you to create the conditions for their return.

If this sounds intriguing, please consider joining the fall woodland workshop which will equip you to tackle the ‘woody’ invasives — barberry, bittersweet, burning bush, Russian olive, Asian honeysuckle, privet, porcelain berry — and others — this fall into winter. To sign up, send an email to dee@theungardener.com.

 

Dee Salomon “ungardens” in Litchfield County.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.