Ungardener meet Gardener: Grappling with human instinct in the woodland

Clearweed is native but still an aggressive seeder in garden beds and woodland alike.
Photo by Dee Salomon

After ten days of holiday away, I returned to a jungle where there had been woodland. That my jungle is a proliferation of aggressive natives rather than invasive plants means that my efforts at clearing them off the property is working. But now what? What is the ‘right’ thing to do when native species grow out of control?
I have never seen so much Clearweed, Pilea pumila, on our land but with the amount of rain we have had this summer I am not entirely surprised to have seen a carpet of it spreading over the strawberry groundcover and throughout the woods.
Until I read about this plant several years ago on Margaret Roach’s “Away to Garden” podcast transcript I did not know that Clearweed is a food source to at least four types of caterpillars. With that knowledge I then left a swath of them around. Now I needed to make a quick decision. I began by pulling the bigger ones, cutting off the bottom half of the plant below where the seeds nestle around the stem. There is so much moisture in the translucent stems, it seems to me that leaving the stems could be useful for the soil. As the smaller ones grow I am getting to those as well but there are thousands left.
I find myself in a perplexing situation that is, perhaps, the next level of ungardening — making decisions that are less about restoration and more about ensuring both a diversity of native species and, dare I write it, imposing an aesthetic — my aesthetic — into the woodland. More like a gardener than an ungardener.
Terms like “wilding” and “ungardening” suggest letting nature have its way which, more often than not, becomes synonymous with unruly, out of control and messy. My human instincts fight against that notion; most of the time, in most circumstances, I want control over the visual. When it comes to the woodland, nature’s way is usually good enough for me…most of the time.
Consider the native plants whose seeds are enclosed in nature’s Velcro. Enchanters Nightshade, Circaea lutetiana, has attractive leaves and a rather delicate spray of tiny white flowers above them. But those flowers turn into burrs that attach themselves to animals and, left to their devices, spread profusely. I pick them, knowing that I will never get them all and rationalizing that their riddance will continue to allow me to walk more easily in the woodland.
The burrs on Virginia Stickseed, Hakelia virginiana, are even stickier than those of Enchanters Nightshade. They have ruined several wool hats, many pairs of work gloves and a fleece jacket or two, not to mention the havoc to Scout’s fur. This plant also gets an unsightly mildew on the leaves mid-summer, making for an easier decision on aesthetic grounds. I cut it back when the mildew appears and before the flowers turn into the nasty small burrs. I have read that Native Americans used the roots for medicine but I cannot find any information on whether the seeds are an important food sources for birds. It could change my opinion...
Apropos of seeds — there is a profusion of them this year and my office is lined with paper bags and small jars into which I have collected an abundance: Devil’s Walking Stick, Aralia racemosa; Wild Sarsaparilla, Aralia nudicaulis; Dolls Eye, Actaea pachypoda; Mapleleaf Viburnum, Viburnum acerifolia, Hobblebush, Viburnum lantanoides; Early Meadow-rue, Thalictrum dioicum, Foamflower, Tiarella cordifolia and others. I will plant some in the woods and some in the marsh where we have so far cleared out about half of the stilt grass. (Thank you to Jane for the suggestion of the Mini Dragon weed torch with its pinpoint flame.)
There is enough Penstemon digitalis seed, when it is ready, to send a packet to ten readers. If you would like a seed packet please send your mailing address to me at dee@theungardener.com. First come, first served and I will respond to all of you to let you know if you are one of the ten or not.
Dee Salomon “ungardens” in Litchfield County.
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.