Thank you!
Your support is sustaining the future of local news in our communities.

Ungardener meet Gardener: Grappling with human instinct in the woodland

Ungardener meet Gardener: Grappling with human instinct in the woodland
Clearweed is native but still an aggressive seeder in garden beds and woodland alike. 
Photo by Dee Salomon

After ten days of holiday away, I returned to a jungle where there had been woodland. That my jungle is a proliferation of aggressive natives rather than invasive plants means that my efforts at clearing them off the property is working. But now what? What is the ‘right’ thing to do when native species grow out of control?

I have never seen so much Clearweed, Pilea pumila, on our land but with the amount of rain we have had this summer I am not entirely surprised to have seen a carpet of it spreading over the strawberry groundcover and throughout the woods. 

Until I read about this plant several years ago on Margaret Roach’s “Away to Garden” podcast transcript I did not know that Clearweed is a food source to at least four types of caterpillars. With that knowledge I then left a swath of them around. Now I needed to make a quick decision. I began by pulling the bigger ones, cutting off the bottom half of the plant below where the seeds nestle around the stem. There is so much moisture in the translucent stems, it seems to me that leaving the stems could be useful for the soil. As the smaller ones grow I am getting to those as well but there are thousands left.

I find myself in a perplexing situation that is, perhaps, the next level of ungardening — making decisions that are less about restoration and more about ensuring both a diversity of native species and, dare I write it, imposing an aesthetic — my aesthetic — into the woodland. More like a gardener than an ungardener.

Terms like “wilding” and “ungardening” suggest letting nature have its way which, more often than not, becomes synonymous with unruly, out of control and messy. My human instincts fight against that notion; most of the time, in most circumstances, I want control over the visual. When it comes to the woodland, nature’s way is usually good enough for me…most of the time.

Consider the native plants whose seeds are enclosed in nature’s Velcro. Enchanters Nightshade, Circaea lutetiana, has attractive leaves and a rather delicate spray of tiny white flowers above them. But those flowers turn into burrs that attach themselves to animals and, left to their devices, spread profusely. I pick them, knowing that I will never get them all and rationalizing that their riddance will continue to allow me to walk more easily in the woodland.

The burrs on Virginia Stickseed, Hakelia virginiana, are even stickier than those of Enchanters Nightshade. They have ruined several wool hats, many pairs of work gloves and a fleece jacket or two, not to mention the havoc to Scout’s fur. This plant also gets an unsightly mildew on the leaves mid-summer, making for an easier decision on aesthetic grounds. I cut it back when the mildew appears and before the flowers turn into the nasty small burrs. I have read that Native Americans used the roots for medicine but I cannot find any information on whether the seeds are an important food sources for birds. It could change my opinion...

Apropos of seeds — there is a profusion of them this year and my office is lined with paper bags and small jars into which I have collected an abundance: Devil’s Walking Stick, Aralia racemosa; Wild Sarsaparilla, Aralia nudicaulis; Dolls Eye, Actaea pachypoda; Mapleleaf Viburnum, Viburnum acerifolia, Hobblebush, Viburnum lantanoides; Early Meadow-rue, Thalictrum dioicum, Foamflower, Tiarella cordifolia and others. I will plant some in the woods and some in the marsh where we have so far cleared out about half of the stilt grass. (Thank you to Jane for the suggestion of the Mini Dragon weed torch with its pinpoint flame.)

There is enough Penstemon digitalis seed, when it is ready, to send a packet to ten readers. If you would like a seed packet please send your mailing address to me at dee@theungardener.com. First come, first served and I will respond to all of you to let you know if you are one of the ten or not.

 

Dee Salomon “ungardens” in Litchfield County. 

Latest News

Plans to revitalize Norfolk’s Infinity Hall unveiled

Infinity Hall, built in 1883.

Jennifer Almquist

Nearly 200 people packed the wooden seats of Norfolk’s historic Infinity Hall on Thursday, May 14, as David Rosenfeld, owner and founder of Goodworks Entertainment Group, a live entertainment and venue management company, unveiled ambitious plans to restore the restaurant and bar, expand programming and reestablish the venue as a central gathering place for the community.

Since the Norfolk Pub closed on Jan. 31, 2026, the need for a restaurant and evening gathering place has become paramount, and for years residents have wanted Infinity Hall to be more engaged with the community.

Keep ReadingShow less

May Castleberry’s next chapter

May Castleberry’s next chapter

May Castleberry at home in Lakeville.

Natalia Zukerman
Castleberry’s idea of happiness is “looking at a great painting.”

May Castleberry is a ball of sunshine and passion, though she grew up an introverted child, moving with her family from Alberta to Colorado to Texas, finding comfort in mountains, books and wide-open skies. Today, the former art book editor and museum curator has found a new home in Lakeville, where the natural beauty of the Northwest Corner continues to captivate her. Whether walking with friends, painting, reading or visiting beloved local libraries in Salisbury, Norfolk and Cornwall, Castleberry has embraced the region since making her move permanent in 2022, bringing with her a remarkable career shaped by a lifelong love of books and art.

Castleberry grew up in the world of books, and especially art books, and she credits her artist mother, an avid art book collector, with igniting her passions. Castleberry’s high school art teacher in Dallas understood how to teach students to channel their imaginations into books and art.

Keep ReadingShow less
Hoarding 
With Style: Sarah Blodgett’s art of collecting

Sarah Blodgett has turned her passion for collecting into “something larger.”

Photo by Sarah Blodgett

There is something wonderfully disarming about walking into a space where nothing feels overly polished, overly planned or pulled from a catalog — a place where history lingers in the corners, where color is fearless, where the objects on the shelves have stories to tell and where, if you are lucky, a cat named Cinnamon may be supervising the entire operation.

That is the world of Sarah Blodgett.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Dr. Paul J. Fasano

Dr. Paul J. Fasano

SHARON — Dr. Paul J. Fasano DDS, of Brewster, Massachusetts, passed away peacefully after a long illness on May 10, 2026, in Boston.

Born in Boston to Philip and Laura (Stolarsky) Fasano on Dec. 13, 1946, he grew up in Dorchester with his two brothers Philip and William.Paul attended the Boston Latin School and graduated from Boston College in 1968.He later completed Dental School at New York University in 1972.

Keep ReadingShow less

David Niles Parker

David Niles Parker

KENT — David Niles Parker, 88, of Middletown, Connecticut, passed away at home on May 6, 2026.

Born January 20, 1938, in Wellesley, Massachusetts, the first child to Franklin and Katharine Niles Parker, David graduated from Wellesley High School, received his undergraduate degree from Wesleyan University, studied at the University of Chicago Divinity School, and earned his master’s in education from Harvard.

Keep ReadingShow less
Janet Andre Block is ‘Catching Light’

Artist Janet Andre Block in her studio in Salisbury.

L. Tomaino

What do Johann Sebastian Bach’s Goldberg Variations, Richard Wagner’s Ring Cycle, Wolfgang Amadeus Mozart’s piano concertos and a quiet room have to do with Janet Andre Block’s work? They are among the many elements that shape how she paints, helping guide her into the layered, luminous worlds she creates on canvas.

Block makes layered oil paintings in rich, deep, misty colors. She developed her technique as an undergraduate at the School of the Museum of Fine Arts at Tufts University and then at New York University, and also time spent in Venice earning a master’s degree in studio art.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.